Of the many conditions pronounced that have been strongly featured in the Caribbean experience since the ending of slavery in the 19th century, exile ranks as one of the most profound. Its impact is far-reaching. The circumstances that encourage exile are well known and involve either a willful decision to leave one’s country as a result of political and economic distress or a forced departure sanctioned by the state in an effort to quash internal dissent. There is also the case of political exile of state leaders who fall from grace, a situation associated more with Haiti than with other countries in the Caribbean. Whatever the reasons, exiles and refugees—like other migrants from the Caribbean—brought the Caribbean experience to wider attention. People from the islands surrounded by the Caribbean Sea have since the first days of colonial rule made of that sea a highway for travel to other places, an escape and entry into the wider Atlantic.
The personal impact of exile is manifest in several domains, but most obviously in Caribbean culture. The Rastafari faith in Jamaica has as one of its fundamental beliefs that blacks in the Caribbean are in a state of displacement, taken by force to an oppressive Babylon. The Rastafari desire for repatriation to Africa as necessary to bring to an end centuries of exilic life in the Caribbean is not uncommon, nor is their spiritual and cultural preoccupation with exile. Caribbean writers have consistently written about exile and a yearning to return to an imagined home: Barbadian writer George Lamming’s The Pleasures of Exile, Martinican Aimé Césaire’s Return to My Native Land, Jamaican Thomas MacDermot’s poem “A Song for Exiles” (written under the name Tom Redcam), or Bob Marley’s Exodus document the exile experience from several perspectives. Common to all these examples is a melancholic sense of rootlessness and guilt that exile creates among those who have left. There is also a persistent theme of the Caribbean exile as wanderer, moving in and out of different locations across the Atlantic while searching for both a spiritual and physical home and a rationale for their condition. It is a perceived inability to settle completely in a foreign country that produces this guilt. Bob Marley captured this perfectly in “Running Away,” the most poignant of his songs recorded during his exile from Jamaica in 1977: “You must have done something wrong / Why you can’t find a place where you belong?” which is followed later by the rationalization of the decision to leave—“It is better to live on the house top than in a house full of confusion.”
The longing to return, whether to Africa, Europe, or Haiti, has been a constant theme in Haiti and the Caribbean, and it is linked to the long centuries of slavery. Metaphors of slavery and its associated sense of displacement are replete in the literature on exile not only in the 20th-century writings of Depestre, Dany Lafferière, Danticat, the art of Edouard Duval-Carrié, and the music of the Haitian diaspora, but also in references to the social conditions of the Caribbean’s populations during the period of slavery. If exile has been a persistent theme in Caribbean history, popping in and out of narratives of the nation at various points on a temporal map of the region, in Haiti it has been woven completely into the fabric of Haitian national history. Exile has always carried a powerful resonance in Haitian culture because it has been a pervasive aspect of Haitian political life. Twentieth-century cultural references to exile and displacement are numerous. In the decades since the coming to power of François Duvalier in 1957, which precipitated mass migration from the island, the theme of exile has been consistently and most powerfully articulated by Haitian writers and singers. From Réne Depestre’s famous poem “Exile,” in which he compared the country itself to a departure gate in an airport with people waiting to leave, to Edwidge Danticat’s novels, the theme is ever-present. Rodrigue Milien’s painful song of exile in the Duvalier years, “Nostalgie,” sung in both Creole and English, poignantly captured the loneliness of the Haitian exile: “When someone leaves his country far away and life is mistreating you and you want to kill yourself … take me back to Haiti, take me back to Haiti.”
This article considers the roots of exile in Haiti’s long 19th century, which Haitian scholar Patrick Bellegarde-Smith has suggested began with independence in 1804 and ended with U.S. military occupation in 1915, through the personal experiences and writings of three prominent 19th-century exiles: Joseph Balthazar Inginac (Mémoires, 1843), Edmond Paul (Les causes de nos malheurs, 1882), and Anténor Firmin (Lettres de Saint-Thomas, 1910). None of these men were ever president of Haiti, but they all wielded political and intellectual influence. Common to all three was their forced departure from Haiti for political reasons. They each settled in locations across the Caribbean at different times. Notably, none of these writers settled in North America or Europe. From afar they wrote extensively on Haiti’s predicament and the impact of exile on Haiti and their personal lives. Through a reading of their experiences in exile it is possible to arrive at a fresh perspective of the place of exile in the unfolding of Haiti’s post-independence development.
