Vanguard movements in the arts and literature from mid-20th century Brazil are termed neo-vanguard to distinguish them from the historical vanguard movements of the century’s early decades, even though the neo-vanguards share common features with them. These include an open spirit of internationalism, experimentation with form and language, and the use of fragmentation, simultaneity, minimalism, and graphic display. When they first appeared in the 1950s and 1960s, the neo-vanguards were differentiated by a rationalist, materialist, and functional approach to language, letters and art, visible in geometrical abstraction and based on research.
The São Paulo poets Haroldo de Campos, Augusto de Campos, and Décio Pignatari formed the most prominent and influential literary group, known as “Poesia concreta” [Concrete Poetry]. Poesia concreta continues to shape and influence vanguard art, literature, and design in São Paulo. Their 1958 manifesto, “Plano-piloto para poesia concreta” [Pilot-Plan for Concrete Poetry], reshaped national poetics while adding an international aesthetic dimension. In Rio de Janeiro, the “Grupo Frente” led by artists Hélio Oiticica, Lygia Clark, and Lygia Pape supported the 1959 Neoconcrete movement and manifesto, defending the position that concrete poetry and art should be less mechanical and more expressive of human realities. Bossa nova introduced a syncopated, polished style that gained international fame through João Gilberto and Antônio Carlos Jobim, and it turned attention toward Brazilian arts. In the 1950s and 1960s, individual authors worked within their own neo-vanguard styles outside of any movement, the most important being João Guimarães Rosa, whose reworkings of language and orality produced the major novel of the century, Grande sertão: veredas (1956), and Clarice Lispector, creator of dense existential consciousness in prose, mainly involving women in crisis.
The 1964 military coup changed the disposition of vanguard art into one of resistance, reflected in Cinema Novo, Tropicália, theater, music, popular periodicals, mass culture, and marginal literature. Popular vanguard movements effectively ended, went underground, or adopted more unconventional formats in the 1970s because of political tension. The end of an effusive period of creativity in the 1950s and 1960s was marked by the publication of the collected works of the concrete poets, their inclusion in international anthologies, and a national atmosphere of increased political repression and violence.
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Artistic Vanguards in Brazil, 1952 to 1990
Kenneth David Jackson
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Affection and Solidarity among 19th-Century Black Intellectuals in Rio de Janeiro and São Paulo
Ana Flávia Magalhães Pinto
Brazil had the largest population of free and freed Black people on the continent, starting in the early 19th century, despite being the last country in the Americas to abolish slavery. The 1872 General Census of the Empire reported that six out of every ten Black or brown people could claim a series of rights associated with citizenship by virtue of not being enslaved. These included some individuals who were literate and active in the cultural and political spaces in which plans for the country’s present and future were drawn up. Especially in the second half of the 19th century, a time of deepening crisis for the slaveholding system, individuals such as José Ferreira de Menezes, Luiz Gama, Machado de Assis, José do Patrocínio, Ignácio de Araújo Lima, Arthur Carlos, and Theophilo Dias de Castro, all of whom were born free and resided in São Paulo and Rio de Janeiro, invested in their individual aspirations but also joined groups that defended the citizenship rights of free, freed, and enslaved Black people. Facing daily experiences of “color prejudice,” they not only participated in debates waged in the abolitionist, Black, literary, and general press, but they also played leading roles in the creation of mechanisms and instruments of resistance, confrontation, and dialogue. Although this aspect has not received much attention in recent historical accounts that recognize their existences, these and other Black intellectuals developed bonds of affection and solidarity over the course of their careers. To reflect on the scope of this shared racial identity in the latter 19th century and the possible impact of these ties on public positions taken by Black intellectuals, the demonstrations of friendship and companionship experienced by these individuals are traced, as well as by some others. An exercise in approaching the traces of different practices surrounding the politicization of race is given, and paths for future research on the social history of ideas and antiracism in Brazil are suggested.
