The history of emotion is one of the strongest currents in contemporary historiography. Historians and the public have always considered emotion important, but it has become a topic in itself only in recent decades. The history of emotion now has its own lexicon and key concepts, including emotionology (emotional standards of a community) and emotional communities (the multiple and shifting communities, each with its own standards and practices, within a society). The historiography of emotion in colonial Latin America can trace its origins to colonial works that framed Iberians as emotionally pathological. While this derogatory stereotype is clearly invalid, the notion of a distinct colonial emotional regime is worth investigating. Distinct indigenous emotional standards and understandings, the emotional performances and practices associated with colonial domination, and the relationship between emotion and honor may all be key features of a uniquely Latin American, and uniquely colonial, emotional regime. Similarly, the manifestations of more recognizably “interpersonal” emotion had a distinctively Latin American character. To a great degree, the Catholic Church exercised hegemony over the definition and regulation of emotion, though medical and humoral understandings of emotion were common both to colonial clerics and to the laity; at the same time, however, the emotions associated with sexuality—love, desire, jealousy, and hatred—are testament to the limits of the Church’s control. Moreover, 18th-century cultural and social changes further altered the balance of the colonial emotional regime; reformers criticized what they viewed as the extreme, inauthentic, or violent emotions of the Latin American population, while the authority of psychological and medical explanations of emotion grew, producing “hybridized” understandings.
Historians have extensively explored the topic of architecture in Mexico City in the 20th century. From the relationships between politics, public patrons, new construction technologies, and new idioms of modernism, the impressive story of architecture in this megalopolis continues to astound and captivate people’s imaginations. Architecture was a channel that politicians used to address housing, education, and health care needs in a rapidly growing city. Yet scholars have not been especially concerned with private construction projects and their influence on the process of shaping and being shaped by the visual representation of Mexico City. Private building projects reveal an alternative reality of the city—one not envisioned by politicians and public institutions. Private construction projects in the historic city center are particularly interesting due to their location. These buildings are built on ancient clay lakebeds and volcanic soil on which the Aztecs first built the city. Not only are these buildings located in the heart of the city, the buildings in the rest of the historic district are also sinking. Any building in a historic district that has withstood the test of time should be an object of interest to scholars. The Torre Latinoamericana is perhaps the only building in the historic district and the entire city that ceases to sink, and instead floats! Located on the corner of Madero and San Juan de Letrán, the building sits at the heart of history, culture, and ancient Aztec clay lakebeds. The Torre Latinoamericana was built between 1948 and 1956 and is one of the most important visual symbols of resilience and modernity in Mexico City today.
Fernando Purcell and Camila Gatica
Hollywood, and Disney in particular, played a key role in inter-American relations during the mid-20th century. Hollywood cinema became an important weapon of cultural diplomacy in the context of the Good Neighbor Policy and later during World War II, and it aligned itself with the main diplomatic guidelines issued by Washington. Cinema was widely disseminated throughout Latin America, which helped to consolidate the US message in the region. Thus the close ties between the Hollywood film industry and the State Department is made clear, which became particularly close with regard to Latin America thanks to the creation of the Office of the Coordinator of Inter-American Affairs during the conflict. In this context, the Office of the Coordinator of Inter-American Affairs played a key role in creating a two-way street between Latin American culture and US audiences, as well as presenting the United States as an ally to trust.
Housing has been a central feature of Latin America’s dramatic transformation into the most urbanized region of the world. Between 1940 and 1970, the portion of people who lived in urban areas rose from 33 percent to 64 percent; a seismic shift that caused severe housing deficits, overcrowding, and sprawl in Latin America’s major cities. After the Second World War, these urban slums became a symbol of underdevelopment and a target for state-led modernization projects. At a time when Cold War tensions were escalating throughout the world, the region’s housing problems also became more politicized through a network of foreign aid agencies. These overlapping factors illustrate how the history of local housing programs were bound up with broader hemispheric debates over economic development and the role of the nation-state in social affairs.
