Of the estimated 4.9 million African captives disembarked in Brazil, 70 % were shipped from Central Africa, 24 % from West Africa, and the remaining 6 % from the East Coast of the continent. Despite their diverse political and cultural backgrounds, Africans were classified by slavers with a discrete number of generic categories often referred to as “nations.” The enslaved appropriation of such external labels, like Mina and Angola—distinguishing Western and Central Africans respectively—resulted in the formation of new collective identities. The novel ways of colonial belonging and behavior shaped and expressed themselves as distinct forms of Afro-Brazilian culture when organized around social institutions such as Catholic lay brotherhoods or other African-inspired associative dynamics. Religious practice, including music, language, bodily performance, cooking and dress, became a privileged domain for African cultural production, subsequently irradiating into other secular manifestations. The colonial calundu, concerned with healing and oracular functionalities, greatly influenced by the Bantu-speaking people, coexisted and intermingled with the more ecclesiastical West-African traditions of initiatory ritual dedicated to the worship of multiple deities. Despite common elements of celebration, healing and mediumship, Afro-Brazilian religious pluralism was historically marked by an extraordinary eclecticism. Different local interactions with the hegemonic Iberian Catholicism, Amerindian healing practices and French Spiritism, together with the circulation of people and ideas between Africa and Brazil after the end of the Atlantic slave trade, led to a wide range of regional variation. This heterogeneous Afro-Brazilian religious field, prone to continuous discrimination and selective tolerance by the authorities, is stressed by a discursive contrast between the alleged traditional pure African forms and the mixed syncretic Brazilian ones, all claiming their share of legitimacy and ritual efficiency.
Luis Nicolau Parés
Between the arrival of Columbus and the last slave voyage to Cuba in the 1860s, over 12 million enslaved Africans were carried and sold in the Americas. Brazil received almost half of all these captives, most of them during the colonial period. An efficient slave-trading system allowed slavery to become a major force in the development of Portuguese America. The institution became pervasive throughout the colony in the three centuries comprising the colonial era, with important differences across time and space. Some of the major exports produced by African slaves in Brazil, such as sugar, tobacco, and gold, had various global impacts. They also stimulated important domestic developments, such as the creation of internal markets and the growth of cities like Salvador and Rio de Janeiro, with African slaves playing essential roles everywhere. Moreover, the history of African slavery became intertwined with the history of native Brazilians in peculiar ways.
Color and race are important references for assessing the privileges and barriers that sustained or impeded the social ascension of New Christians, Africans, Indians, and mestiços in the Portuguese world. Questions of race and color had profound links with the Catholic faith and with social exclusion, especially of Afro-descendants. The ideas of race and racism are not static, but were forged over time. Initially, they were strongly influenced by Catholicism and later were incorporated into the scientific knowledge of the 18th and 19th centuries. Therefore, the terms “race” and “racism,” based on 19th-century biological determinism, are not suitable for discussing social relations in the 17th and 18th centuries.