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Cultural Institutions of the Brazilian Empire
Lilia Katri Moritz Schwarcz
This article provides a larger panorama of the cultural politics of the Brazilian Empire during the 19th century and following the long Second Reign of Pedro II. The central figure of the emperor—as a kind of animator of cultural, scientific, and artistic life—and the conservative profile of the national movement are key issues. The article analyzes the development of the main professional schools of the country, which taught medicine (in Rio de Janeiro and Salvador) and law (in São Paulo and Recife), and also tells the story of the Historical and Geographical Institute and the origins of the museums of art in Rio de Janeiro, the former capital of the court, and scientific museums in Rio de Janeiro, São Paulo, and Belém.
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Digital Resources: Digital Informal Archives in Contemporary Brazil
Ian Kisil Marino, Pedro Telles da Silveira, and Thiago Lima Nicodemo
The category of “informal archives” was initially proposed by Adam Auerbach in a case study on the role of informal archives held by social leaders of peripheral communities in India. “Informal archives” imply forms of historical documentation beyond state authority, and preserved in a rough, poor, and ephemeral manner (in the digital realm). They typically involve connections to the past articulated by different social demands, whether regarding the dispute for a national memory in the digital-public realm, or the nostalgic nature of certain connections to the past, or even the social/political activism of civil society organizations. For this reason, informal archives are in unmapped locations, and in order to be accessed they need to be ethnographically reached. An empirical research based on data raised in early 2020 shows that, even with the creation of a theoretical basis for this kind of digital resource, constant updates will remain necessary due to the unstable nature of the subject.
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Digital Resources: Intellectuals in Brazil
Eliana Regina de Freitas Dutra and Renato Pinto Venancio
The en masse digitalization of sets of documents held by memory institutions in Brazil and the promotion of remote access to them has impacted the writing and the reinterpretation of Brazilian history and historiography in different dominions. In Brazil, at the national and regional levels, there are numerous academies, libraries, foundations, museums, institutions, and centers of documentation which preserve and are progressively making various—and often meaningful—collections available online to scholars and researchers in the area of intellectual history. Taking into account the quantity and diversity of these collections, already available on the Internet, and the impossibility of elaborating an exhaustive inventory, it was decided to present a sample of institutions of diverse natures which hold expressive sets of collections with online access, whether in their totality or significant parts of them.
This option was complemented by the no less important listing of the collection of a foreign university library, as well as the listing of various other digital addresses considered useful for the knowledge of researchers. It is also worth mentioning that the selected sites not only contain significant digitalized sets of documents but also allow free and unrestricted access, through online research instruments.
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The UN Economic Commission for Latin America (CEPAL) and the Development Project
Margarita Fajardo
The United Nations Economic Commission for Latin America (ECLA in English and CEPAL in Spanish and Portuguese) was more than an economic development institution. Established in 1948, at the height of post-World War II internationalism, CEPAL was one of the first three regional commissions alongside those of Europe and Asia charged with addressing problems of postwar economic reconstruction. But, in the hands of a group of mostly Argentinean, Brazilian, and Chilean economists, CEPAL swiftly became the institutional fulcrum of a regional intellectual project that put Latin America at the center of discussions about international development and global capitalism. That Latin America’s place in the periphery of the global economy as a producer of primary products and raw materials in exchange for manufactured goods from the world’s industrial centers, combined with the long-term decline in the international terms of that trade, constituted an obstacle for economic development, was the foundational tenet of that project. Through regional economic surveys and in-depth country studies, international forums and training courses, international cooperation initiatives, and national structural reforms, cepalinos located themselves at the nexus of a transnational network of diplomats and policymakers, economists and sociologists, and made the notion of center–periphery and the intellectual repertoire it inspired the central economic paradigm of the region in the postwar era. Eclipsed in the 1970s by critiques from the New Left and dependency theorists, on the one hand, and by the authoritarian right and neoliberal proponents, on the other hand, the cepalino project remains Latin America’s most important contribution to debates about capitalism and globalization, while the institution, after it reinvented itself at the turn of the century, still constitutes a point of reference and a privileged repository of information about the region.