The history of urban housing in 20th-century Latin America can be divided into three distinct periods. The first encompasses the beginning of the 20th century, when issues of housing in the central-city districts were primarily viewed through the lens of public health. Leading scientists, city planners, psychiatrists, and political figures drew strong connections between the sanitary conditions of private domiciles and the social behavior of their residents in public spaces. After the Second World War, urban housing became a proving ground for popular ideas in the social sciences that stressed industrialization and technological modernization as the way forward for the developing world. In this second period, mass housing was defined by a central tension: the promotion of modernist housing complexes versus self-help housing—a process in which residents build their own homes with limited assistance from the state. By the 1970s, the balance had shifted from modernist projects to self-help housing, a development powerfully demonstrated by the 1976 United Nations (UN) Conference on Human Settlements (Habitat I). This seminal UN forum marked a transitional moment when the concepts of self-help community development were formally adopted by emergent, neo-liberal economists and international aid agencies.
Bryan A. Banks
Huguenots refer to the group of French Calvinists in France, those expelled from France into the wider European, Atlantic, and global diaspora, and those descendant from either of the first two groups. Driven by faith, religious factionalism, and dynastic rivalries, Huguenots enflamed the French Wars of Religion (1562–1598). Henri IV ended the war by extending a degree of toleration to the Huguenots in 1598 with the Edict of Toleration. Despite the king’s royal edict, the first wave of Huguenots (1530s–1660s) continued to leave France well into the 17th century. The second wave (1670s–1710s) occurred in the second half of the 17th century, when Louis XIV’s persecutory policies began to limit Huguenot communal activities, meeting spaces, available professions, and then with the Revocation of the Edict of Nantes (1685), the ability to be Calvinist legally at all. Following 1685, those who remained in France entered into what is often called the Désert period, when French Calvinists continued to practice their faith in clandestine settings, away from the French dragonnades. Those who rode the two waves out of France, settled in the Netherlands, Switzerland, Great Britain, Ireland, and many of the German states. Some used other European states to ride successive waves of diaspora movement out further into Europe and the Atlantic World, relocating to North America, the Caribbean, Suriname, Brazil, South Africa, and then later on into the Indian and Pacific oceanic worlds. Huguenots took advantage of Atlantic spaces in order to prove their value to the French state, but when France no longer proved safe for Huguenots, the Atlantic offered them a refuge, wherein a complex diaspora community emerged in the early modern period.
Around 1560, indigo-yielding plants were identified in the New World. Settlers turned with enthusiasm to the industry, cultivating the native Indigofera species on large-scale plantations from the Isthmus of Tehuantepec to the Gulf of Fonseca. Production surged, and by 1600 indigo had become the third most valuable export from the Spanish Indies (behind silver and cochineal). After an initial, explosive start, the industry declined toward 1630, crippled by the onslaught of crop plagues, an insufficient supply of labor, and a collapsing transport system.
A second boom came only in the second half of the 18th century, following the Bourbon reforms, and with the recovery of trade through the Central American ports. By this time, a steady increase in European demand for indigo had encouraged the spread of colonial production to Dutch Java, French Saint-Domingue, British Jamaica, and South Carolina. Yet the Central American product had a longstanding, elevated reputation on its sid, and fared well against its rivals with the rare flor tizate, the region’s finest, ranked highest in European markets.
In the three centuries between the emergence of colonial production and the commercialization of a synthetic alternative at the close of the 19th century, indigo transformed lives and landscapes on both sides of the Atlantic. The industry formed an integral part of the Central American economy, with important social and environmental consequences for the region.
Liliana Toledo Guzmán
The Instituto Nacional de Bellas Artes (INBA; National Institute of Fine Arts) was created to replace and broaden the functions of the Departamento de Bellas Artes (DBA; Department of Fine Arts), which was created in 1921 as a branch of the Ministry of Public Education in the context of a Mexico already in upheaval due to the revolutionary armed conflict. The decades leading up to the creation of the INBA were characterized by a constant discussion of how nationalism should be expressed in art. The answer was often associated with rural life and its artistic manifestations; thus research on these expressions became the center not only of the discourse, but of many artistic projects launched by the Mexican government. These expressions were brought to many arenas in public education, from creation to distribution, so that over the course of three decades they were articulated in an organized fashion as much in the rural education project of Jose Vasconcelos as in that of Moisés Sáez, and later, in the socialist education framework of Lázaro Cárdenas.
