The professionalization of education involves a modern, capitalist move toward securing a public market for schools and developing social status for educators. As a process that has produced knowledge, rationalized relationships, and controlled markets, professionalization of education has also defined an ethical discourse. Articulated in language, inscribed in state law, and embodied in conduct, professional ethics have been codified formally in “codes of ethics” and informally in professional identity and ways of thinking. The popular discourse of professional ethics in education narrows and constrains ethical possibility in practice. Because of similar forms of codes of ethics across professions, interdisciplinary scholarship from education, social work, psychiatry, and medicine informs a critical examination of professional ethics. The codes, discourse, and standards of professional ethics are historically grounded in the framework of modern rationalism. As the field of education has developed to include a more diverse knowledge-base and new forms of empirical research, the rational order of prescriptive ethics has begun to slip. While regulatory codes of ethics continue to undergird public trust and provide legal insurance against malfeasance, educational scholars and practitioners engage a wider constellation of ethical perspectives and possibilities. Feminist care ethics, post-modern ethics, and phenomenological descriptive ethics present a few possibilities within emergent fields. As the ongoing effects of professionalization are critiqued and the possibilities of professional ethics are re-imagined, schools of education should look beyond the disciplinary enclosures of education to respond to an increasingly diffuse understanding of professional ethics.
Troy A. Martin
Doris A. Santoro
Teachers often characterize their interest in and commitment to the profession as moral: a desire to support students, serve their communities, or uphold civic ideals embedded in the promise of public education. These initial and sustaining moral impulses are well documented in research on teaching and teacher education. However, moral commitments can also be a source of teachers’ dissatisfaction and resistance, especially in the age of the market-based Global Education Reform Movement. This article explores the phenomenon of conscientious objection in teaching as an enactment of professional ethics. Conscientious objection describes teachers’ actions when they take a stand against job expectations that contradict or compromise their professional ethics. Teachers who refuse to enact policies and practices may be represented by popular media, school leaders, policymakers, and educational researchers as merely recalcitrant or insubordinate. This perspective misses the moral dimensions of resistance. Teachers may refuse to engage in practices or follow mandates from the standpoint of professional conscience. This article also highlights varieties of conscientious objection that are drawn from global examples of teacher resistance. Finally, the article explores the role of teachers unions as potential catalysts for collective forms of conscientious objection.
The term “interculturality” acknowledges the complexity of locations, identities, and modes of expression in a global world and the desire to raise awareness, foster intercultural dialogue, and facilitate understanding across and between cultures. Intercultural arts is a critical component of interculturality. One of many global educational imperatives is to further understanding and engage critically in what constitutes intercultural arts. Intercultural arts practitioners and researchers play a significant role in this undertaking. A close examination of intercultural arts work and encounters unravels complex relationships among arts disciplines and ways to conceptualize and understand intercultural arts travels. Intercultural arts research sheds new insights into shared cultural and intercultural futures that need to be reimagined and co-created with a sense of ethical obligations, exploration, openness, and reflexivity. This leads to embracing a multiperspective worldview that addresses and celebrates the embodied nature of intercultural arts practices across global contexts: a worldview that is continually constructed, dynamic, and fluid, existing both within and between locations, and that connotes a particular type of ethical educational space. The study of interculturality in today’s society in general, and in actual intercultural arts practice in particular, is indispensable. For educators who want to engage in researching their professional practice in the “field” of intercultural arts, “field” is a useful agricultural metaphor for the various processes and tools used in researching intercultural arts practice. Social researchers talk, for example, about “entering the field” and “gathering” data as if venturing into the world to harvest material for processing (analysis) before its eventual distribution and consumption by a society hungrily seeking new information to build up its body of knowledge and increase its capacity for growth and improvement. However, for education practitioners researching their own professional practice, and their journey into and focus on “intercultural arts,” it will feel much more fluid and uncertain than being on dry land, and it will require them to locate and address the overlap of practice and ethical agendas in educational research.