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Animation in Latin America  

Jennifer Carolina Gómez Menjívar

Animation has always been global, though the contributions of Latin American animation industries are often ignored. The history of the medium in the region is extensive, beginning with Quirino Cristiani’s El apóstol (1917)—the first full-length animated feature film in the history of the craft. Its history has been shaped by numerous factors, including the animation industry's turn to studio production in the early 20th century and the implementation of national film policies in the second half of the 20th century. The success of animation production companies throughout Latin America since the early 21st century has led to the emergence of core sites of animation production, circulation, and fandom in many countries of the region. The future of animation in the region will likely depend on a combination of factors, including policies, transnational media flows, and what the digital turn can offer the art form.

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Digital Resources: Researching Coffee in Latin American History  

Mario Samper Kutschbach

Given its historical and present roles in Latin American societies, coffee has generated substantial interest and information. Documents up to the mid-20th century have been partly digitized by researchers or generated in electronic format by inter/national organizations after 1960. Digitized information at first primarily focused on time series, censuses, and other quantitative data to address economic and technological aspects, and on other primary and secondary sources for social and political ones. Historical and cultural geography and environmental and rural history of coffee-producing areas have resorted to scanned or digital maps and geographical information systems (GIS), together with aerial photography after mid-century and satellite images since the 1990s, as well as datasets on climate and diseases, and scientific or technical reports. Digital collections of audio/video recordings, paintings, and photographs expanded the range of sources and topics. Digitizing research involves critical and creative source work; it is also more than digitizing sources. Creating and linking databases containing nominal information, together with archival sources and oral history, has allowed researchers to further integrate quantitative and qualitative methods. Software for network or content analysis, genealogy, and timelines has been used increasingly. Machine-learning, exploration of big data, and historical/spatial data mining are still incipient for Latin American coffee. Digital resources—combined with other sources and methods, guided by appropriate research questions in a theoretical/epistemological framework—are key for meaningful and systematic comparative discussions of national/local processes within a regional/global context. However, many digital resources are not publicly accessible or require payment; historical datasets should be public goods. Much work is yet required to digitize documents such as accounting of coffee estates, customs records, and associations’ minutes, as well as multiple secondary sources. Digitalizing historical research on coffee is a learning process and requires additional expertise; convergent and cross-disciplinary methodological approaches are needed to comprehensively address the economic, environmental, social, political, and cultural history of coffee.

Article

Zoos in Latin America  

Regina Horta Duarte

Modern zoos emerged as mass entertainment, spaces of public leisure and of culture. In the past, they served as monuments and expressions of the degree of “civilization” and progress of a city and its respective country. In Latin America, zoos date from the last quarter of the 19th century. The history of Latin American zoos is a political, cultural, and social history. The conditions of their creation and operation over the decades have conferred important specificities to these institutions. Since their inception, zoos in Latin America have reflected nationalistic aspirations, civilizational projects, and social transformation. Over the decades, the history of many zoos has blended with natural history in Latin America, as many zoo founders were important scientists. The development of new sensitivities toward animals also follows the history of zoos in Latin America from the beginning, because the first animal protection societies appeared at the same time. Today, zoos face vigorous claims from animal rights activists calling for their closure. In view of so many challenges, these institutions are reinventing themselves with an increased focus on conservation and environmental education, joining international zoological societies with high standards of quality. Among several of these societies, the Latin American Association of Zoological Parks and Aquariums (ALPZA) stands out. Founded in 1990, ALPZA organizes, reshapes, and integrates Latin American zoos, establishing global connections. Various actors play a role in the defense and contestation of zoos, such as politicians, scientists, conservationists, animal protection societies, anti-zoo activists, visitors, administrators, officials, and, of course, thousands of wild animals from all over the world who have lived in Latin American cities for decades.