Thiago Lima Nicodemo, Pedro Afonso Cristovão dos Santos, and Mateus Henrique de Faria Pereira
Brazilian historiography in the 19th century stands for a variety of practices and ways of doing history. In the beginning of the century, the writing of history assumed a specific color after the arrival of the Portuguese Court in 1808, who were escaping the invasion of Portugal by Napoleonic troops. After political independence from Portugal (1822), this writing had to deal with the questions that occupied the minds of its authors, people mostly close to or part of the political elite of the country. Forging a nationality through history, dealing with the tensions between local affiliations and the nation-state, placing indigenous and African peoples in the historical narrative, combining an exemplary history with future-oriented thinking, and using history for international relations issues (such as boundaries disputes) were among the motivations and preoccupations involved in that work. Underlying it all, the myriad ways of writing history in the 19th century had to do with the ways the authors circulated among a world of public archives in the making, personal archives available through certain connections, booksellers, publishers, oral informants, and a changing community of readers and critics that were conforming and disputing rules of acceptability as to what could be considered a work of history. Thinking about the Brazilian historiography of the 1800s as a way of combining practices of archiving, reading, copying, writing, and evaluating can help us understand the remarkable variety of histories and historiographical works written in the period.
Lilia Katri Moritz Schwarcz
This article provides a larger panorama of the cultural politics of the Brazilian Empire during the 19th century and following the long Second Reign of Pedro II. The central figure of the emperor—as a kind of animator of cultural, scientific, and artistic life—and the conservative profile of the national movement are key issues. The article analyzes the development of the main professional schools of the country, which taught medicine (in Rio de Janeiro and Salvador) and law (in São Paulo and Recife), and also tells the story of the Historical and Geographical Institute and the origins of the museums of art in Rio de Janeiro, the former capital of the court, and scientific museums in Rio de Janeiro, São Paulo, and Belém.
Hugo Rogelio Suppo
Between 1934 and 1943, French cultural diplomacy in Brazil was the task of intellectuals, the so called “intellectual ambassadors.” Notwithstanding the differences in their individual profiles, political convictions, academic conceptions, and religious beliefs, they all carried out their common mission of creating a pro-French profile in the Brazilian academic realm. The article is an analysis of the strategies, means, actors, and results of French cultural diplomacy in Brazil between 1934 and 1943, whose success can be explained, fundamentally, by the symbiosis between the university field and the diplomatic field.
In Brazil between 1920 and 1945, the potential for professional advancement increased significantly among literate individuals in three main areas: the intellectual and academic field in São Paulo and the emergence of a university-based intelligentsia; the boom in the publishing industry and the rise of professional novelists; and the Vargas regime’s widespread and deliberate co-optation of intellectuals. The interpretation presented in this article links class dynamics to changes within the activities of intellectuals, some of whom are analyzed here in the context of political and institutional tensions produced by the collapse of the oligarchic Old Republic (1889–1930).
Carlos Brandão and Hipólita Siqueira
Brazil is a vast and highly complex country that is subordinated to its central hegemonic poles and that combines both backwardness, modernity, progress interrupted by unfinished cycles of growth, and extreme inequality. Paradoxically, it is on the one hand ranked among the nine most advanced capitalist countries in the world and, on the other, listed as one of the nine countries with the worst income distribution. Attempts to interpret these dilemmas, historical disjunctives, and impasses have produced a plethora of original intellectual work that deals with the specificities of this most dynamic and yet highly contradictory national space.
A select few authors have produced extensive work on the subject and have legitimized themselves as the pinnacle of classical interpreters of Brazilian social and political thought. The originality, broad scope of analysis, and ingenuity of these great national thinkers have made them the authors of choice for those seeking to better understand Brazil as a nation. Their classics have formulated key and critical questions relating to the often-interrupted construction of this nation and the truncated, material, and spiritual or immaterial development of the Brazilian civilization as a whole, which began as a former Portuguese colony founded on slave labor. These are very comprehensive formulations, with a long-term historical perspective produced by those who have taken a very profound and highly structural look at Brazil, shedding light on aspects of its hitherto-obscure or unquestioned reality, enlightening and inviting to think more coherently, boldly, and consequently about its present and, indeed, future.
Among the main contributors are the likes of Caio Prado Júnior, Celso Furtado, Fernando Henrique Cardoso, and Florestan Fernandes, who have developed approaches to help unveil the nature and characteristics of the processes of dependence and underdevelopment that are so specific to Brazil’s peripheral capitalism.