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French Intellectuals and Cultural Diplomacy in Brazil, 1934–1943
Hugo Rogelio Suppo
Between 1934 and 1943, French cultural diplomacy in Brazil was the task of intellectuals, the so called “intellectual ambassadors.” Notwithstanding the differences in their individual profiles, political convictions, academic conceptions, and religious beliefs, they all carried out their common mission of creating a pro-French profile in the Brazilian academic realm. The article is an analysis of the strategies, means, actors, and results of French cultural diplomacy in Brazil between 1934 and 1943, whose success can be explained, fundamentally, by the symbiosis between the university field and the diplomatic field.
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Historiography of Brazil in the 19th Century
Thiago Lima Nicodemo, Pedro Afonso Cristovão dos Santos, and Mateus Henrique de Faria Pereira
Brazilian historiography in the 19th century stands for a variety of practices and ways of doing history. In the beginning of the century, the writing of history assumed a specific color after the arrival of the Portuguese Court in 1808, who were escaping the invasion of Portugal by Napoleonic troops. After political independence from Portugal (1822), this writing had to deal with the questions that occupied the minds of its authors, people mostly close to or part of the political elite of the country. Forging a nationality through history, dealing with the tensions between local affiliations and the nation-state, placing indigenous and African peoples in the historical narrative, combining an exemplary history with future-oriented thinking, and using history for international relations issues (such as boundaries disputes) were among the motivations and preoccupations involved in that work. Underlying it all, the myriad ways of writing history in the 19th century had to do with the ways the authors circulated among a world of public archives in the making, personal archives available through certain connections, booksellers, publishers, oral informants, and a changing community of readers and critics that were conforming and disputing rules of acceptability as to what could be considered a work of history. Thinking about the Brazilian historiography of the 1800s as a way of combining practices of archiving, reading, copying, writing, and evaluating can help us understand the remarkable variety of histories and historiographical works written in the period.
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Historiography of Brazil in the 20th Century
Thiago Lima Nicodemo, Mateus Henrique de Faria Pereira, and Pedro Afonso Cristovão dos Santos
The founding of the first universities in the first decades of the 20th century in Brazil emerged from a context of public education reforms and expansion that modified the relationship between intellectuals and the public sphere in Brazil. The representation of national pasts was the object of prolific public debate in the social sciences and literature and fine arts through social and historical essays, pushed mostly from the 1920’s to the 1950’s, such as Gilberto Freyre’s, The Master and the Slaves (Casa Grande e Senzala, 1936) and Sérgio Buarque de Holanda’s Roots of Brazil (Raízes do Brasil, 1936). Just after the 1950s, universities expanded nationally, and new resources were available for academic and scientific production, such as libraries, archives, scientific journals, and funding agencies (namely CNPQ, CAPES and FAPESP). In the field of history, these effects would have a greater impact in the 1960s and 1970s with the consolidation of a National Association of History, the debate over curricula and required content, and the systematization of graduate programs (thanks to the University Reform of 1968, during the military dictatorship). Theses, dissertations, and monographs gradually gained ground as long social essays lost their prestige, seen as not befitting the standards of disciplinary historiography as defined in the graduate programs such as a wider empirical ground and more accurate time frames and scopes. Through their writing in more specialized formats, which moved away from essays and looked into the great Brazilian historical problems, historians played an important role in the resistance against the authoritarian regime (1964–1985) and, above all, contributed to a debate on the role of silenced minorities regarding redemocratization.
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The Institutional Construction of Intangible Heritage Concept and Policy in Brazil, 1937–2016
Morena Levy Salama
This article describes how the concept of intangible cultural heritage was developed in Brazilian public institutions and policies aimed at protecting and maintaining alive the country’s cultural traditions and heritage. This term was first imprinted in Brazilian public records dating back to the 1930s, when it was mentioned in a bill for the creation of a federal institution known as the National Institute of Historical and Artistic Heritage (IPHAN). This concept was only reintroduced in the late 1980s, with the adoption of the new Brazilian Federal Constitution. After providing an overview of the process of replacing the term folklore with intangible cultural heritage, this article focuses on the execution of the federal government’s safeguarding policy for intangible cultural heritage beginning in the year 2000. From the promulgation of Decree 3,551, which created the National Program of Intangible Heritage (PNPI) and established the guidelines for the official recognition of Brazilian cultural traditions as national cultural heritage. By looking closer at the measures taken by the government after a cultural tradition becomes part of their heritage, this article further explores the participatory call developed by such public policy.