Article
Robin Moore
Fernando Ortiz is recognized today as one of the most influential Latin American authors of the 20th century. Amazingly prolific, his publications written between the 1890s and the mid-1950s engage with a vast array of subjects and disciplines. Perhaps Ortiz’s most significant accomplishments were the creation of the field of Afro-Cuban studies and major early contributions to the emergent field of Afro-diasporic studies. Almost everyone else associated with similar research began their investigations decades after Ortiz and in dialogue with his work. Ortiz was one of the first to seriously examine slave and post-abolition black cultures in Cuba. His studies became central to new and more positive discourses surrounding African-derived expression in the mid-20th century that embraced it as national expression for the first time in Latin America.
This essay considers Ortiz’s academic career and legacy as regards Afro-Cuban musical study beginning in the early 20th century (when his views were quite dated, even racist) and gradual, progressive changes in his attitudes. Ortiz’s work on music and dance have been underrepresented in existing academic literature, despite the fact that most of his late publications focus on such topics and are considered among his most valuable works. His writings on black heritage provide insight into the struggles within New World societies to overcome the racial/evolutionist ideologies that justified colonial subjugation. His scholarship resonates with broader debates throughout the Americas over the meanings of racial pluralism and the legacy of slavery. And his changing views over the years outline the trajectory of modern Western thought as regards Africa and race, specifically the contributions of Afro-diasporic peoples, histories, and cultures to New World societies.
Article
Hanna Garth
Cuban cuisine brings together the island’s histories of colonial relations with Spain and the culinary traditions of Africans, Amerindians, Chinese laborers, and those who migrated from Haiti and Jamaica. This dynamic food draws from these traditions and the island’s tropical climate to create a rich and multidimensional cuisine. Cuba’s food system is also deeply tied to Cuban national politics and international trade. Under socialism Cuba has had a fifty-year-old food-rationing system, and the majority of Cuban foods are imported. Despite these changes, Cuban household cooks work diligently to create complete meals, and they bring together the ingredients for various special occasions throughout the year.
Article
Andrey Iserov
Francisco de Miranda (March 28, 1750, Caracas, Venezuela—July 14, 1816, La Carraca, Spain) was a Spanish American revolutionary who after a career in the Spanish Army from 1783 devoted his life to the cause of Spanish American independence. The various designs of Miranda in the 1780s–1800s were founded upon the idea of a military liberation expedition to Spanish America led by him and organized with the support of a power (Great Britain, United States, France) in conflict with Spain that would then foment existing discontent and lead to a wide-scale revolt and independence. Though these plans failed, as did his attempt to organize an expedition from New York without the support of any power (1805–1807), in 1810 the revolution in Spanish America started without his participation as a consequence of the Napoleonic invasion of Spain. Miranda was called to Caracas and eventually led the short-lived First Venezuelan Republic in 1812. After its defeat he spent the last years of his life in Spanish jails. Miranda’s failure influenced the South American revolutionaries who adopted the tactics of unconditional warfare against the Spanish troops from 1813.
A shrewd and sophisticated expert in world affairs and political intrigues and an acclaimed military commander, Miranda was persistently trying to use the conflicts between great powers to achieve his goal though he knew that these powers’ leaders were eager to use him as a trump card against the Spanish Empire in their geopolitical games. His contacts ranged from US Founding Fathers, British Prime Minister William Pitt the Younger and Viscount Melville to the Prussian king Friedrich II and the Russian empress Catherine II. He was a respected peer in the high society of the European “republic of letters” in the Age of Enlightenment. In the United States his friends belonged to the Federalist Party, which represents an interesting phenomenon since Federalists are usually viewed as being generally skeptical toward foreign revolutions. In Spanish America Miranda’s ideas received no support until 1810–1812, as his failed expedition clearly shows—this is an excellent example of the interplay between “evental history” (histoire évenémentielle) and the longue durée, demonstrating how fast and unpredictable radical historical change may be. In spite of this long political solitude, Miranda entered the Spanish American symbolic pantheon as the precursor of independence.
