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Urbanization in Argentina, 16th to 19th Centuries  

Melisa Pesoa

The urbanization process in Argentina began with the installation of the first permanent settlement in the territory in 1527. During the early colonial period, settlers tried to move inland rather than establish towns on the Atlantic coast. Therefore, the main axis of urbanization strengthened the connection between the central zone with Alto Peru, reinforcing part of the existing indigenous territorial connection. Colonial cities, established by small groups of between twenty and fifty people, such as Santa Fe, Santiago del Estero, Córdoba, and Mendoza, established relations with the territories of Chile, Peru, and Paraguay. Indigenous resistance to colonization was powerful: several cities from the colonial era were not successful and needed to be moved or disappeared. Other experiences such as the Jesuit missions emerged as other models of colonization aside from the traditional one. In this territorial scheme, the coastal region was marginalized from the central nucleus. The ports of the coast and of Buenos Aires fulfilled a defensive military function, although they also served illicit traffic between the Atlantic and Potosí. However, this traffic increased over time, and Buenos Aires progressively gained importance. In 1776, Buenos Aires became the capital of the recently created Viceroyalty of the Rio de La Plata, as a result of the Bourbon reforms. Therefore, during the 18th century, its port was legally opened to overseas traffic, and its hinterland was incorporated into world trade. This initiated a change in the region’s center of gravity, which moved from the interior to the River Plate coast. In this period, the Crown’s interest shifted from the establishment of an imperial structure to securing the marginal areas of the empire through permanent populations with a plan of new settlements in the frontier. This interest remained even after the Independence from the Spanish Crown (1816), in the Republican period. During the 19th century, hundreds of towns were established across the territory, mainly focused on agricultural production or extractive activities. A series of highly important technical advances reached the country. The most relevant was the railway, built at the end of the 1850s and systematically extended from the 1870s. Its installation structured the territory and encouraged the creation of urban centers mainly in the central area of the Pampas. However, further types of colonization emerged related to products such as sugar or yerba mate in other regions of the country. Traditional colonial urban centers, converted into provincial capitals, started several reforms during the 19th century in order to adapt to the changes proposed by this new territorial structure and the new republican spirit. European immigration played a preponderant role in the country’s urban and productive development. The greater availability of workers, in addition to many other economic development actions, contributed to considerably increasing agricultural exports from the 1870s and positioned Argentina among the largest exporters of raw materials worldwide. The resulting system of urbanization had far-reaching consequences for the general functioning of the country in the following centuries.

Article

Indigenous Men in the Argentine Military  

Ana Vivaldi

In Argentina, tensions between the military and Indigenous People have been present since the formation of the nation-state in the late 19th century. During the so-called “Campañas al desierto” (Desert Campaigns), when the Argentine military occupied the northern and southern sovereign Indigenous territories, Indigenous Nations were seen as the main opponents to the military project of building a civilized nation. The confrontation between the military and Indigenous nations were seen as the main opponents to a civilized nation. Against analysis that regards relations between the military and Indigenous People as inherently violent, a new line in historiographical studies traces too the trajectories of Indigenous troops joining the military. The 19th-century relations between the military and Indigenous People were therefore more complex than an opposition between contrary nations. During the colonization of Indigenous lands in Pampa and Patagonia region to the south and in the Chaco region to the north west, Indigenous groups were both enemies and allies and necessary for the success of the nation-state’s advance. Within these alliances and relations of proximity, military officers produced a specific racialization of Indigenous bodies related to positive perceptions of them as strong and skillful soldiers. These sets of ideas, present in military memoirs in the 19th century, re-emerge in how Toba Indigenous men experience being racialized during the Mandatory Military Service in the mid- and late 20th century.

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Women Filmmakers in Argentina  

