You are looking at 1-20 of 472 articles
Brazil was the last Western country to abolish slavery, which it did in 1888. As a colonial institution, slavery was present in all regions and in almost all free and freed strata of the population. Emancipation only became an issue in the political sphere when it was raised by the imperial government in the second half of the decade of the 1860s, after the defeat of the Confederacy in the US Civil War and during the war against Paraguay. In 1871, new legislation, despite the initial opposition from slave owners and their political representatives, set up a process of gradual emancipation. By the end of the century, slavery would have disappeared, or would have become residual, without major disruptions to the economy or the land property regime.
By the end of the 1870s, however, popular opposition to slavery, demanding its immediate abolition without any kind of compensation to former slave owners, grew in parliament and as a mass movement. Abolitionist organizations spread across the country during the first half of the 1880s. Stimulated by the direct actions of some of these abolitionist organizations, resistance to slavery intensified and became increasingly a struggle against slavery itself and not only for individual or collective freedom. Incapable of controlling the situation, the imperial government finally passed a law in parliament granting immediate and unconditional abolition on May 13, 1888.
From a historical perspective, violence against women and the LGBTQIA+ community (lesbian, gay, bisexual, trans, queer, intersex, asexual, and “+” for other possible associated identities) in Chile has presented itself and been understood in different ways. On the one hand, we have to take into consideration what Maria Lugones has named the “coloniality of gender” and how racism, sexism, and heteronormativity was installed from the colonial period onward, promoting specific violences against indigenous, black, lesbian, and trans women. Additionally, for a great deal of time, from roughly the colonial period until the 1990s, it was considered completely acceptable to use violence in the family and in intimate partner relationships to “correct” and punish women and girls. The Pinochet dictatorship (1973–1990) also adds another dimension to this discussion, as women were affected by gendered and sexualized state terrorism. However, the reappearance of strong women’s and feminist groups during the dictatorship also signaled a profound questioning of these types of gender violence, linking it to patriarchal structures and the need for democracy “in the country” and “in the home.” A similar effect was achieved by the emergence of LGBTQIA+ groups from the 1980s on, as they questioned the historic violence, hate crimes, and discrimination against gay men, lesbians, and, more recently, trans people. In both cases, then, pressures from social movement groups have forced the post-dictatorship Chilean state to pass laws and promote anti-violence public policy. For better and for worse, however, those anti-violence initiatives that have been most successful, in terms of visibility and public policy coverage, have generally centered on violences experienced by white-mestiza, cishet, urban women, particularly those that survive family violence. Historiographies on violence against women and the LGBTQIA+ community are relatively scarce, although there has been increased production in the last ten years, especially around the topics of women survivors of family or intimate partner violence and women survivors of torture and political prison.
Alvis E. Dunn
In the final decades of the 19th century the Central American nation of Guatemala represented some intriguing employment and entrepreneurial possibilities from the point of view of US citizens. The lure of coffee cultivation, mahogany harvesting, even mining was real. Additionally, the promise of employment building an inter-oceanic railroad resulted in significant numbers of African Americans journeying to Guatemala. The relocation offered good pay and many apparently believed that it would also take them to a place where Jim Crow racism was not the predominant and limiting factor that it was in the United States. For at least one of those men however, railroad work was not the primary enticement to the region. By 1893, such alleged opportunities in Guatemala had attracted the black athlete, entrepreneur, and entertainer Billy A. Clarke. During his two years in the country, with his sometime business partner and sparring mate, Rod Lewis, also an African American, Clarke operated a gymnasium where he taught the “Art of Pugilism,” staged several prize fights, and, for a time, captured the imagination of the capital city with the example of modern, imported entertainment and professional sports.