Article
Elizabeth Manley
On March 12, 1956, Basque National and Columbia University lecturer Jesús María de Galíndez Suarez disappeared from New York City never to be seen again. While no conclusive evidence was ever uncovered, it has been widely accepted that he was taken by functionaries of the regime of Rafael Trujillo in the Dominican Republic, flown to the island, tortured, and killed. Galíndez, who had worked for the Trujillo regime after fleeing Spain in 1939 and subsequently immigrated to the United States in 1946, had just completed a dissertation on the Trujillato at Columbia. The regime did not look kindly on his chosen perspective and set in motion a plan to have him disappeared. Following his abduction, many U.S. solidarity activists joined forces with Dominican exile groups to push for greater attention to the atrocities of the Trujillo regime as well as for a closer investigation into Galíndez’s disappearance. While Trujillo had similarly disappeared a number of individuals in the United States and other Latin American countries, the Galíndez case is unique for several reasons. First, Galíndez’s life offers a prime example of a transnational identity, of someone who juggled multiple identities and causes, crossed physical and ideological borders, and operated daily with conflicting alliances and allegiances. Second, the murder of the Basque national mobilized a significant collective of solidarity activists in the United States, garnered considerable national press, and built a foundation for future activism. Moreover, as Galíndez had been working as a U.S. intelligence operative since before his arrival in the United States, his story complicates the traditional nexus of solidarity work. Finally, the case offers a unique window onto the geopolitics of the early Cold War (prior to the Cuban Revolution) and the intricacies of the second half of the Trujillo regime.
Article
Giovanna Montenegro
In 1528, the Welsers, bankers of Augsburg, received a capitulación (contract) from Charles V, Holy Roman emperor and king of Spain, to govern the Province of Venezuela for the Spanish Crown. The territory, located in the northwestern region of modern-day Venezuela, was ruled by a joint German-Spanish administrative team that was plagued by chaos and distrust. In addition to undertaking conquest expeditions, the Welsers engaged in both the African and the indigenous slave trade and experimented with the extraction and export of medical plants such as balsam. The Spaniards, anxious about the Welsers’ access to power in the conquest and colonization of the “Spanish” Indies, saw the Welser governors as Lutheran barbarians. Most of the Spanish historiography did the same. In any case, the colony ended officially in 1556, soon after Juan Carvajal tried to administer the colony and had Philipp von Hutten, the colony’s governor, and Bartholomäus Welser VI, the eldest son of the company’s boss, assassinated. The colony was mostly forgotten in Germany until the 19th century, when German imperialists used it as an example to further colonization in parts of Africa and the South Pacific. Venezuelans, after gaining independence from Spain, maintained a pro-Spanish view of the colonization of the nation’s western territory into the early 21st century.
Article
There has been a century of Haitian immigration to the neighboring Dominican Republic, initially as seasonal cane cutters. Noteworthy are the manu militari policies and ethnically discriminatory legislation adopted under the Trujillo dictatorship (1930–1961), including the legacy of these under the subsequent mainmise administration of his protégé President Balaguer. The diversification of this migrant labor in recent decades has been accompanied by the struggle between competing ideological factions to revise the obsolete migration legislation at the turn of the 21st century. The ensuing normative bias is detrimental to Haitians and constitutes unwarranted incursions into nationality matters.
Understanding discrimination and anti-Haitianism in the Dominican Republic and how this has been confronted underpin an analysis of current issues. Given the reluctance of political leaders and private-sector interests to address xenophobia and racism affecting Haitians and persons with Haitian ancestry, the role of civil society practitioners has come to the fore. This contestation on the part of civil society is exemplified in the strategic litigation outside and within the country, especially as regards the threat of nationality stripping of Haitian ancestry Dominicans born in the Dominican Republic.