Ana Forcinito

This article offers an overview of some of the most important Argentine women filmmakers along with some tendencies that could serve to organize four decades of films, shorts, and documentaries. The article also examines some of the main paths that women filmmakers have taken in their revision and transformation of the relationship between the visual/aural dimension of cinematographic language and the patriarchal regime of the image and the voice. The films discussed in this chapter challenge the still-dominant masculine visual regime through aesthetic projects that reveal the worlds made invisible and erased by marginalization, authoritarianism, violence, sexism, homophobia, abjection, racism, inequality, discrimination, and impunity. Feminism is undoubtedly a vital framework for analyzing the history of women filmmakers in ArgentiIt appears sometimes at the center of the audiovisual project and, other times, outside the frame. This article explores the intersections among different aesthetic concerns, and in particular attempts to show that the discussion of women filmmakers in Argentina should not be limited to only two or three names but should include a vast number of women filmmakers and their innovative visions. From the first decades of the Twentieth century to the present, Argentine women filmmakers have taken different paths in their revision and transformation of the relation between the visual/aural dimension of cinematographic language and the patriarchal regime of the image and the voice. The feminist dimension of some of their films has challenged masculine and heteronormative norms through aesthetic projects that revealed what remained invisible and erased by authoritarianism, violence, sexism, homophobia, abjection, racism, inequality, discrimination, and impunity. Feminism—expressed in different waves of the feminist movement and with different degrees of intersectionality— is undoubtedly a vital framework for analyzing the history of women filmmakers in Argentina. It has framed the aesthetic concerns and the innovative visions women filmmakers have been proposing about the domestic, the intimate, and the political.

Article

Health Care Policy in Argentina  

Giuseppe M. Messina

In Argentina, the provision of health care is divided into three components: a highly decentralized universal public sector, funded from general taxation; a constellation of compulsory collective insurance schemes, financed by contributions withdrawn from the salaries of workers in the formal labor market; and a system of private insurance companies used primarily by the middle and upper classes. Regarding the delivery of medical services, the configuration is mixed, as the weight of public and private providers is roughly equal. This complex structure, which derives from the historical development of particular institutions, produces high costs and unequal access to care according to a person’s geographical residence, occupational status, and purchasing power.

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The Conquest of the Desert and Argentina’s Indigenous Peoples  

Carolyne L. Ryan

The Conquest of the Desert was a military campaign launched by the Argentine state (1878–1885) to remove the Indigenous peoples of the Pampas and Patagonia in order to open the region for Argentine occupation. Then Minister of War Julo A. Roca led the campaigns and subsequently became president of Argentina in 1880. Argentine state makers described this campaign as a necessary step in growing the national economy and making Argentina a “modern” and “civilized” nation. The conquest was also celebrated by many contemporaries as marking the emergence of a “White” Argentina. Despite this rhetoric, Indigenous peoples from the pampas and Patagonia have endured throughout the 19th, 20th, and early 21st centuries. The contentious legacies of the conquest have continued to shape Indigenous peoples’ experiences in Argentine society and with the state through the early 21st century, affecting issues including land rights, cultural recognition, state violence, citizenship rights, historical memory, and social experiences of marginalization and discrimination.

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History of the Sciences in Argentina: From Paleontologists to Psychiatrists, 1850s to 1910s  

Carlos S. Dimas

Following independence in the early 19th century Argentina went through decades of internal political and social turmoil. During this time the sciences traversed a dormant period and operated at the amateur level, such as through collectors and hobbyists. Beginning in the 1850s and continuing through the 1860s, many of Argentina’s internal problems eroded. The newly consolidated state undertook a process of extending its influence throughout the nation and fostering a closer and collaborative association with the nation’s interior to foster national unity. Under the banner of ‘civilization, order, and progress’, ruling liberal elites looked for ways to herald social and economic development. The sciences, through practice and institutionalized places, played a critical role for the state. By the beginning of the 20th century, the state had invested in scientific ventures into Patagonia and other areas of the nation to collect and catalogue materials, such as fossils and plants, and had supported the construction of museums to display scientific collections to the public as a means to develop a national identity. Beyond museums and naturalists, the state financed the maturation of the medical sciences to respond to the waves of epidemic diseases that assaulted the nation and the numerous regional endemic diseases that elites presented as evidence of underdevelopment, such as malaria in the northwest and recurrent cholera and smallpox outbreaks throughout the nation. Fields such as meteorology and engineering provided the physical infrastructure to further integrate the nation, through railroads, the standardization of national time, and a space for local Argentine scientific actors to establish national and international careers. With the increased professionalization of numerous scientific fields, the bond between the state and scientists matured. Many used this as a platform to enter into politics, such as Eduardo Wilde, hygienist and Minister of the Interior. Others provided their services to the state to form public policy, as happened for example with the work of psychiatrists, criminologists, engineers, and hygienists. Collectively, these fields demonstrated that the sciences witnessed significant growth into the first quarter of the 20th century.

Article

Digital Resources: The H-LatAm Listserv  

John Schwaller

H-LatAm, short for History-Latin America, is an electronic list that has served the scholarly community since the late 20th century as a forum in which important issues facing Latin American history can be debated. It has served as a means of spreading information about publications, a channel for soliciting research and research collaborations, and an instrument that links historians of Latin America who are spread throughout the world. A review of this resource allows for a look at the history of Latin American studies on the Internet—useful for understanding and researching early threads—and some of the specific contributions of H-LatAm to the profession.