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Intellectuals and the Nation in Early 20th-Century Brazil
Sergio Miceli
In Brazil between 1920 and 1945, the potential for professional advancement increased significantly among literate individuals in three main areas: the intellectual and academic field in São Paulo and the emergence of a university-based intelligentsia; the boom in the publishing industry and the rise of professional novelists; and the Vargas regime’s widespread and deliberate co-optation of intellectuals. The interpretation presented in this article links class dynamics to changes within the activities of intellectuals, some of whom are analyzed here in the context of political and institutional tensions produced by the collapse of the oligarchic Old Republic (1889–1930).
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Literary and Cultural Magazines in Brazil in the First Half of the 20th Century
Tania Regina de Luca
Printed periodicals constitute sources increasingly used by researchers in the human sciences, as the catalogues of publishers, dossiers of academic journals, and research carried out in graduate programs show. The enormous variety of titles, many of which are easily available thanks to the digitalization programs of the institutions that hold them, seems capable of meeting a wide variety of interests. While heterogeneity is one of the attractions of this type of documentation, it also raises significant challenges for those who use this material as a source, since methodological procedures are subordinated to the specific nature of the selected printed material. Not by chance, wide-ranging works, which propose to cover the history of the press as a whole, have ceded space to monographic works dedicated to in-depth analysis of a single periodical or a restricted number of titles. Cultural and literary periodicals have attracted particular attention from specialists, since they included in their editorial teams combative intellectuals committed to disseminating aesthetic, social, and political postures, which makes these publications privileged vehicles to investigate sensibilities, tastes, themes, and ideas, in short shared readings that help us to understand the dynamics of cultural life at a given moment.
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Marxist Thought in Brazil
Bernardo Ricupero
The history of Marxism in Brazil has been marked by discord. This tension makes sense considering that historical materialism developed in a European social environment, contrasted, to some extent, with the Asian context. The problem is, therefore, twofold. First, the theory proved incapable of reflecting the specificity of a particular social formation. The latter, differing significantly from the reality in which Marxism emerged, comes to be seen as “eccentric.” Moreover, Marxist theory seeks to transform reality, which contributes to a confusion between thought and politics. In the same sense, Marxism cannot be self-sufficient, because it must respond to the challenges of the environment in which it is inserted, contributing, in turn, to its contact with other intellectual and political traditions.
Marxist thought in Brazil can be divided into three main historical moments: the first was marked by the preponderant influence of communism, from the 1920s to the 1964 coup; the second was characterized by the emergence in the mid-1950s of a New Left; and the third was the debate regarding democracy, which has gained momentum since the end of the country’s most recent authoritarian period in 1985. Throughout this extended historical period, Brazilian Marxists have been preoccupied with a recurring concern: How will the Bourgeois Revolution happen in Brazil? The periodization is not exact, with trends often overlapping and fostering an evolving political culture. In this way, through opportunities seized and missed, the Left—whose main theoretical reference today is still Marxism—penetrated Brazilian society and became an important part of national life.