Between 1892 and 1898, Guatemala was ruled by, first president, and later, dictator, General José María Reina Barrios. A globalizer enamored of modernization, European architecture, and North American technology, the environment fostered by Reina Barrios attracted not only contractors and African American workers from the United States to build railroads but also other foreigners who made for the Central American nation, bringing the outside world to the mile-high capital of Guatemala City. Into this setting came Billy A. Clarke, drawn by the same baseline possibilities of solid work and the prospect of less Jim Crow as his African American railroad compatriots, but with the additional promise that his individual skills as a fighter and promoter might reap even bigger rewards. The story of Clarke in Guatemala is one of race, identity, and creative self-promotion. Building an image that combined ideas of the exotic and powerful African with ideas of the North American armed with “know-how” and scientific fighting skills, Clarke became a Guatemala City celebrity and was eventually known as the “Champion of Central America.”
Far from monolithic, the seven Central American countries—Belize, Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua, and Panama—each have unique cultural traditions and historical trajectories. Their different geographies, while not deterministic in any facile manner, influenced their development in ways that continue to shape their national characteristics. The cataclysmic 16th-century Spanish Conquest introduced new peoples and cultural traditions to the region. African slaves, primarily from the sub-Saharan region, accompanied the first Spanish ventures, and, later, as the colonies consolidated and grew, peoples of African descent, both enslaved and free, became a part of the area’s economic and cultural landscape. Starting in the late 18th century, African peoples from the Caribbean—whether forcefully exiled or as a result of searching for economic opportunities—traveled to Central America. Despite a contemporary collective historical amnesia that imagines Africans isolated in specific regions, namely the Caribbean coast, peoples of African descent can be found throughout the Central American nations.
Rather than addressing each country, a thematic approach that focuses on the Spanish Conquest, slavery, emancipation, the ethnogenesis of African connected cultures, the historical erasure of Africans, and the contributions of peoples of African descent helps to understand the complex ways that peoples of African descent have impacted the history of modern Central America. For far from isolated to small populations along the Caribbean, the African presence can be discerned throughout the region, even in places often perceived as entirely devoid of its influence.
Luis Nicolau Parés
Of the estimated 4.9 million African captives disembarked in Brazil, 70 % were shipped from Central Africa, 24 % from West Africa, and the remaining 6 % from the East Coast of the continent. Despite their diverse political and cultural backgrounds, Africans were classified by slavers with a discrete number of generic categories often referred to as “nations.” The enslaved appropriation of such external labels, like Mina and Angola—distinguishing Western and Central Africans respectively—resulted in the formation of new collective identities. The novel ways of colonial belonging and behavior shaped and expressed themselves as distinct forms of Afro-Brazilian culture when organized around social institutions such as Catholic lay brotherhoods or other African-inspired associative dynamics. Religious practice, including music, language, bodily performance, cooking and dress, became a privileged domain for African cultural production, subsequently irradiating into other secular manifestations. The colonial calundu, concerned with healing and oracular functionalities, greatly influenced by the Bantu-speaking people, coexisted and intermingled with the more ecclesiastical West-African traditions of initiatory ritual dedicated to the worship of multiple deities. Despite common elements of celebration, healing and mediumship, Afro-Brazilian religious pluralism was historically marked by an extraordinary eclecticism. Different local interactions with the hegemonic Iberian Catholicism, Amerindian healing practices and French Spiritism, together with the circulation of people and ideas between Africa and Brazil after the end of the Atlantic slave trade, led to a wide range of regional variation. This heterogeneous Afro-Brazilian religious field, prone to continuous discrimination and selective tolerance by the authorities, is stressed by a discursive contrast between the alleged traditional pure African forms and the mixed syncretic Brazilian ones, all claiming their share of legitimacy and ritual efficiency.