In the 1940s, the INBA inherited not only the art collections of the DBA but also its role. The promotion of nationalist art would take on new proportions, intending to reach the entire territory. The cultural bureaucracy began to gain strength with figures such as Carlos Chávez, the first director of the INBA. Nevertheless, Mexico was a different country than it had been in the 1920s. During the government of Miguel Alemán, art was strongly associated with tourism and economic dependence on the United States worsened, to some degree affecting artistic expression. Integrationist education, the creation of the Mexican collective imagination in the 1920s, and contradictions clearly seen through social inequality compared to the mythical indigenous world—all these were factors that led to an aesthetic rupture that would seem imminent, just as development, education, and research hoped to become institutionalized through the INBA.
Napoleon Bonaparte’s 1807 invasion of Spain and Portugal set in motion a transatlantic imperial crisis that, within two decades, resulted in Spain’s losing nearly all of its American possessions. Typically, the founding of most Spanish South American nations is attributed to the heroic leadership of the great liberators: Simón Bolívar and José de San Martín. While San Martín is most famous for organizing the Army of the Andes that carried out the liberation of Chile, parts of Peru, and eventually, in 1822, reunited with Bolívar in Ecuador, his time in western Río de la Plata building his army is less understood. From 1814 until 1817, General San Martín took up residence in the western Río de la Plata (Argentina) city of Mendoza to build an army capable of defeating Spanish rule in Chile and Peru. To receive permission to cross the Andes westward into Chile, San Martín needed more than soldiers well trained in European military style and horses: he needed to negotiate with the local Pehuenche people—part of the broader Mapuche peoples of southern Chile and western Río de la Plata—who had successfully resisted Spanish conquest for centuries.
Before San Martín could cross the Andes to invade Chile, he participated in two interethnic diplomatic rituals known as parlamentos in Spanish and koyang in Mapudungun, with the Pehuenche. Nearly forty recorded Spanish–Mapuche parlamentos had taken place in Chile and near Mendoza since 1593. In the two 1816 parlamentos, interpreters translated the negotiations between Pehuenche representatives and San Martín over the exchange of horses, the giving of gifts, the recognition of Pehuenche dominion, and permission for the Army of the Andes to cross the mountains west to Chile. While San Martín chose to spread news of this agreement to confuse the Spanish forces in Chile as to the location of their crossing, opting not to cross Pehuenche lands, these parlamentos nevertheless speak to the power and importance of Pehuenche political traditions during the Age of Revolution.
Robert M. Buffington and Jesus Osciel Salazar
José Guadalupe Posada (b. Aguascalientes, February 2, 1852; d. Mexico City, January 20, 1913) was a prolific printmaker of exceptional technique, range, and originality. By the time of his death, his images had become a staple of Mexico City popular culture, appearing regularly in theatrical posters, advertisements, book illustrations, broadsides, and the penny press. Despite his popularity with impresarios, advertisers, publishers, editors, and readers, Posada received scant formal recognition during his lifetime. That changed in the 1920s with his “discovery” by prominent artists and art critics including internationally renowned muralists Diego Rivera and José Clemente Orozco. By the 1940s, exhibitions of his work had begun to appear in major galleries and museums in the United States and Europe, promoted as evidence of a unique visual aesthetic rooted in traditional Mexican culture and committed to exposing the long-standing oppression of the Mexican people at the hands of corrupt politicians, greedy bourgeoisie, cruel caciques (local party bosses), and foreign interlopers. Although scholars have disputed the genealogy and political nature of Posada’s vision, the revolutionary nationalist interpretation of Rivera, Orozco, and others has provided inspiration and a sense of cultural legitimacy for succeeding generations of artists in Mexico and throughout the Mexican diaspora. Posada is best known for his striking calaveras, notably Calavera Catrina, a fashionable female skull with bows and a fancy hat; and La Calavera Oaxaqueña, a machete-wielding male skeleton dressed in a charro outfit. Published in conjunction with the annual celebrations for Day of the Dead (October 31–November 2) and accompanied by satiric verses, Posada’s calaveras poke fun at the pretentions of the living in the face of their inevitable mortality.