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Oliveira Lima and the Oliveira Lima Library at the Catholic University of America
Nathalia Henrich
Manoel de Oliveira Lima (b. Recife, December 25, 1867–d. Washington DC, March 24, 1928) was one of the most prestigious men of letters of his generation. As a historian, diplomat, literary critic, journalist, writer, and professor, he maintained an intense intellectual activity. His strong and often controversial views galvanized public opinion and gathered as many admirers as detractors. The “Fat Don Quixote” and the “Intellectual Ambassador of Brazil” were at the same time deemed a “Diplomatic Torpedo” with an “incontinent pen.” Lima became a renowned scholar and public speaker thanks to his expertise on Latin American history, especially on the history of Brazil. He was the author of numerous books and articles published in Europe and the Americas, and a lecturer at Harvard, Stanford, and the Sorbonne. He was a founding member of the Brazilian Academy of Letters. His career as a diplomat began in 1891, the same year he married Flora de Oliveira Lima (neé Cavalcanti de Albuquerque, b. Cachoeirinha, October 26, 1863, d. August 12, 1940, Washington, DC), his lifelong companion and collaborator. Together they lived in Portugal, Germany, the United States, Great Britain, Japan, Venezuela, and Belgium until his retirement. A devoted bibliophile, Oliveira Lima donated his rich collection of rare books, artwork, manuscripts, prints, photographs, and documents from his personal archive to the Catholic University of America in 1916. In 1920, he established residence in Washington, DC to oversee the organization of the university’s library, which was inaugurated in 1924. He taught international law and acted as librarian at CUA until his death in 1928. The Oliveira Lima Library (OLL) is currently considered one of the finest collections of Luso-Brazilian materials and one of the most important Brasilianas in the world.
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Political Parties and Intellectual Debates in Brazil from the Empire to the Republic
Angela Alonso
The Second Reign (1840–1889), the monarchic times under the rule of D. Pedro II, had two political parties. The Conservative Party was the cornerstone of the regime, defending political and social institutions, including slavery. The Liberal Party, the weaker player, adopted a reformist agenda, placing slavery in debate in 1864.
Although the Liberal Party had the majority in the House, the Conservative Party achieved the government, in 1868, and dropped the slavery discussion apart from the parliamentary agenda. The Liberals protested in the public space against the coup d’état, and one of its factions joined political outsiders, which gave birth to a Republic Party in 1870. In 1871, the Conservative Party also split, when its moderate faction passed a Free Womb bill. In the 1880s, the Liberal and Conservative Parties attacked each other and fought their inner battles, mostly around the abolition of slavery.
Meanwhile, the Republican Party grew, gathering the new generation of modernizing social groups without voices in the political institutions. This politically marginalized young men joined the public debate in the 1870s organizing a reformist movement. They fought the core of Empire tradition (a set of legitimizing ideas and political institutions) by appropriating two main foreign intellectual schemes. One was the French “scientific politics,” which helped them to built a diagnosis of Brazil as a “backward country in the March of Civilization,” a sentence repeated in many books and articles. The other was the Portuguese thesis of colonial decadence that helped the reformist movement to announce a coming crisis of the Brazilian colonial legacy—slavery, monarchy, latifundia. Reformism contested the status quo institutions, values, and practices, while conceiving a civilized future for the nation as based on secularization, free labor, and inclusive political institutions. However, it avoided theories of revolution. It was a modernizing, albeit not a democrat, movement.
Reformism was an umbrella movement, under which two other movements, the Abolitionist and the Republican ones, lived mostly together. The unity split just after the shared issue of the abolition of slavery became law in 1888, following two decades of public mobilization. Then, most of the reformists joined the Republican Party.
In 1888 and 1889, street mobilization was intense and the political system failed to respond. Monarchy neither solved the political representation claims, nor attended to the claims for modernization. Unsatisfied with abolition format, most of the abolitionists (the law excluded rights for former slaves) and pro-slavery politicians (there was no compensation) joined the Republican Party. Even politicians loyal to the monarchy divided around the dynastic succession. Hence, the civil–military coup that put an end to the Empire on November 15, 1889, did not come as a surprise. The Republican Party and most of the reformist movement members joined the army, and many of the Empire politician leaders endorsed the Republic without resistance.
A new political–intellectual alignment then emerged. While the republicans preserved the frame “Empire = decadence/Republic = progress,” monarchists inverted it, presenting the Empire as an era of civilization and the Republic as the rule of barbarians. Monarchists lost the political battle; nevertheless, they won the symbolic war, their narrative dominated the historiography for decades, and it is still the most common view shared among Brazilians.