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Masculinities, Consumption, and Domesticity during the Perón Era  

Natalia Milanesio

Supported by a multiclass alliance including the working class and some sectors of industry and the military, Juan Domingo Perón’s government (1946–1955) industrialized the country, modernized and expanded the state, transformed local and national politics, empowered the labor unions, and substantially improved the standard of living. Perón combined a strong nationalistic and anti-oligarchic discourse with concrete material benefits like high wages, the expansion and consolidation of the retirement system, paid vacations, housing subsidies, and full employment that ensured the political support of large sectors of the working population. Like the workers, various other traditionally disenfranchised social sectors took center stage. The very poor became the main beneficiaries of the charities run by first lady Eva Perón; women won the right to vote with a law passed in 1947 and were mobilized and politicized by the Peronist Party; and children were recognized by the government as the true heirs of the new Argentina built by Peronism and thus subject to co-optation and indoctrination. At the same time, internal migrants, attracted by the promises of a better life and industrial employment, left the countryside and small towns in the interior for the cities, propelling a profound process of urbanization. The cultural, social, political, and economic changes that marked the Peronist years had major consequences for gender relations, roles, and identities, transforming the ways of being a man or a woman in mid-twentieth-century Argentina. Those changes profoundly reshaped discursive and symbolic representations of masculinities as well as social and cultural expectations of manhood across different social classes while creating the political, social, and economic conditions that facilitated the transformation of masculinity as a lived, everyday experience.

Article

Korean Popular Culture in Argentina  

Grit Kirstin Koeltzsch

The cultural movement known as Hallyu (or Korean Wave) and the transnational popularity of K-pop music and dance have long been established as an important phenomenon in the global world, including in Latin America. This form of South Korean contemporary popular culture has had a major impact in Argentina, especially among the young population. Despite the cultural and geographical distance, young Argentines incorporate aspects of K-pop culture in their daily lives, including music, dance, K-drama, and food, and some of them even try to learn the Korean language. Thanks to technology, they perceive, almost in real time, what happens on the Asian continent and connect with fans and fandoms, not only in Korea but also in other parts of the world. This shows that globalization is not a process of homogenization; these young Latin American people also take the Korean Wave as motivation to learn about transpacific history and cultures. Furthermore, K-pop is a visual phenomenon, and dance plays an important role. The dance routines or choreographies are complex, and emphasize the music. Dance definitely transcends language barriers. Thus, young Argentines explore new aspects of corporality through dance performances. In their spare time, they organize dance contests and activities, and so generate spaces for their own articulation. It is particularly interesting to draw attention to gender role performance and the way in which local youth react to the influence of a transgressive gender identity performed by Koreans, in the context of a strongly patriarchal and heteronormative Argentine society. It shows that body/ dance articulation is not just a tool for creativity but also for disputing gender norms and stereotypical gender images in our society.

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José Ingenieros, El Hombre Mediocre, and Social Integration in Turn-of-the-20th-Century Argentina  

Mariano Ben Plotkin

The life of Italian-Argentine scientist and intellectual José Ingenieros (1877–1925) has been considered a clear example of the potential for upward social mobility based on talent that existed in Buenos Aires at the turn of the 20th century. Born Giuseppe Ingegnieros in Palermo, Sicily, from a working-class family, Ingenieros was able to become both one of the most internationally renowned Latin American intellectuals and scientists—his scientific and philosophical works were translated into several languages—and also a socialite of high visibility befriending some of the most prominent members of the Argentine social elite. His trajectory seems to be an example of unparalleled success. Nevertheless, a close look at recently unearthed sources, particularly his private correspondence, not only shows a different picture of Ingenieros’s life and works, but also forces us to reconsider accepted knowledge about the possibilities offered to immigrants by turn-of-the-century Argentine society. His trajectory constitutes an excellent case study for the analysis of both the potentials and the limits of social mobility in Argentina at the time, as well as the relationship between intellectuals and power during the transition from the oligarchic republic established in 1862, after the unification of the country, to the really democratic republic based on universal (male) suffrage introduced in 1912. An analysis of the context of production of his most popular work, El hombre mediocre, provides an opportunity to contrast his public image with the social insecurities he expressed to his relatives and friends.

