Jan Amos Comenius (b. 1592) is widely recognized as a pivotal figure in the history of educational thought. Living during a period of great turmoil he promoted universal schooling as the means to engineer a perfectly harmonious world. His argument turned upon claims to scientific knowledge and a didactic method that could instill truth in all minds. As the ever expanding scholarship on Comenius demonstrates, many still find inspiration in this visionary project. But Comenius’ work must be read in the context of Early Modern thought. Convinced that life was situated in the divinely crafted cosmos pictured in the Book of Genesis, his overarching goal was to restore “the image of God in man” and realize the Golden Age depicted in prophecy. The school was to be a workshop for the reformation of mankind, a place to manufacture of right thinking and right acting individuals. I explore these epistemological and pedagogic arguments and demonstrate their role in his hugely successful Latin primer, Orbis pictus (1658). Comenius, I conclude, was a revolutionary thinker who married subtle observations about the process of learning with sophisticated instructional practices. However, given current views about human nature and the social good, these principles cannot be applied uncritically to contemporary educational problems.
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Jan Amos Comenius
Stephen Tomlinson
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Aesthetics of Leadership
Fenwick W. English and Rosemary Papa
Aesthetics of leadership pertain to leadership activities and actions in contemporary educational settings, expanded to include a range of human sensory experiences, from clothing and cosmetic choices to pragmatic somaesthetics, an area of human decision making that involves choices regarding norms and prescriptions in all human contexts. Considering aesthetics in leadership runs up against a long tradition in educational administration and leadership of conventional social science methods of inquiry and what is considered evidentiary. There are at least six dimensions of organizational issues that are judged to be cultural: determination of normative procedures; organizational rituals, rites, and ceremonies; organizational myths, stories, and legends; statements regarding mission, vision, and philosophy; personnel issues such as mentoring, recruitment, promotion, and role modeling; and architectural and physical structural issues. School culture emerged as a concern of educators and policy change agents engaged in introducing a variety of alternatives in education. It soon became apparent that to be successful, proposed changes in human behavior had to move beyond trying to persuade through the use of facts, data, and logic. Human behavior is in part responsive to psychosocial norms. Only a few of these norms may be written; the majority may be unwritten and learned through living them on a daily basis. The unwritten rules and rituals of a group such as a school or university department, when considered holistically, may be called a “culture.” The art of leadership is not contained by the science of management; it is found in aesthetics, somaesthetics, and connoisseurship, and is embodied by human elements, or accoutrements.
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A Critical Review of STEAM (Science, Technology, Engineering, Arts, and Mathematics)
Laura Colucci-Gray, Pamela Burnard, Donald Gray, and Carolyn Cooke
“STEAM education,” with its addition of “arts” to STEM subjects, is a complex and contested concept. On the one hand, STEAM builds upon the economic drivers that characterize STEM: an alignment of disciplinary areas that allegedly have the greatest impact on a developed country’s Gross Domestic Product (GDP). On the other hand, the addition of the arts may point to the recovery of educational aims and purposes that exceed economic growth: for example, by embracing social inclusion, community participation, or sustainability agendas. Central to understanding the different educational opportunities offered by STEAM is the interrogation of the role—and status—of the arts in relation to STEM subjects. The term “art” or “arts” may refer, for example, to the arts as realms/domains of knowledge, such as the humanities and social science disciplines, or to different ways of knowing and experiencing the world enabled by specific art forms, practices, or even pedagogies. In the face of such variety and possibilities, STEAM is a portmanteau term, hosting approaches that originate from different reconfigurations or iterative reconfiguring of disciplinary relationships. A critical discussion of the term “STEAM” will thus require an analysis of published literature alongside a review and discussion of ongoing practices in multiple field(s), which are shaped by and respond to a variety of policy directions and cultural traditions. The outcome is a multilayered and textured account of the limitations and possibilities for and relational understandings of STEAM education.
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Classroom Discussions
P. Karen Murphy, Carla M. Firetto, Gwendolyn M. Lloyd, Liwei Wei, and Sara E. Baszczewski
Classroom discussions are a common pedagogical approach that involve verbal exchanges of information between teachers and students. Given their importance to teaching and learning, classroom discussions have been the focus of extensive curricular mandates and, to a lesser extent, research over the last several decades. In traditional classroom discussions, the teacher tends to be situated at the center of the discussion. This type of discussion model is commonly referred to as a transmissionary model, where the teacher transmits knowledge and understandings and often leads the discussion by posing factual questions and responding to students’ answers by giving evaluative feedback. However, productive classroom discussions are better characterized by a dialogic model with students at the center of the discussion. When students are encouraged to ask thoughtful questions, give reflective responses, and challenge each other using reasoned arguments within classroom discussions, they are more likely to become builders and owners of their knowledge. Indeed, productive classroom discussions tend to ignite students’ engagement, thinking, and understanding of knowledge across academic content areas. When adopting a dialogic model, classroom discussions can advance students’ learning by promoting their basic and high-level comprehension of literary text, reasoning, and argumentation during mathematical sense-making, scientific reasoning, and model building and even second-language proficiency and communicative competence. While the overarching aim of classroom discussions is to enhance student learning across content areas (e.g., language arts, mathematics, science, or second-language learning), the various roles that teachers assume in each of the content areas may have different emphases that align with various content learning expectations. Optimizing classroom discussions requires specific considerations of the content-focused goal, teacher knowledge of content and discourse orchestration, student instruction on classroom talk, and context of content learning. Importantly, the potential and promise of productive classroom discussions can be realized by supporting teachers’ content-specific discussion practices through sustained professional development and by supporting students through explicit instruction about discussion.