Andrés Estefane and Luis Thielemann
Marxist thought in Latin America was impacted by various transatlantic intellectual, and social influences. The changes in Latin American Marxism can be placed in a five-stage chronological framework. The first stage, from the late 19th century to the early 20th century, encompasses the arrival of European immigrants, who introduced the first references to Marxist socialism, and the local development of that repertoire among workers, journalists, and intellectuals in the urban centers of Latin America. The initial influence of the Second International and Karl Marx’s texts started to change during the second decade of the 20th century, following the debates sparked by the Russian Revolution and the emergence of communism. This context framed the beginning of the second stage, characterized by the emergence of a group of thinkers who questioned the Eurocentric tone and the mechanical assimilation of European Marxism. Taking as a point of departure the particularity of Latin American social formations, and inspired by a strong anti-imperialist discourse, these intellectuals and revolutionary leaders aimed at developing an original reading of Marxist thinking, more pertinent to the rural and indigenous character of the continental societies and the structural legacies of the colonial past. A third stage began in the 1930s, after the fall of the Spanish Republic, the ascent of fascism and Nazism in Europe, and the ideological purges that followed the Stalinization of the Communist Party of the Soviet Union. The increasing influence of the Comintern (the Communist International) deactivated the creative impetus of the early 20th century, though it did not prevent the emergence of intellectuals and local organizations—led by Trotskyism and Left Opposition groups—who strongly criticized Stalinism and the bureaucratization of Soviet Communism. The triumph of the Cuban Revolution in 1959 marked the beginning of a fourth stage in the history of Latin American Marxism. That event inverted the traditional direction of the transatlantic influence, since Latin America became a landmark case for Western Marxism. In the midst of a complex and productive intercontinental dialogue with Europe, Latin American Marxism developed crucial debates on such topics as the colonial legacy of the continental capitalist development, the relationship between racial hierarchies and class struggle, and over the political “routes” to building socialist orders. These dialogues and debates came to an abrupt end after the wave of coup d’états that shook the continent between the 1960s and the 1980s. The political defeats of the attempts to construct socialist systems provoked a Marxist diaspora that brought many European intellectuals back to their own continent and sent many militants and thinkers into exile in Latin America and elsewhere. Interestingly, the evaluation of the defeat was the basis for an ample renovation of the Marxist thought, which marked the beginning of the fifth and current stage, characterized by the emergence of the Latin America’s progressive governments of the 21st century and the gradual withdrawal from the old bases of historical materialism. Although this periodization recognizes the diverse transatlantic contexts that influenced Latin American Marxism, it also seeks to highlight that the production of Marxist thinking on the continent has mainly been connected with the experience of active militants and intellectuals proscribed or marginalized in academia. By extension, the development of Latin American Marxism appears to be intimately linked to the political struggle of the continental Left, which does not negate that Latin American thinkers have also produced theoretical works on Marx.
Machu Picchu is an Inca royal estate constructed in the mid-15th century in Peru’s picturesque high jungle. As a seasonal retreat for celebrations, religious rituals, and administrative affairs when the Incas traveled beyond Cuzco, Machu Picchu was abandoned soon after Spanish conquistadors arrived in the Andes in 1531. The site was largely lost to the Western world until 1911, when a Yale University expedition led by Hiram Bingham lay claim to the scientific and historical “discovery” of the impressive complex of white-granite buildings and agricultural terraces. Contentious debates over cultural patrimony, conservation, indigenous rights, and neoliberal exploitation have enhanced Machu Picchu’s allure as one of the most famous archaeological remains in the Western Hemisphere.
