Homeschooling (home education) is parent-directed, family-based education, and is typically not tax-funded, with parents choosing assistance from other individuals or organizations. Home-based education was nearly extinct in the United States by the 1970s but grew rapidly during the 1990s to about 2.6 million K–12 homeschool students in March of 2020 to then about 5 million in March of 2021. The demographic variety among homeschooling families rapidly increased during the 2000s to the point that in 2016, 41% of homeschool students were of ethnic minority background, with about 79% of those living in nonpoor households, and with parents’ formal education levels similar to national averages. Since the early 2000s, parents’ main reasons for homeschooling have shifted from an emphasis on religious or moral instruction to a somewhat more emphasis on concern about institutional school environments and the academic instruction in schools. Empirical research shows that the home educated, on average, perform above average in terms of academic achievement, social and emotional development, and success into adulthood (including college studies). However, there is scholarly debate about whether enough well-controlled studies have confirmed these overall benefits. Some theories have been proposed to explain the apparent positive effects. They include the concept that elements such as high levels of parental involvement, one-on-one instruction, low student-to-teacher ratios, effective use of time, more academic learning time, customization of learning experiences, and a safe and comfortable learning environment that are systemically a part of home-based education are conducive to children thriving in many ways. However, more research is needed to test these theories.
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Homeschooling in the United States: Growth With Diversity and More Empirical Evidence
Brian D. Ray
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Indigenous Language Revitalization
Anne Marie Guerrettaz and Mel M. Engman
Countless Indigenous languages around the world are the focus of innovative community regeneration efforts, as the legacies of colonialism have created conditions of extreme sociopolitical, educational, and economic adversity for the speakers of these languages—and their descendants. In response to these conditions that Indigenous people face globally, the burgeoning field of Indigenous language revitalization and maintenance has emerged since the 1990s with the goal of supporting speakers of these languages and future generations. Indigenous language revitalization involves different but often interlocking domains of research, practice, and activism. Given the uniqueness of each community and their desires, history, values, and culture, the significance of the local is critical to the global phenomenon that is language revitalization. For instance, cases on five different continents offer valuable insights into this field, including the Hawaiian language in Oceania; Myaamia in the United States (North America); Básáa in the Cameroon (Africa); Sámi in Finland (Europe); and, Cristang and Malay in Malaysia (Asia). These offer examples of both local resources and common challenges that characterize revitalization efforts.
The field of Indigenous language revitalization is interdisciplinary in nature, exemplified through five lines of inquiry that significantly contribute to this area of research: (a) theoretical linguistics and anthropology, (b) applied linguistics, (c) education, (d) policy studies, and (e) critical studies, including postcolonial studies, Indigenous studies, and raciolinguistics. Questions of research ethics are central to the field of Indigenous language revitalization since reciprocity and collaboration between researchers and Indigenous communities matter as the lifeblood of Indigenous language revitalization work. Finally, we believe that the notion of Indigenous language revitalization pedagogies along with underexplored Indigenous concepts (e.g., from Yucatecan and Māori scholars) offer compelling directions for future research.
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The Artist-Teacher
Esther Sayers
Artists who teach or teachers who make art? To explore the identity of the artist-teacher in contemporary educational contexts, the ethical differences between the two fields of art and learning need to be considered. Equity is sought between the needs of the learner and the demands of an artist’s practice; a tension exists here because the nurture of the learner and the challenge of art can be in conflict. The dual role of artist and of teacher have to be continually navigated in order to maintain the composite and ever-changing identity of the artist-teacher. The answer to the question of how to teach art comes through investigating attitudes to knowledge in terms of the hermeneutical discourses of “reproduction” and “production” as a means to understand developments in pedagogy for art education since the Renaissance. An understanding of the specific epistemological discourses that must be navigated by artist-teachers when they develop strategies for learning explicate the role of art practices in considering the question: What to teach? The answer lies in debates around technical skills and the capacity for critical thought.