Until the 1950s, the distribution of land in Bolivia, as in the rest of Latin America, was very unequal. But in 1953, a year after the 1952 national revolution, the nationalist revolutionary movement (MNR) enacted a decree on agrarian reform that dismantled feudal haciendas in the western highlands, abolished the system of forced peasant labor, and distributed expropriated lands to peasants. While the decree proved redistributive in the Altiplano and valleys, it ended up creating new concentrations of land in Bolivia’s eastern lowlands. This area, which constituted two thirds of Bolivia’s territory, was home to a number of indigenous groups who were displaced from their lands because of the expansion of latifundio in the second half of the 20th century. In 1996, after pressure from below, the neoliberal government of Gonzalo Sanchez de Lozada (1993–1997) approved a new agrarian law that recognized indigenous rights to collective territory (Tierra Comunitaria de Origen, TCO). In 2006, left-leaning President Evo Morales approved a new agrarian law. Although the new legislation mostly ratified the 1996 law, it established that only indigenous and peasant populations could be granted state lands. Despite this legislation claiming to protect the majority Indian and peasant population, scholars such as Colque, Tinta, and Sanjines note that it was under a neoliberal government, between 1996 to 2006, that much of the process of land distribution favored to indigenous groups of the lowlands, and it was under left-leaning President Evo Morales (from 2010 to the present ) that much of land distribution favored medium and agricultural enterprises. The most important clash between the self-proclaimed indigenous Evo Morales and lowland indigenous groups was in September 2011 when indigenous groups living in the National Park and Indigenous Territory Isiboro Sécure (TIPNIS) protested against the government’s unilateral decision to build a road through their territory. Since 2011 (up to the present, 2018) the tension and political distance between president Morales and his loyal coca-leaf grower supporters—many of whom live on the borders of the park and are invested on the construction of the road—versus the indigenous groups of the lowlands have only grown. Ironically, it seems to be under Morales that key indigenous rights such as the right to prior consultation or the right to consolidate territories (TCOs) seem to be at the most risk.
Elizabeth A. Henson
On September 23, 1965, several years of protest, including land invasions, strikes, sit-ins, and cross-country marches, culminated in an armed attack on an army base located in the remote town of Madera, Chihuahua, in northern Mexico. Protesters had demanded that the state comply with land reform guarantees provided for by the constitution of Mexico; students from the normal schools joined in and raised their own demands. Instead of negotiating partial reforms, the state governor called out troops to burnish his reputation as an anti-communist crusader. Nominally organized in the Unión General de Obreros y Campesinos de México, movement leaders broke with national directives and encouraged “direct action” and illegal occupations, while the normalistas acted within a student activist tradition rooted in the Marxism of the 1930s. The agrarian demands came from landless workers in an agricultural valley planted in cotton, whose fortunes were linked to the world market and from dispossessed smallholders in the mountainous backlands now claimed by timber export companies. This mid-century modernization of land use had its counterpart in the protestors’ emulation of the Cuban revolution and their attempt to apply Che’s theory of guerrilla warfare. As the governor’s recalcitrance radicalized the movement, small groups undertook sporadic armed actions in the mountains, disarming forces sent after them. Other leaders moved to Mexico City to avoid arrest, undergo military training, and attempt to gather support; they returned to Chihuahua with the plan to attack the army base. Despite its spectacular failure, the event has been hailed as Mexico’s first socialist guerrilla struggle and served as inspiration for the dirty war of the 1970s, when armed revolutionaries fought the armed power of the state. Attention to its armed component has eclipsed the movement’s underlying basis, which was equally innovative and had lasting influence on Mexican social protest.
Thomas D. Rogers
The Portuguese took sugarcane from their Atlantic island holdings to Brazil in the first decades of the 16th century, using their model of extensive agriculture and coerced labor to turn their new colony into the world’s largest producer of sugar. From the middle of the 17th century through the 20th century, Brazil faced increasing competition from Caribbean producers. With access to abundant land and forest resources, Brazilian producers generally pursued an extensive production model that made sugarcane’s footprint a large one. Compared to competitors elsewhere, Brazilian farmers were often late in adopting innovations (such as manuring in the 18th century, steam power in the 19th, and synthetic fertilizers in the 20th). With coffee’s growth in the center-south of the country during the middle of the 19th century, sugarcane farming shifted gradually away from enslaved African labor. Labor and production methods shifted at the end of the century with slavery’s abolition and the rise of large new mills, called usinas. The model of steam-powered production, both for railroads carrying cane and for mills grinding it, and a work force largely resident on plantations persisted into the mid-20th century. Rural worker unions were legalized in the 1960s, at the same time that sugar production increased as a result of the Cuban Revolution. A large-scale sugarcane ethanol program in the 1970s also brought upheaval, and growth, to the industry.