The buildup to the crisis of 2013 stemming from the decision of the Dominican Constitutional Court (CC), La Sentencia (as it became known), which effectively rendered stateless 133,000 Dominicans of Haitian ancestry, is critical to understanding how and why this has happened. It also helps explain the nature of the palliative efforts set in motion by the Dominican authorities to mitigate the effects of the Sentence. Civil society’s response has been characterized by different but interrelated processes mandated by the Sentence and then enacted in twin but different legislation. Both the National Regularization Plan for Foreigners with an Irregular Migration Status (PNRE) and Naturalization Law 169-14 for those persons denationalized in September 2013 are examined.
Finally, taking stock entails examining the prospect of lasting change toward proper integration of Haitian migrants and the recognition of the right for their descendants born in the Dominican Republic to have and to hold Dominican nationality. Heightened judicial engagement is doubtless necessary, but the cultural turn perhaps holds the key to more sustainable gains in compliance with the rights of Haitian migrants and their family members. At most immediate risk is the realization of the acquired citizenship rights of descendants born in country to Haitian immigrants.
Article
The Caribbean’s most emblematic weather symbol is the hurricane, a large rotating storm that can bring destructive winds, coastal and inland flooding, and torrential rain. A hurricane begins as a tropical depression, an area of low atmospheric pressure that produces clouds and thunderstorms. Hurricane season in the Caribbean runs from June 1 through November 30, although there have been infrequent storms that formed outside these dates. Hurricanes are classified according to their maximum wind speed, and when a tropical system reaches the wind speed of a tropical storm (35 mph), it is given a name. Lists of names, which are rotated periodically, are specific to certain regions. If a named storm is responsible for causing a significant number of deaths or property damage, the name is retired and replaced with another.
Most deaths in a storm came from drowning, from storm surge along the coast or from flooding or mudslides in the interior. Storm-related deaths also occur when structures collapse or when victims are struck by flying debris. One important and underestimated cause of death after the passage of a storm is disease. Even if the destruction is not immediate, the passage of a hurricane can leave significant ecological damage along the coast and in the interior.
Hurricanes can have a devastating effect on a community that takes a direct hit. Repeated hurricane strikes can leave a sense of helplessness and hopelessness, “hurricane fatigue.” Conversely, survivors of a disaster are often left with a feeling of confidence that, since they have endured the effects of at least one deadly hurricane, they can do so again.
Until the last half of the 18th century, meteorology remained primitive, but the Age of Enlightenment brought scientific and ideological advances. Major beneficiaries were royal navies whose navigation manuals and nautical charts became increasingly more accurate. In 1821, William C. Redfield established the circular nature of storms and their counterclockwise rotation, while other scientists showed how wind currents within the storms moved upward. Once the coiled structure of hurricanes were established by mid-century, the term “cyclone” was applied, based upon the Greek word for the coils of a snake.
After the mid-19th century, scientists moved from information gathering to attempts to predict hurricane strikes. Technology, in the form of the telegraph, was a key component in creating a forecasting system aided by organizations such as the Colegio de Belén, in Havana, Cuba. Later in the century, governments worldwide created official observation networks in which weather reports were radiotelegraphed from ships at sea to stations on land. The 20th century experienced advances, such as the use of kites and balloons, and the introduction of weather reconnaissance aircraft during World War II. In April 1960, the first satellite was launched to observe weather patterns, and by the early 1980s, ocean buoys and sophisticated radar systems made forecasts increasingly more accurate.
Article
Noel E. Smyth
From 1492 until the 19th century, Spanish, French, English, and Dutch colonists enslaved hundreds of thousands of Native Americans and forced them to toil in the West Indies. The history of enslaving Indigenous peoples in the Americas has mostly been obfuscated by colonial European record-keeping practices. Indeed, the written records relegate Native slaves to a profound silence and invisibility, similar to archival erasures of enslaved Africans. While the methodological dilemmas of this topic are significant, there is a growing scholarship focused on Indigenous slavery in the Caribbean. The emerging historiography demonstrates how regional and international Indian slave trades were significant to the development of European colonies in the Americas and how Indian slave trades connected European colonies across national and geographic boundaries. The centuries-long legacy of enslavement and dispossession continues to impact Indigenous communities, often in negative ways. Yet despite all the horrors and violence of slavery, there has been a remarkable resurgence of Indigenous identities, communities, and political movements in the 21st-century circum-Caribbean.