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Race and Social Inequality in 20th and 21st-Century Brazil
Marcelo Paixão
Several voices inside and outside Brazil define it as a racial democracy—that is, a nation without segregation or rigid boundaries separating the different groups of race and color. This understanding interacts with issues like nationality and a positive image that this nation conveys for itself worldwide as a land of cordiality, happiness, and racial integration. More than origin, personal appearance is the basis of social interactions. Society can identify a continuum of hues of skin color among its individuals who are racially classified according to their social class and the social spaces in which they interact. However, it does not mean that the social prestige assigned to an individual’s skin color is neutral. The literature shows that the pattern of race relations in Brazil is characteristically ambiguous, based on constant racial prejudice and discrimination against the Afro-Brazilian population while systematically denying its existence. As such, Brazil’s individuals have an asymmetrical standard of social acceptance and access to economic, political, and symbolic power, based on their physical features, including their skin color, their hair type, and the shape or size of their lips and nose. Despite methodological complexities, several research pieces from 1990–2020 confirm that a racial hierarchy system exists in Brazil and that racial injustice, violence, and inequality are prevalent. Since the beginning of the 21st century, Brazil has implemented comprehensive social policies to combat poverty and affirmative action policies that target Afro-Brazilian individuals in an effort to improve the quality of the lives of Brazil’s poorest citizens. Nevertheless, these endeavors were not enough to overcome the consequences of a long historical period of slavery, discrimination, and racial injustice.
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Sertão and Its Representations
Nísia Trindade Lima and Tamara Rangel Vieira
In Brazilian social thought, the sertão is understood more in a symbolic than a geographic manner and thus does not have a precise spatial characterization. As a result, many places have been identified as such in the history of Brazil. Analyzing the vast repertoire of meanings given to the idea of sertão, the absence of the state can be seen as a characteristic that distinguishes it, irrespective of the period considered. In this sense, the relations between space and social thought or between space and interpretations of Brazil are emphasized, highlighting the sertão–coast dualism which emerged following the publication of Euclides da Cunha’s Os Sertões as one of the possible ways of understanding the historical formation of the country. This dualism can be observed in distinct periods ranging from the literature about the scientific missions in the early 1900s to the debates about the construction of Brasília in the middle of the same century. Representations of the sertão in medical writings, sociological thought, literature, and film evince the resilience of this category as an ongoing metaphor for understanding Brazil.
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Underdevelopment in Brazil and Its Interpretations
Carlos Brandão and Hipólita Siqueira
Brazil is a vast and highly complex country that is subordinated to its central hegemonic poles and that combines both backwardness, modernity, progress interrupted by unfinished cycles of growth, and extreme inequality. Paradoxically, it is on the one hand ranked among the nine most advanced capitalist countries in the world and, on the other, listed as one of the nine countries with the worst income distribution. Attempts to interpret these dilemmas, historical disjunctives, and impasses have produced a plethora of original intellectual work that deals with the specificities of this most dynamic and yet highly contradictory national space.
A select few authors have produced extensive work on the subject and have legitimized themselves as the pinnacle of classical interpreters of Brazilian social and political thought. The originality, broad scope of analysis, and ingenuity of these great national thinkers have made them the authors of choice for those seeking to better understand Brazil as a nation. Their classics have formulated key and critical questions relating to the often-interrupted construction of this nation and the truncated, material, and spiritual or immaterial development of the Brazilian civilization as a whole, which began as a former Portuguese colony founded on slave labor. These are very comprehensive formulations, with a long-term historical perspective produced by those who have taken a very profound and highly structural look at Brazil, shedding light on aspects of its hitherto-obscure or unquestioned reality, enlightening and inviting to think more coherently, boldly, and consequently about its present and, indeed, future.
Among the main contributors are the likes of Caio Prado Júnior, Celso Furtado, Fernando Henrique Cardoso, and Florestan Fernandes, who have developed approaches to help unveil the nature and characteristics of the processes of dependence and underdevelopment that are so specific to Brazil’s peripheral capitalism.