Liliana Toledo Guzmán
Agustín Lorenzo was a prototypical social bandit, according to Eric Hobsbawm’s definition in his studies of that phenomenon. As a bandit from south central Mexico believed to have lived between the 18th and 19th centuries, the exploits of Agustín Lorenzo have been recounted in myriad ways: myths, legends, loas, corridos, films, carnival representations, among others. Lorenzo is said to have stolen from the rich to give to the poor, swearing to avenge his grandfather’s mistreatment at the hands of his employer, the local landowner. To achieve his mission, the story goes, Lorenzo made a pact with the devil, to obtain supernatural powers. The attributes of this bandit undoubtedly place him in the same category as the great body of stories about banditry that have survived for centuries around the world, particularly considering their shared essence: a desire for justice. In the case of Agustín Lorenzo, it is possible to disentangle the universal principles Hobsbawm established regarding the phenomenon of social banditry from the local context in which this particular myth lives on. Hence, to analyze the myth of Agustín Lorenzo, it is essential to explore the narratives and meanings of the cosmogony of the Nahua peoples of south-central Mexico.
Felipe Fernandes Cruz
Aviation has played a unique role in the history of Brazil, beginning with the life of Alberto Santos-Dumont. Most Brazilians consider him to be the true inventor of the airplane over the North American brothers Orville and Wilbur Wright. Born in the province of Minas Gerais in 1873, he became a global celebrity in the early 1900s when he designed, built, and piloted several of his dirigibles and airplanes in Paris. He won major prizes for his aeronautical feats, such as the Deutsch de La Meurthe prize for an aerial circumnavigation of the Eiffel Tower. Santos-Dumont is a beloved national hero in Brazil. The potent symbolism of his life was often invoked in calls for the development of Brazilian aviation.
Throughout the 20th century, aviation was hailed as a technological panacea for Brazil’s problems. Many Brazilians thought its development could boost homegrown industry and technology, and that aviation would in turn enable Brazil to conquer its frontiers by air. The potential to connect vast and often inaccessible territories by air was very attractive to a state with a weak grip on its frontiers. The dictatorial government of Getúlio Vargas, for instance, used propaganda and cultural programs to engender great excitement among Brazilians for the mass development of national aviation.
This notion of frontier conquest by air played a major role in the development of aeronautical technology in Brazil, creating a unique history of frontier expansion and interaction with indigenous peoples. Starting in 1969, Brazil also became a major exporter of airplanes. Originally a state-owned company, the now privatized EMBRAER is one of the world’s largest aircraft manufacturers, selling military, airline and private jet aircraft around the world.
David Carey Jr.
Dating from the earliest times in Latin America, alcohol has played a crucial social, economic, political, and cultural role. Often reserved for politico-religious leaders, alcohol was a conduit through which power flowed in many pre-contact indigenous societies; indigenous drinkways (production, commerce, and consumption habits) were associated with communal ritual events and social prestige. Introduced to the Americas by Europeans, distillation profoundly altered the potency of alcoholic drinks for people who were accustomed to fermentation. Even as the social and cultural practices of alcohol consumption changed over time, alcohol continued to have political and economic implications in the colonial and national periods in Latin America. Fearing that inebriation bred disorder and recognizing that moonshining undercut their own revenues, colonial and national governments alike sought to regulate, if not control, the production, sale, and consumption of alcohol. In nations as diverse as Mexico, Bolivia, Peru, and Guatemala, indigenous women came to play integral roles in the (oftentimes illicit) sale and production of alcohol. A cash nexus for moving labor and land and a crucial component of the economic system by which (often unscrupulous) labor brokers recruited workers, alcohol was a currency of local economies. As a commodity of local, national, and international significance, alcohol shaped the fate of nation-states.