Article
Lázara Menéndez Vázquez
Santería or Regla Ocha-Ifa belongs to the so-called religions of African origin in Cuba. Since its practice in the colonial period, it has displayed its ability to accommodate change. This is clearly shown in the practice and perception of Santeria, starting with the last decade of the 20th century, in the Habana neighborhood popularly known as the borough of Centro Habana. This essay focuses on the borough of Centro Habana, which is as much a geographical space as a relational one, and because it is considered “marginal” within the imaginary of the city. Without losing sight of its organizational and constitutive particularities, the identification of individuals’ ways of thinking and acting does not always represent changes in worldview or in the belief systems with which they interact. One interviewee stated: “The orisha is a good travelling companion.”
Article
Catherine Hall
In 1834, the British Parliament’s act to abolish slavery in the Caribbean, Mauritius, and the Cape included compensation for the slave owners to the tune of 20 million pounds. This was equivalent to about 16 billion pounds in today’s money. The compensation was for the owners’ loss of human property, enslaved people. More than 660,000 men and women in the Caribbean were assigned a monetary value for the last time on the basis of which compensation was calculated. Nearly 50 percent of this money was paid to more than four thousand men and women in Britain: these were the so-called absentees, who lived off the proceeds of the labor of the enslaved on plantations and in towns. The rest went to resident slave owners who were for the most part much less wealthy than the Britons. Historians of the nation, such as the great Whig, Thomas Babington Macaulay, have erased Britain’s history of involvement in the slavery business. They chose, as did politicians, to focus on abolition as symbolic of Britain’s love of liberty and to ignore direct British involvement in both the slave trade and the wider business of slavery. Issues of race, slavery, and empire have not been seen as integral to Britain’s history and continue to be marginalized. Compensation has provided a starting point for investigations of British slave owners: the wealth they transmitted to the United Kingdom, their investments in capitalist developments, their acquisition of cultural artifacts and refurbishment of country houses, their political interventions, and their ideas about racial difference. Research on slave-owning families over generations has enriched scholars’ understanding of the daily practices of racialization. All this gives access to forgotten histories.
Article
Katherine Smith
The Atis Rezistans (Resistance Artists) are a collective of sculptors based in downtown Port-au-Prince who have founded their own museum. The artists are best known for using found objects and wood to make politically charged works that draw on the imagery of Vodou. Since launching this artistic movement over a decade ago, co-founder André Eugène has referred to his home and atelier as Le Musée d’Art E Pluribus Unum. While art collectives are common in Haitian art, by designating themselves a “museum” the Atis Rezistans have incorporated aspects of conceptual art and installation art into their art movement. They describe the founding of this museum as a strategic appropriation of an institution that has historically belonged to the bourgeoisie. Conversations with Eugène, and other artists in the collective, reveal that they have carefully considered the power of museums: museums imbue certain objects with cultural capital and monetary value; present certain world views through the display of objects; and may offer visitors encounters with human remains. Becoming a museum has allowed Eugène and the other artists to access networks of art world mobility in ways that their artworks alone would not have. This essay offers context for understanding the Atis Rezistans as part of a tradition of art making among Haiti’s majority. It argues that due to their location, their class, and their overt use of Vodou imagery, scholars have overlooked conceptual elements of their movement, specifically how they play with the idea of the museum.
Article
Eric Paul Roorda
At the highest point on the winding highway over the Dominican Republic’s northern mountains, there is a place that is called what it is: La Cumbre, The Summit. In the daytime, in the sunshine, or under a soft tropical rain, it is a beautiful spot, with the impossibly green mountainsides falling away on both sides of the crest. But on the night of November 25, 1960, it was the scene of unutterable horror, witness to an automobile rolling and tumbling down the cliff, with the violated and mutilated corpses of three women inside. They were three of the four sisters of the Mirabal Reyes family, who were murdered for their political involvement: Patria Mercedes (born on February 27, Dominican Independence Day, in 1924, and accordingly named “homeland”), María Argentina Minerva (born March 12, 1926), and Antonia María Teresa (born October 15, 1935). Their driver, Rufino de la Cruz (born November 16, 1923), was murdered with them. The fourth Mirabal sister, Bélgica Adela “Dedé” (March 1, 1925–February 1, 2014) who was not directly involved in her sisters’ opposition activities, survived to be their witness.