Pablo Azócar Fernández and Zenobio Saldivia Maldonado
In the history of cartography and in critical cartography, there is a link between the role of maps and power relations, especially during the conquest and domination of territories by national states. Such cartographic products have frequently been used—for both their scientific and persuasive content—in different places, such as in Chile in the Araucanía region during the so-called pacification process, led by the Chilean state during the second half of the 19th century. From a cartographic perspective, the “epistemological and unintentional silences on the maps” can be observed for maps produced during this process. It implied that the “scientific discourse” and the “social and political discourse” of the cartographic images generated during this process of conquest and domination were relevant for the expansionist objectives of the Republic of Chile.
From the time that Columbus arrived in the Caribbean until Spain surrendered power over its mainland American colonies in the early 19th century, Spanish and Portuguese colonial mines poured forth vast amounts of bullion, including some gold and a far greater quantity of silver, both in terms of weight and its overall value relative to gold. Fiscal records indicate that Spanish Americans officially refined gold worth approximately 374,000,000 pesos, each consisting of 272 maravedís, whereas the amount of silver produced reached a value of 3,432,000,000 pesos (to these figures need to be added contraband output, estimated to have been around 17–20 percent). In other words, the colonies refined nine times more silver than gold. While Columbus, Cortés, and other earlier explorers may have fantasized primarily about gold, it was the flood of American silver that touched off the price revolution in Europe and monetarized the emerging world economy, especially because China had a voracious appetite for silver, not gold. At the same time in the American colonies, mining distorted economic life because of the incentives the industry received from a silver-hungry monarchy. Mining also had profound consequences for indigenous society, severely exploited to provide workers for the mines and refining mills.
Colonial refiners used two methods to beneficiate their silver ores, smelting and amalgamation. Smelting was suitable for all types of American silver ores but required large amounts of fuel to heat the ovens. It remained widely used throughout Mexico during the entire colonial period. Amalgamation was a newer technology, adapted to American ores during the mid-16th century. Although it did not require large quantities of charcoal and other fuels, as smelting did, amalgamation depended on the availability of mercury. Nearly all quicksilver used in colonial Spanish American silver mining came from either Huancavelica (Peru) or Almadén (Spain), with occasional supplements from Idria (Slovenia). Whereas both smelting and amalgamation were used widely in Mexico, Andean mines relied on amalgamation.
Edward R. Slack
Called “Mar del Sur” [South Sea] when first spotted by Balboa in 1513 and dubbed “Mar Pacifíco” [Peaceful Calm Sea] by Ferdinand Magellan in 1520, the historical relationship between the Pacific Ocean and the people of Mexico is multilayered and dynamic. During the Spanish colonial era (1521–1821), the viceroyalty of New Spain (Nueva España) supervised the Asian and Polynesian colonies of the Philippines and Guam (and briefly Taiwan and the Spice island of Ternate) across the Pacific. Acapulco became a mythical emporium of exotic luxury supplied by the galleons from Manila that for 250 years tied Asia to the Iberian New World. Beyond this famous port, littoral native communities dotting the Pacific coast, from Oaxaca in the south to the forty-second parallel of Alta California in the north, gradually fell under Spanish secular and religious control. The enormous coastline measured approximately 5,400 miles, more than double the length of seaside territory facing the Gulf of Mexico. Following the War of Mexican Independence (1810–1821), the United Mexican States (Estados Unidos Mexicanos) emerged. For the next fifty years, Mexico experienced domestic political instability exacerbated by wars against the United States (Mexican-American War, 1846–1848) and France (1862–1867). When political order was finally established under the regime of Porfirio Díaz (1876–1910), regionalism was confronted by the centrifugal power of a modernizing, technocratic state. Despite losing 840 miles of California coastline, and a lucrative trade route with Manila, in the Mexican-American War, Mexico’s Pacific littoral in the south grew to incorporate the formerly Guatemalan territory of Chiapas, and a new shipping network evolved. Traditional research on pueblos, cities, or states along the Pacific coast emphasizes purely local or regional contexts within the colonial or independent Mexican state; or it is grouped thematically into studies about the galleon trade or California mission settlements. Recent scholarship is encouraging a more balanced approach, accentuating the many threads that wove a rich tapestry of Mexico’s unique relationship with the “Pacific World” (as opposed to the more popular “Atlantic World”); not only in a nationalist framework, but with inter-American and trans-Pacific or global dimensions.
