Of the estimated 4.9 million African captives disembarked in Brazil, 70 % were shipped from Central Africa, 24 % from West Africa, and the remaining 6 % from the East Coast of the continent. Despite their diverse political and cultural backgrounds, Africans were classified by slavers with a discrete number of generic categories often referred to as “nations.” The enslaved appropriation of such external labels, like Mina and Angola—distinguishing Western and Central Africans respectively—resulted in the formation of new collective identities. The novel ways of colonial belonging and behavior shaped and expressed themselves as distinct forms of Afro-Brazilian culture when organized around social institutions such as Catholic lay brotherhoods or other African-inspired associative dynamics. Religious practice, including music, language, bodily performance, cooking and dress, became a privileged domain for African cultural production, subsequently irradiating into other secular manifestations. The colonial calundu, concerned with healing and oracular functionalities, greatly influenced by the Bantu-speaking people, coexisted and intermingled with the more ecclesiastical West-African traditions of initiatory ritual dedicated to the worship of multiple deities. Despite common elements of celebration, healing and mediumship, Afro-Brazilian religious pluralism was historically marked by an extraordinary eclecticism. Different local interactions with the hegemonic Iberian Catholicism, Amerindian healing practices and French Spiritism, together with the circulation of people and ideas between Africa and Brazil after the end of the Atlantic slave trade, led to a wide range of regional variation. This heterogeneous Afro-Brazilian religious field, prone to continuous discrimination and selective tolerance by the authorities, is stressed by a discursive contrast between the alleged traditional pure African forms and the mixed syncretic Brazilian ones, all claiming their share of legitimacy and ritual efficiency.
Africans in Brazil and Afro-Brazilian Religion and Culture
Luis Nicolau Parés
The Abolition of the African Slave Trade in Brazil
The second law banning the African slave trade to Brazil came into force in 1850, and became known as the Eusébio de Queirós Law (de Queirós was then Minister of Justice of the Brazilian Empire). A previous attempt made in 1831 failed and the slave trade continued in the form of smuggling from that date until 1850, although until the mid-1850s there were several illegal landings and, then, traffic to the ports of the Brazil was definitely closed. There were many themes in the political debate before the African slave trade ended, from the end of the 18th century until 1850. During this period, the state, the slaveholders and their representatives in the legislative branch and in the courts of justice maintained pro-slavery arguments but changed the way they were used, under the strong British pressure to end slave trade with diplomatic and military actions since 1807. During the first half of the 19th century and, above all, after the proclamation of Brazilian Independence in 1822, the end of the slave trade became a political question in connection with other important themes regarding the formation of the Brazilian state and nation: the need of a labor force for agriculture, the fear of slave actions, national sovereignty in relation to foreign pressure, the supposed corruption of customs due to slavery, and the formation of a Brazilian people based on the work of slaves, freed people, and the poor. All of these themes would be discussed in public settings, such as Parliament, the press, and books on the defense and propaganda of slavery, for example.