The brutal murder of the charismatic Hermanas Mirabal was the most notorious, and the most widely reviled, of the countless crimes committed by the regime of Rafael Trujillo, dictator of the Dominican Republic from 1930 until 1961. The Mirabal Sisters’ demise mobilized international censure of the Trujillo regime and contributed to its downfall, because they were the most charismatic of his victims, and because their kidnapping and murder constituted the most outrageous of the crimes committed during his lengthy dictatorship.
In 1999, the United Nations designated November 25, the date of the Mirabal Sisters’ murder, to be memorialized as International Day for the Elimination of Violence against Women, which it has been ever since.
Article
Rebecca Bodenheimer
On the one hand, Cubans from Havana tend to paint themselves as the quintessential representation of Cubanidad (Cubanness) and often enjoy all the visibility, especially from a global perspective. This trend has become even more pronounced since the restoration of diplomatic relations between Cuba and the United States in December 2014. On the other hand, eastern Cubans often view their culture and history as absolutely crucial to the development and identity of the nation. The central role of Oriente (eastern Cuba) in both the late 19th-century Wars of Independence and the 1959 Cuban Revolution buttresses this alternative discourse. In terms of Cuba’s musical history, Oriente has contributed in major ways to the development of national genres, particularly with son, but also in terms of the 19th-century social dance contradanza and the Haitian influence in popular and folkloric Cuban music. The most recent contribution has been the introduction of reggaeton into the Cuban context by a Santiago-based rapper.
In this study of the discourse of eastern Cuban musicians, as well as the work of Cuban and foreign scholars, the centrality of regional traditions to the development of national genres is considered. Unlike hegemonic representations of Cuban musical history, these narratives often foreground the links to and influences from other Caribbean islands, particularly Haiti. This discursive emplacement of eastern Cuba at the center of Cuban musical creativity is clearly a reaction to the common marginalization of the region within the national production of knowledge, represented by scholars from the capital and some foreign researchers. Havana-centric perspectives are counterbalanced by foregrounding those of eastern Cuba.
Article
Fidel Rodríguez Velásquez and Oliver Antczak
The island of Cubagua, known since the end of the 15th century as the “Island of Pearls,” is a small semi-arid island located in the southeastern Caribbean. Pre-colonially, the island formed part of an extensive network of communication and trade that crisscrossed the southeastern Caribbean and the adjacent coasts. In 1528, a settlement on the island of Cubagua was granted a charter to establish the city of Nueva Cádiz. This city played a central role in the exploitation of and trade in pearls during the the 16th century. During the early modern period, the pearls from this area circulated widely throughout the Atlantic world and inspiredabundant depictions that helped construct notions of the “New World” and brought competitions that forged new relationships between the Hispanic monarchy and American Indigenous populations. After 1540, the city was gradually abandoned. Since, the island has remained uninhabited and relatively unknown academically. However, the history of Nueva Cádiz has played an important role in debates over heritage protection, in museum narratives, and, ultimately, in the identity of the region.
Article
Anita Casavantes Bradford
Between the autumn of 1960 and October of 1962, the parents of more than fourteen thousand Cuban children made the difficult decision to send their children alone to the United States, where a young Irish immigrant priest, Father Bryan O. Walsh, arranged for them to be cared for by U.S. foster homes and in Catholic children’s homes and orphanages. The Cuban children’s exodus would later become known as Operation Pedro Pan; the federally funded and Catholic Church–administered program that was established to care for these children would be called the Cuban Children’s Program. Their interconnected trajectories are central to the history of post-revolutionary Cuba and of the Miami Cuban exile community, and shed important light on U.S.-Cuba and U.S.-Latin America relations during the height of the Cold War.