People’s class, ethnic, race, and gender identities all played into their access to alcohol. Although a person’s choice of libation could define their position, some of the more fascinating histories of alcohol are punctuated with women and men who used alcohol to disrupt social conventions. Through the consumption of alcohol, rituals and ceremonies created and reconstituted community both within and across ethnic groups. Imbibing could also divide people. Even while they sipped their cognacs and brandies, elites portrayed indigenous people, the poor, and other marginalized people getting drunk on moonshine to discount and denigrate them. Often associated with (particularly violent) crime, alcohol was seen as a vice by many and excoriated during temperance movements. Yet defendants across Latin America took advantage of judicial systems that considered alcohol a mitigating circumstance in many crimes. As 20th-century evangelical sects that preached abstinence as the route to wealth and marital bliss grew to unprecedented numbers, traditional healers and biomedical practitioners continued to tout alcohol’s medicinal value. In short, alcohol was a marker of social position and cultural identity, a crucial component in community and state building, and a commodity around which different cultural traditions, healing practices, and policing policies developed and evolved.
Alfred Métraux was part of a prolific moment in which French sociology and ethnology were enlarging their scientific scope and advancing toward new fields. Following the colonial expansion of France, Métraux participated in establishing ethnographic methods for codifying social life, material culture, and artistic forms. Through his own transatlantic voyages and personal exchanges, Métraux left personal documents in different parts of the world. Consequently, many are the archives that hold parts of his personal collections, letters, and published or unpublished materials. In addition, because of Métraux’s own cosmopolitanism, studies on the ethnologist’s life and works can be found in different languages. Métraux meticulously collected artifacts and documents from different cultures, and these items are now part of collections in museums in Argentina, France, and the United States. The multiplicity of themes Métraux dedicated himself to during his life reveal logics and developments of his work, as well as the importance of fieldwork to his making as an anthropologist, or a “man of the field,” as he used to describe himself. His intense and long-term relationship with Haitian Vodou was central in his career as it arose from his early interest in vanishing civilizations, religious systems, and material culture, and defined his personal agenda for future research.
David M. K. Sheinin
During the Cold War, there were thousands of Unidentified Flying Object (UFO) sightings in Argentina (in Spanish, Objeto volador no identificado or OVNI). The mainstream media reported on many of them. In a field termed ufología, some events were explained scientifically or somewhat scientifically; most were not. These sightings and their stories lived on in a culture of thousands of OVNI aficionados and their literatures, frequently spilling into larger popular cultures.
OVNI culture disrupts chronologies. It offers a picture of Cold War Argentina that breaks with longstanding popular and academic chronologies that stress a dictatorship-versus-democracy binary. That binary is real. However, OVNI culture superimposes an often-neglected Cold War chronology on the mid- to late 20th century. OVNI stories and their cultural consumption evolve and vary not with reference to violent Argentine political and historical change, but in the context of a larger transnational Cold War culture in an Argentine context. Hallmarks of OVNI culture in Argentina include the enormous influence of U.S. popular culture, as well as references to apocalyptic nuclear weapons, and unscientific notions of psychoses in explaining late-night sightings of spacecraft and extraterrestrials.
Stephen G. Rabe
On March 13, 1961, President John F. Kennedy announced the Alliance for Progress, an economic assistance program to promote political democracy, economic growth, and social justice in Latin America. The United States and Latin American nations formally agreed to the alliance at a conference held in August 1961, at Punta del Este, Uruguay. U.S. delegates promised that Latin America would receive over twenty billion dollars in public and private capital from the United States and international lending authorities during the 1960s. The money would arrive in the form of grants, loans, and direct private investments. When combined with an expected eighty billion dollars in internal investment, this new money was projected to stimulate an economic growth rate of not less than 2.5 percent a year. This economic growth would facilitate significant improvements in employment, and in rates of infant mortality, life expectancy, and literacy rates. In agreeing to the alliance, Latin American leaders pledged to work for equality and social justice by promoting agrarian reform and progressive income taxes.
The Kennedy administration developed this so-called Marshall Plan for Latin America because it judged the region susceptible to social revolution and communism. Fidel Castro had transformed the Cuban Revolution into a strident anti-American movement and had allied his nation with the Soviet Union. U.S. officials feared that the lower classes of Latin America, mired in poverty and injustice, might follow similarly radical leaders.
Alliance programs delivered outside capital to the region, but the Alliance for Progress failed to transform Latin America. During the 1960s, Latin American economies performed poorly, usually falling below the 2.5 percent target. The region witnessed few improvements in health, education, or welfare. Latin American societies remained unfair and authoritarian. Sixteen extra-constitutional changes of government repeatedly unsettled the region.