Tania Regina de Luca
Printed periodicals constitute sources increasingly used by researchers in the human sciences, as the catalogues of publishers, dossiers of academic journals, and research carried out in graduate programs show. The enormous variety of titles, many of which are easily available thanks to the digitalization programs of the institutions that hold them, seems capable of meeting a wide variety of interests. While heterogeneity is one of the attractions of this type of documentation, it also raises significant challenges for those who use this material as a source, since methodological procedures are subordinated to the specific nature of the selected printed material. Not by chance, wide-ranging works, which propose to cover the history of the press as a whole, have ceded space to monographic works dedicated to in-depth analysis of a single periodical or a restricted number of titles. Cultural and literary periodicals have attracted particular attention from specialists, since they included in their editorial teams combative intellectuals committed to disseminating aesthetic, social, and political postures, which makes these publications privileged vehicles to investigate sensibilities, tastes, themes, and ideas, in short shared readings that help us to understand the dynamics of cultural life at a given moment.
The history of Marxism in Brazil has been marked by discord. This tension makes sense considering that historical materialism developed in a European social environment, contrasted, to some extent, with the Asian context. The problem is, therefore, twofold. First, the theory proved incapable of reflecting the specificity of a particular social formation. The latter, differing significantly from the reality in which Marxism emerged, comes to be seen as “eccentric.” Moreover, Marxist theory seeks to transform reality, which contributes to a confusion between thought and politics. In the same sense, Marxism cannot be self-sufficient, because it must respond to the challenges of the environment in which it is inserted, contributing, in turn, to its contact with other intellectual and political traditions.
Marxist thought in Brazil can be divided into three main historical moments: the first was marked by the preponderant influence of communism, from the 1920s to the 1964 coup; the second was characterized by the emergence in the mid-1950s of a New Left; and the third was the debate regarding democracy, which has gained momentum since the end of the country’s most recent authoritarian period in 1985. Throughout this extended historical period, Brazilian Marxists have been preoccupied with a recurring concern: How will the Bourgeois Revolution happen in Brazil? The periodization is not exact, with trends often overlapping and fostering an evolving political culture. In this way, through opportunities seized and missed, the Left—whose main theoretical reference today is still Marxism—penetrated Brazilian society and became an important part of national life.
Manoel de Oliveira Lima (b. Recife, December 25, 1867–d. Washington DC, March 24, 1928) was one of the most prestigious men of letters of his generation. As a historian, diplomat, literary critic, journalist, writer, and professor, he maintained an intense intellectual activity. His strong and often controversial views galvanized public opinion and gathered as many admirers as detractors. The “Fat Don Quixote” and the “Intellectual Ambassador of Brazil” were at the same time deemed a “Diplomatic Torpedo” with an “incontinent pen.” Lima became a renowned scholar and public speaker thanks to his expertise on Latin American history, especially on the history of Brazil. He was the author of numerous books and articles published in Europe and the Americas, and a lecturer at Harvard, Stanford, and the Sorbonne. He was a founding member of the Brazilian Academy of Letters. His career as a diplomat began in 1891, the same year he married Flora de Oliveira Lima (neé Cavalcanti de Albuquerque, b. Cachoeirinha, October 26, 1863, d. August 12, 1940, Washington, DC), his lifelong companion and collaborator. Together they lived in Portugal, Germany, the United States, Great Britain, Japan, Venezuela, and Belgium until his retirement. A devoted bibliophile, Oliveira Lima donated his rich collection of rare books, artwork, manuscripts, prints, photographs, and documents from his personal archive to the Catholic University of America in 1916. In 1920, he established residence in Washington, DC to oversee the organization of the university’s library, which was inaugurated in 1924. He taught international law and acted as librarian at CUA until his death in 1928. The Oliveira Lima Library (OLL) is currently considered one of the finest collections of Luso-Brazilian materials and one of the most important Brasilianas in the world.
Nísia Trindade Lima and Tamara Rangel Vieira
In Brazilian social thought, the sertão is understood more in a symbolic than a geographic manner and thus does not have a precise spatial characterization. As a result, many places have been identified as such in the history of Brazil. Analyzing the vast repertoire of meanings given to the idea of sertão, the absence of the state can be seen as a characteristic that distinguishes it, irrespective of the period considered. In this sense, the relations between space and social thought or between space and interpretations of Brazil are emphasized, highlighting the sertão–coast dualism which emerged following the publication of Euclides da Cunha’s Os Sertões as one of the possible ways of understanding the historical formation of the country. This dualism can be observed in distinct periods ranging from the literature about the scientific missions in the early 1900s to the debates about the construction of Brasília in the middle of the same century. Representations of the sertão in medical writings, sociological thought, literature, and film evince the resilience of this category as an ongoing metaphor for understanding Brazil.