Article
Cristina Soriano
During the last decades of the 18th century, Venezuela witnessed the emergence of several popular rebellions and conspiracies organized against the colonial government. Many of these movements demanded the reduction or elimination of taxes and the Indian tribute, the transformation of the political system, and fundamental changes for the social order with the abolition of slavery and the declaration of equality among different socio-racial groups. While demanding concrete changes in the local contexts, many of these movements reproduced the political language of republican rights enshrined by the American, French, and Haitian revolutions. Obsessed with silencing and containing local echoes of Franco-Caribbean republican values, the Spanish Crown and colonial agents sought to defuse these political movements, which they viewed as destabilizing, seditious, and extremely dangerous. This proved to be an impossible task; Venezuela was located at the center of the Atlantic Revolutions and its population became too familiar with these political movements: hand-copied samizdat materials from the Caribbean flooded the cities and ports of Venezuela, hundreds of foreigners shared news of the French and Caribbean revolutions with locals, and Venezuelans of diverse social backgrounds met to read hard-to-come-by texts and to discuss the ideas they expounded. During the Age of Revolutions, these written and oral information networks served to efficiently spread anti-monarchical propaganda and abolitionist and egalitarian ideas that sometimes led to rebellions and political unrest.
Article
The relationship between historically specific ideas of race and national identity in Central America between the onset of Spanish colonialism in the region, in about 1500, and the end of the 20th century is very complicated. The relationship is rooted not only in the political economy of the region and subregions that were under Spanish colonialism, but also in Spain’s resistance to incursions of British colonialism in the area, particularly on the North Coast, well into the late 18th century, and in some areas of Central America into the 1850s. The nexus between the political economy of nation-state formation in the postcolonial setting deepened after break of the Federation of Central America in the late 1830s, especially after the rise of coffee and bananas as major regional exports. Independent governments in Guatemala, El Salvador, Honduras, Nicaragua, and Costa Rica tried to impose “imagined political communities” over these exports that would be different from the colonial identities designed by the Spanish imperialism of the past. In this 20th century context, mestizaje, or ladinizaje, became state sanctioned; it promoted racialized national identities in each of these countries, mostly the idea of ethnicity, albeit with critical regional and subregional differences, particularly between Guatemala and Costa Rica. Historiographies that have been influenced by postmodern sensibilities, particularly critical race theory, the new cultural history, and subaltern studies, have influenced recent understanding of the political economy of race and nationality in Central America.
Article
Claudio Sotolongo
The Cuban film posters produced by the Institute of Cinematic Art and Industry from 1964 to 1974 were the synthesis of an exploratory process that defined new subject matter established by the Revolution. This process created a canon that achieved its own visual language and was supported by specialized critics, followed a formal style, and adopted a variety of composition structures. Elements of that canon can be traced back from contemporary Cuban posters.
Article
European empires would have not existed absent private enterprise both licit and illicit. Private traders, in the first instance, sustained colonies by conveying the labor and merchandise that planters required in exchange for the exports that colonies produced. Moreover, those colonies would not have existed in the first place absent private initiatives since European states in the 16th and 17th centuries customarily lacked the administrative and fiscal resources and often the inclination to oversee such projects. Individual or corporate adventurers, though, did possess such resources and inclination; legitimate operators secured government authority for their activities pursuant to charters that drew upon medieval forms and granted extraordinary powers to their recipients. Under the terms of these documents, grantees pursued public purposes—as they would be called today—that their activities entailed in conjunction with their pursuit of profit. The results of this practice included the establishment of colonies that spanned the Atlantic basin from the Madeira Islands to Newfoundland to Brazil; the emergence of colonial leaderships who pursued their own agendas while they ingratiated themselves into trans-Atlantic political cultures; and incessant conflict over territorial and commercial agendas that involved indigenous people as well as Europeans. Other operators did not bother with legitimacy as they pursued smuggling, piracy, and colonizing ventures that also contributed profoundly to imperial expansion. The domestic and international friction generated by these activities ultimately brought increased state involvement in overseas affairs and increased state ability to direct those affairs.
