Brazil had the largest population of free and freed Black people on the continent, starting in the early 19th century, despite being the last country in the Americas to abolish slavery. The 1872 General Census of the Empire reported that six out of every ten Black or brown people could claim a series of rights associated with citizenship by virtue of not being enslaved. These included some individuals who were literate and active in the cultural and political spaces in which plans for the country’s present and future were drawn up. Especially in the second half of the 19th century, a time of deepening crisis for the slaveholding system, individuals such as José Ferreira de Menezes, Luiz Gama, Machado de Assis, José do Patrocínio, Ignácio de Araújo Lima, Arthur Carlos, and Theophilo Dias de Castro, all of whom were born free and resided in São Paulo and Rio de Janeiro, invested in their individual aspirations but also joined groups that defended the citizenship rights of free, freed, and enslaved Black people. Facing daily experiences of “color prejudice,” they not only participated in debates waged in the abolitionist, Black, literary, and general press, but they also played leading roles in the creation of mechanisms and instruments of resistance, confrontation, and dialogue. Although this aspect has not received much attention in recent historical accounts that recognize their existences, these and other Black intellectuals developed bonds of affection and solidarity over the course of their careers. To reflect on the scope of this shared racial identity in the latter 19th century and the possible impact of these ties on public positions taken by Black intellectuals, the demonstrations of friendship and companionship experienced by these individuals are traced, as well as by some others. An exercise in approaching the traces of different practices surrounding the politicization of race is given, and paths for future research on the social history of ideas and antiracism in Brazil are suggested.
Affection and Solidarity among 19th-Century Black Intellectuals in Rio de Janeiro and São Paulo
Ana Flávia Magalhães Pinto
Capoeira: From Slave Combat Game to Global Martial Art
Matthias Röhrig Assunção
Capoeira is a martial art that developed from combat games enslaved Africans brought to Brazil. It is systematically documented since the beginning of the 19th century in Rio de Janeiro and later in other port cities. During the 19th century capoeira was increasingly practiced by the poor free people, black and of mixed ancestry, and also by white immigrants. Capoeira gangs controlled their territories against intruders and allied with political parties until the Republican purge of 1890. Capoeira survived best in Bahia, where it remained more associated with other forms of Afro-Brazilian culture and acquired many of its features still extant in present-day capoeira. From the 1930s onward, capoeira masters such as Bimba and Pastinha modernized capoeira, leading to the emergence of the Regional and Angola styles. Bahian capoeiristas migrated to Rio de Janeiro and São Paulo in search of better opportunities during the 1950–1970s. There they and their students developed what later became known as “Contemporary capoeira” (Capoeira Contemporânea) which is the most practiced style today. Capoeira was and is practiced in various ways: as a friendly game or as a fight, as a combat sport, or as an Afro-Brazilian cultural activity. Since the 1980s, capoeira has undergone a process of globalization and is now practiced in many countries around the world. Capoeira is the only martial art of the African Diaspora that is known and practiced worldwide. Writing on Capoeira has rapidly grown in a number of disciplines, leading to the constitution of its own interdisciplinary field of study.