On August 13, 1521, the Spanish conquistadors and their native allies seized Tenochtitlan, the capital of the Aztec empire. The Spaniards succeeded because they had forged alliances with the Tlaxcalans and other indigenous self-governing communities (altepetl) to fight the Aztecs. After the conquest these communities continued their traditions, and the Spaniards largely replaced Aztec leadership with their own. In addition, the friars and the secular church converted the natives to an extent, and together with the crown they foiled the conquistadors’ attempts to become liege lords with jurisdiction. The process culminated in the New Laws of 1542, which curbed the encomienda, a grant to Spaniards that comprised several Indian towns paying tribute. A society of social bodies evolved, composed of municipal councils, lay brotherhoods of churches, and others, complete with their own laws and jurisdictions. Then a series of silver strikes beginning at Zacatecas in 1546 drew settlers into the Bajío north of the former Aztec and Tarascan empires. The local natives resisted initially, and when peace came, they and the settlers created a dynamic early capitalist economy that invigorated other regions. The frontier expanded when animal herds moved further north beyond the mines, and the zone of Spanish influence grew to the south as well.
In 1540 Spanish conquistadors and their indigenous allies began occupying the northwestern Yucatan Peninsula, and they took Tiho/Mérida in 1542. The Yucatan, the Bajío, and the other regions that composed colonial Mexico successively integrated into a global commercial network spanning Europe, Africa, and Asia. The crown and the merchant guild (consulado) in Seville sought to capture the burgeoning Atlantic commerce within the fleet shuttling between Seville/Cadiz and Veracruz and restrict the silver flowing from Acapulco to Asia via the Philippines. Yet market forces defied most of the rules they put in place. Merchants from Asia settled in Manila; Peruvians docked in Acapulco; and the Dutch, French, and English competed with fleet merchants or operated contraband trade from the Caribbean islands to New Spain. In the 18th century, the crown loosened trade regulations within the empire and continue curbing the autonomies of social bodies. A series of investigations (visitas) shook New Spain, and more compliant viceroys and officials appeared, while the friars lost over one hundred parishes (doctrinas) during the mid-century. The king expelled the Jesuits in 1767; registered ships sailing individually replaced the fleet in 1778; and in 1786 José de Gálvez introduced the intendants in New Spain. As the empire transitioned toward a territorial state, Napoleon imprisoned the Spanish king (1808). In 1810 Miguel Hidalgo and a popular following unleashed the War of Independence. As the conflict unfolded, the legitimacy of the old order crumbled, and the empire dissolved in 1821.
Luis Jaime Castillo Butters and Karla Paola Patroni Castillo
The Moche developed in the north coastal valleys of Peru between 200 and 850
The history of Colombian national parks started in 1948 with the establishment of a reserve for scientific research, which stood alone until the 1960s, when various state agencies created a few parks with quite different goals in mind, including preserving imposing landscapes and conserving water. This rather casual development changed after the growing international concern for the environment led to the creation of an environmental agency in 1968 and the enactment of an environmental code in 1974, which served as institutional platform for the planned expansion of a system of national parks based largely on ecological criteria.
Chronically underfunded and understaffed, the Office of National Parks has confronted its weakness by establishing parks which confer legal protection on areas whose natural attributes were deemed valuable. Such a strategy has led to confrontations with local populations living in and around parks, whose rights to resource use have been hampered. The office’s incapacity to properly enforce rules and its attempts to work with rural communities, especially indigenous groups, have to some extent mitigated such tensions. It has further sought to enlist the support of the middle classes and been forced to deal with illegal armed groups on the left and the right, as well as the national army, vying for territorial control. Although parks have not fulfilled their ideal, they have fostered the notion that the nation has a natural patrimony and have contributed decisively to its conservation.