The Alliance for Progress fell short of its goals for several reasons. Latin America had formidable obstacles to change: elites resisted land reform, equitable tax systems, and social programs; new credits often brought greater indebtedness rather than growth; and the Marshall Plan experience served as a poor guide to solving the problems of a region that was far different from Western Europe. The United States also acted ambiguously, calling for democratic progress and social justice, but worried that Communists would take advantage of the instability caused by progressive change. Further, Washington provided wholehearted support only to those Latin American governments and organizations that pursued fervent anticommunist policies.
Diogo de Carvalho Cabral
Although it has received less scholarly attention than firearms, microbes, domestic animals and plants, market economy, and statecraft, alphabetic reading and writing was crucial in the European conquest and colonization of the Americas from the late 15th century on. Unlike the agrarian empires the Spaniards encountered in the Andes and the Mexican highlands, the Portuguese frontier advanced upon tribal peoples who relied exclusively on oral language, such as the Tupi of Atlantic Brazil. These were semi-sedentary horticultural villagers whose entire socio-ecology (myths and knowledge, territoriality, subsistence strategies, etc.) was conditioned by the face-to-faceness and fugacity of spoken words. In turn, their Portuguese colonizers—for a while rivaled by the French, who enjoyed short periods of stable settlement through the early 17th century—were urban-based, oceangoing merchants, bureaucrats, soldiers, and religious missionaries whose organization strictly depended on the durability and transferability of written texts. Even if most of the Portuguese who came to Brazil in the 16th century were themselves illiterate, colonization as a social enterprise framed their actions according to prescribed roles set down in writing (both handwriting and printed script). Thus, the Portuguese colonization of Brazilian native lands and human populations can be interpreted from the point of view of the imposition of an alphabetically organized way of life. Two major dimensions of this “letterscaping” can be discerned as to its impact on Amerindian bodies (human and nonhuman) and modes of understanding. Although the 16th century was only the introductory act in that drama, its historical record shows the basic outlines of the alphabetic colonization that would play out through the early 19th century: native decimation and enslavement, territory usurpation by sesmaria grants, forest recovery in former native croplands (then resignified as “virgin forest”), loss of native ecological knowledge not recorded in writing, disempowerment of native cultural attunement to the wild soundscape, among other processes.
The evolutionary history of vertebrate nonhuman animals such as mammals in what is now Latin America extends back tens of millions of years. Given that anatomically modern humans first appeared in Africa a mere 200,000 years ago and would not reach Latin America until some 12,000 years ago, nonhuman animals in the region evolved for most of their history without interference from human activities. Once they appeared, humans began to shape the history of the region’s animals in profound ways. In fact, one could argue that animal history in Latin America has been a story of increasing human impact; from the Paleo-Indians, who may have driven countless species of megafauna to extinction; to the agrarian societies that domesticated species such as dogs, turkeys, and llamas (or tolerated the animals’ self-domestication); to the radical transformations brought about by the Columbian Exchange; to the industrialization process of the last two centuries. But animal history in the region is also marked by adaptation and agency on the part of animals, who have influenced the course of human history. This dynamic and adaptive human–animal relationship has been pushed to the limit during extinction pulses, manifest in the currently accelerating biodiversity crisis. Environmental history makes the convincing case that any historical account that neglects the environment offers an inaccurate depiction of the past. By the same token, animal historians suggest that a more complete understanding of history requires redefining its boundaries to include the often underappreciated story of nonhuman species and their interrelationships with human societies.