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Argentine Intellectual Circles and the European Crisis of the 1930s  

Jorge Nállim

Beginning in the second half of the 19th century, Argentina became closely linked to the North Atlantic world, as the founding fathers of the modern state established a political order modeled on liberal principles, developed a dynamic export economy, and presided over a large immigration—mainly from Spain and Italy. These processes provided the historical framework for the impact of the European crisis of the interwar years in Argentine cultural groups and debates in the 1930s. The cosmopolitan features of Argentine society and intellectual groups, the country’s political crisis in the 1930s, and the particularly heavy influence of the Spanish Civil War explain how the European situation and ideologies such as Fascism and anti-Fascism were processed in a variety of cultural publications and institutions.

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The Creole Circus and Popular Entertainment in 19th Century Argentina and Uruguay  

William G. Acree Jr.

Theater in Argentina and Uruguay, which together compose the Plata river region of Latin America, has been a predominant form of entertainment since the 19th century. Theaters abound in Montevideo, while its sister city. Buenos Aires, has its own Broadway in the famed Corrientes Street. In the age of digital culture, the theater remains a mainstay of cultural life for Argentines and Uruguayans. The success of theater and the making of a theatergoing public in the region have their roots first in the variety of entertainment offered by hemispheric travelers to the region from the 1820s through the 1880s and then, most significantly, in shows put on by itinerant circus troupes in the countryside that only later filled urban theaters. From the mid-1880s through 1900 these circus troupes performed plays known as dramas criollos that dealt with rural traditions and explored issues of migration, social stratification, and tensions of economic modernization. These Creole dramas, like the narrative and poetic tales of gaucho heroes that informed them, became wildly successful, attracting spectators in the countryside and city alike, in venues ranging from makeshift tents to the most opulent theaters. They also became the namesake of the circo criollo, which referred as much to types of performers staging the tales as to the circus event where people flocked to see the new main attraction—the dramas. In effect, the Creole drama phenomenon expanded the presence of popular entertainment across the region and consolidated a theatergoing public. It also gave way to a new strand of modern popular culture in which storylines and characters reappeared in other media, and the impact of the Creole drama experience long outlived the spectacle itself.

Article

Digital Resources: Housing and Urban Development in Latin American History  

David Yee

Beginning in the 1880s, the modern foundations for architecture as a profession and academic discipline were established in Latin America’s major cities. Soon thereafter, urban planning (urbanismo) began to emerge as a distinct discipline in a period of scientific and technological innovation. This rich history has been compiled, digitized, and made available to the public by two key institutions: the Facultad de Arquitectura of the Universidad Nacional Autónoma de México (FA-UNAM) in Mexico and the Facultad de Arquitectura, Diseño y Urbanismo of the Universidad de Buenos Aires in Argentina (FADU). Collectively, these two digital projects contain a wealth of information for scholars to research the cultural and intellectual histories of cities in both Argentina and Mexico. The primary resources available on both platforms provide valuable insights into how Latin America’s leading architects and planners analyzed, debated, and envisioned urban life in the 20th century.

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The Labor Movement and Sugar Industry in Tucumán in the 1960s and 1970s  

Silvia Nassif

The province of Tucumán, Argentina, has been used as a test case for the fallacious “theory of the two demons” because it is both where a guerrilla movement formed in 1974 and where the country’s first clandestine detention center was established in the “escuelita” of Famaillá during “Operativo Independencia” in 1975. This “theory” reduces the conflict in the province to a confrontation in the Tucumán hills between no more than 150 combatants of the People’s Revolutionary Army (Ejército Revolucionario del Pueblo, ERP) and 5,000 soldiers of the Argentine Army. This, however, largely conceals the social catastrophe suffered by Tucumán and the high levels of conflict that had already been taking place for more than a decade. Previously, in August 1966, the provincial territory had been militarized by the new dictatorial government led by Juan Carlos Onganía. On that occasion, militarization sought to guarantee the closure of sugar mills. This generated an unprecedented economic and social crisis. Between 1966 and 1968, eleven mills were closed out of a total of twenty-seven, more than 50,000 jobs were eliminated in the sugar agro-industry alone, medium and small sugarcane producers were severely affected, and more than a quarter of the total population of the province was forced to emigrate in search of new sources of work. Such were the root causes of social conflict, led mainly by the sugar working class assembled in the Tucumán Workers Federation of the Sugar Industry (Federación Obrera Tucumana de la Industria Azucarera, FOTIA), which the 1976 dictatorship was intent on reining in.