The New Philology and its emphasis on the use of indigenous-language sources for ethnohistorical insights contributes greatly to the study of religion in New Spain. Previous studies primarily employed Spanish-language accounts and reports to understand evangelization efforts. Although providing important insights, histories based solely on Spanish sources are limited in their contributions. The New Philology, however, provides an additional point of view from which to study religion. Indigenous-language texts in Nahuatl (Aztec), Yucatec Maya, Mixtec, Zapotec, and other languages contain a wealth of information on how natives responded, negotiated, resisted, and participated in the spread of Catholicism. The contributions of the New Philology to the study of religion in New Spain, although many, are particularly evident in its re-evaluation of the spiritual conquest; the natives’ role in evangelization; the diversity of religious beliefs, practices, and experiences throughout the colonial period; and through its critical study of the legend surrounding the Virgin of Guadalupe.
Manoel de Oliveira Lima (b. Recife, December 25, 1867–d. Washington DC, March 24, 1928) was one of the most prestigious men of letters of his generation. As a historian, diplomat, literary critic, journalist, writer, and professor, he maintained an intense intellectual activity. His strong and often controversial views galvanized public opinion and gathered as many admirers as detractors. The “Fat Don Quixote” and the “Intellectual Ambassador of Brazil” were at the same time deemed a “Diplomatic Torpedo” with an “incontinent pen.” Lima became a renowned scholar and public speaker thanks to his expertise on Latin American history, especially on the history of Brazil. He was the author of numerous books and articles published in Europe and the Americas, and a lecturer at Harvard, Stanford, and the Sorbonne. He was a founding member of the Brazilian Academy of Letters. His career as a diplomat began in 1891, the same year he married Flora de Oliveira Lima (neé Cavalcanti de Albuquerque, b. Cachoeirinha, October 26, 1863, d. August 12, 1940, Washington, DC), his lifelong companion and collaborator. Together they lived in Portugal, Germany, the United States, Great Britain, Japan, Venezuela, and Belgium until his retirement. A devoted bibliophile, Oliveira Lima donated his rich collection of rare books, artwork, manuscripts, prints, photographs, and documents from his personal archive to the Catholic University of America in 1916. In 1920, he established residence in Washington, DC to oversee the organization of the university’s library, which was inaugurated in 1924. He taught international law and acted as librarian at CUA until his death in 1928. The Oliveira Lima Library (OLL) is currently considered one of the finest collections of Luso-Brazilian materials and one of the most important Brasilianas in the world.
Throughout the 1980s, Central America was wracked by conflict. El Salvador faced a guerrilla insurgency, Guatemala’s long conflict festered, and Nicaragua faced a continually escalating U.S.-led proxy war that used fighters, loosely referred to as the Contras, to wage war on the Nicaraguan government through cross-border raids that implicated Costa Rica and Honduras in persistent violations of sovereignty. The Treaty of Esquipulas, spearheaded by Costa Rican President Oscar Arias Sanchez, ended these conflicts and brought stability to the region.
The Treaty of Esquipulas stands as one of the most significant and understudied peace agreements of the late Cold War. These accords ran counter to the will of the more powerful United States, which throughout the 1980s had sought to use military force as the key to achieving regime change in Nicaragua. The United States policy of supporting guerrillas that waged a war of regime change in Nicaragua fanned the flames of conflict and destabilized the region. Esquipulas undermined this destructive policy. For the first time, the small nations of Central America, so long considered the imperial servants of the United States, thwarted an aggressive U.S. military policy. Through intense diplomatic meetings, and in the wake of the controversy that developed from the Iran–Contra scandal, President Arias of Costa Rica succeeded in creating a peace agreement for Central Americans and authored by Central Americans. The Esquipulas accords were a blanket repudiation of the near decade-long Contra war policy of the United States. Central America created diplomatic unity and facilitated a successful opposition to the military policy of its more powerful neighbor. This agreement was a great triumph of peace and diplomacy created in the face of what seemed like overwhelming odds.