Show Summary Details

Page of

Printed from Oxford Research Encyclopedias, Latin American History. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice).

date: 27 April 2025

Rius: The Cartoonist Voice of the Mexican Leftlocked

Rius: The Cartoonist Voice of the Mexican Leftlocked

  • Sarah Deane (Howard)Sarah Deane (Howard)PhD Student, Department of History, University of Arizona

Summary

Fatherless, poor, seminary educated, and neck deep in the ebbs and flows of the political Left, Eduardo del Río (popularly known as Rius) lived a fascinating life. He experienced, within one lifetime, rural and urban living, religious and secular education, conservative and liberal politics, and the life of a worker and an artist. Awash in experience, Rius’s untraditional trajectory contributed to his ideas of national identity construction. Rius became a voice of distinction at the moment when the Mexican Miracle began to crack, and the promises of the Revolution were left unfulfilled. In his comics, he presented the complex and pressing issues of his country, city, and people brilliantly within the humble setting of a small rural town and the lives of his simple characters. Deep readings of Rius’s books, cartoons, two autobiographies, and two comic books (Los supermachos and Los agachados) provide road maps of the artist’s politics, beliefs, and position of importance in the cultural landscape of Mexico.

Rius’s work, a form of subversive enlightenment, transformed the mundane, day-to-day realities of existence into a project of national identity construction. His unique position allowed for an authentic satire so extreme and hilarious that its audience would absorb new information without realizing. He believed that when an unsuspecting reader (such as a conservative Catholic) read his dramatic arguments soaked in humor and satire, they might just learn something new. A study of Rius’s life and work contributes to knowledge of the cultural pulse of the period. His personal history, political leanings, and understanding of gender echo through his work and exemplify the emotions and national identity of the period. Carlos Monsiváis once declared, in a 2011 article (Montero Diaz, “Rius, El monero sabio”), that there have been three educational institutions in Mexico: Televisa, SEP, and Rius. Examining Rius’s work and life makes clear how the insights found upon his pages drew directly from his life and his position within the movement known as the Mexican Left.

Subjects

  • History of Mexico
  • Cultural History
  • Gender and Sexuality

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Access to the full content requires a subscription