Summary

Director-producer-actor Armando Bó made films featuring nude appearances by the voluptuous star Isabel “Coca” Sarli that challenged the social constraints that were taking hold in a more restrictive and violent Argentina. The period from the fall of Juan Domingo Perón in 1955 until the end of the “Guerra Sucia” or Dirty War in 1983 marked a volatile time in the history of Argentina, with ever-increasing acts of state violence. It coincided with a parallel in the film industry: the state began to intervene in production and exhibition practices through laws that limited what was seen on the screen, until censorship was formally legalized. The work of Bó and Sarli falls perfectly within the historical period of onscreen and offscreen violence. The enterprise began in 1956, and their final film was released in 1984 (after the end of the dictatorship and the death of the director). The couple produced films that suffered from the aggressive effects of censorship—through the cutting of specific scenes that displayed the female body—and reflected the growing violence in everyday life. Films like Carne (Flesh, 1968) and Furia infernal (Ardent summer, 1973) tell simple stories of seemingly weak females and aggressive macho males. A closer look at their narratives, however, reveals a more complex femininity and masculinity, one where violence begets violence. Throughout the twenty-seven films they made together, Bó and Sarli consistently revealed sexuality and gender issues at a time when these were invisible in Latin America.