Anticommunism was a central force in the history of the Chilean political conflict in the 20th century. Not only did several political actors define their identities and actions by their opposition to Marxist-inspired revolutionary projects, but also the state in different moments excluded and persecuted everything identified as “communist.” To a great extent, anticommunism relied on three main “frameworks”: Catholicism, nationalism, and liberalism, all of which were crucial elements in the construction of the Republic since the 19th century. Different combinations and interpretations within each framework resulted in different anticommunist expressions, from pro-fascist movements and nationalist groups to the conservative-liberal right wing, the Social Christian center and even moderate socialists. Many of them, especially in the second half of the 20th century, understood anticommunism as a defense of different variations of capitalism. Of course, anticommunism was not a uniquely Chilean phenomenon. It was, in fact, an ideological trend worldwide. This conditioned the reception in Chile of global events and ideas, while it enabled the construction of transnational networks among related actors. The enactment of the Law of Permanent Defense of Democracy in 1948, which outlawed the Communist Party, symbolized the alignment of Chilean politics to Cold War bipolarity. However, the Marxist left was able to recover during the “long Sixties,” in a political and cultural environment marked by the Cuban Revolution. The Popular Unity government was the materialization of all anticommunist fears. The counter-revolutionary bloc created then paved the way to the 1973 coup and the subsequent military dictatorship, which used anticommunism as state ideology. Human rights violations were legitimated by the dictatorship from that ideological framework. Anticommunism decayed by the late 1980s alongside socialist experiences around the world.
Lily Pearl Balloffet
Global transoceanic migration booms of the 19th century brought with them more than a quarter of a million migrants from the Arabic-speaking eastern Mediterranean destined for Latin American cities, towns, and rural outposts across the region. Over the course of the early 20th century, a near-constant mobility of circulating people, things, and ideas characterized the formation of immigrant identities and communities with roots primarily in the Levantine area of the Middle East. Over time, historians of this migration have come to interpret as central the transnational and transregional nature of the ties that many individuals, families, and institutions in Latin America carefully maintained with their counterparts across the Atlantic. As the 20th century progressed, Middle Eastern migrants and their subsequent generations of descendants consolidated institutions, financial networks, and a plethora of other life projects in their respective Latin American home places. Meanwhile, they continued to seek meaningful participation in the realities of a Middle East-North Africa region undergoing deep shifts in its geopolitical, social, and cultural landscapes from the disintegration of the Ottoman Empire and the end of World War I, through the tumultuous century that followed.
Kathryn E. O’Rourke
Architecture in Mexico City in the mid-20th century was shaped by rapid economic and urban growth, demographic change, new construction technologies, and politics. Architects adapted modernist idioms and those that evoked historical precedents for new purposes. Key figures who had begun practice earlier in the century, including Mario Pani, Juan O’Gorman, José Villagrán García, and Luis Barragán, designed major new works and strongly influenced the profession, even as a new generation led by Pedro Ramírez Vázquez, Ricardo Legorreta, and Teodoro González de Léon came of age. As they had been since the 1920s, public patrons were the most important clients of modern buildings, which often addressed needs for better housing, education, and health care. The period also saw the rise of modern suburbs and the evolution of the single-family house, as well as the creation of major buildings for increasingly important cultural institutions, especially museums.
As they had in preceding decades, architects used the non-architectural arts, particularly painting, to distinguish their works. The legacy of the Mexican muralist movement was most evident on the facades of major buildings in the new University City, where the influence of international modernist planning principles was also striking. In 1968 Mexico City hosted the Olympics, for which architects, planners, and designers created a network of buildings and images that functioned interdependently to present Mexico as cosmopolitan and historically rooted in its indigenous history. Sprawl and pollution worsened in the 1970s, as the capital came to be dominated by buildings that were not designed by architects. While some observers questioned the relevance of architecture in the face of seemingly unstoppable and uncontrollable growth, talented young architects responded with buildings notable for their monumentality, mass, and sophisticated engagement with historical types.
Beginning in the second half of the 19th century, Argentina became closely linked to the North Atlantic world, as the founding fathers of the modern state established a political order modeled on liberal principles, developed a dynamic export economy, and presided over a large immigration—mainly from Spain and Italy. These processes provided the historical framework for the impact of the European crisis of the interwar years in Argentine cultural groups and debates in the 1930s. The cosmopolitan features of Argentine society and intellectual groups, the country’s political crisis in the 1930s, and the particularly heavy influence of the Spanish Civil War explain how the European situation and ideologies such as Fascism and anti-Fascism were processed in a variety of cultural publications and institutions.