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Argentine Media Regulation, Fake News, and the Election of Mauricio Macri  

Mariana De Maio

November 2015 became a key date in the history of Argentina as former president Cristina Fernandez’ party lost the national elections by the narrowest of margins, less than 700,000 votes, to the right-wing candidate Mauricio Macri, ending a twelve-year run of one of the most progressive governments in the history of Argentina. Many analysts argue that large media conglomerates, especially the Clarín Group, played a significant role in the process leading to political change. Macri supporters in the city of Buenos Aires provided some reasons for their decision to vote for Macri and against Daniel Scioli, who ran on Fernandez’ party ticket. Their answers seem to be influenced by a series of fake news (misleading news articles) published by Clarín and La Nación, two leading news organizations in Argentina, during the months before the national elections. These misleading news stories were published in the front pages of those newspapers and at prime time in their affiliate TV and radio stations. Corrections and retractions rarely appeared in the front pages or prime time. Macri voters came to accept the initial news as legitimate and were influenced by them during the 2015 presidential election. Considering the insignificant margin of votes deciding the election, it can be argued that the two news organizations may have been instrumental in shaping the perceptions of just enough voters to swing the results in Macri’s favor. This suggests that dominant mainstream media have had a significant influence on voters’ attitudes and that this may explain in part the election’s outcome.

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Digital Resources: Malvinas/30, an Interactive Documentary on the South Atlantic Conflict  

Alvaro Liuzzi and Tomás Bergero Trpin

The Malvinas War, also known in Spanish as the South Atlantic Conflict (conflicto del Atlántico Sur), was a war between Argentina and the United Kingdom that took place in the Malvinas Islands, South Georgia, and South Sandwich between April 2 and June 14, 1982. During 2012, thirty years after the conflict, the Malvinas/30 web documentary was produced in Argentina, conceived as a transmedia production in real time. It was designed to serve as a space of collective digital memory that would involve users and recreate on social networks the hostile atmosphere of the South Atlantic Islands at the time of the skirmish. The documentary, produced by an interdisciplinary team, was developed as a continuous interactive production for five months that, by extending its narrative through different digital platforms, sought to allow users to relive the events of the Malvinas War as they had occurred three decades before in 1982. To meet this goal, Malvinas/30 was organized along three central axes: narrative synchronization between past and present (telling the story as if it were happening today); unfolding the story on different media (social networks, traditional media, and other media); and generating interactive responses from users (a collective story as a space for historical memory).

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Digital Resources: Historicizing the Living Past in Latin America  

Anne Pérotin-Dumon and Manuel Gárate

This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Latin American History. Please check back later for the full article. Historizar el pasado vivo en América Latina (Historicizing the Living Past in Latin America), an edited digital publication composed of twenty-four studies, has been online since 2006. It marks perhaps the first effort to identify and examine the emergence of a new brand of contemporary history in Latin American countries that have returned to democratic rule after living under dictatorships or through an internal armed conflict. Historizar el pasado vivo remains the most systematic effort to explore in Spanish, in a digital format, what is often called historia reciente, or (after the French term) historia del tiempo presente—“addressing recent events that remain in the memories of many, by historians who lived through them, in a time in which their dramatic character has made them an enduring moral problem for the national conscience.” More broadly, Historizar el pasado vivo has aimed to draw the attention of the history profession, and the community of Latin Americanists at large, to an exciting intellectual development taking place in Latin America.

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Uruguayan Cinema in the 20th Century  

Daniel Alex Richter

Cinema began in Uruguay with the exhibition of foreign films by visiting representatives of the Lumière brothers in 1896 before the first Uruguayan film was produced and shown in 1898. From the early period of Uruguayan cinema to the end of the 20th century, Uruguayan national cinema struggled to exist in the estimation of critical observers. Considering these periods of growth and stagnation, this history of Uruguayan cinema seeks to shed light on the industry’s evolution by focusing on exhibition, production, and spectatorship. This essay explores Uruguay’s national film productions, transnational businesses in shaping local film exhibition, the growth of mass publics and critical spectatorship, and the significance of political filmmaking in understanding the evolution of Latin American cinema during the 1960s. The history of Uruguayan cinema during the 20th century also provides a lens for understanding the political, social, and cultural histories of a country that has struggled to live up to its reputation as South America’s “most democratic” nation.

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Sheep Sovereignties: The Colonization of the Falkland Islands/Malvinas, Patagonia, and Tierra del Fuego, 1830s–1910s  

Alberto Harambour-Ross

From the moment the expedition of Magellan gave Patagonia its name, it became a land where European fantasies and fears dwelled. A no man’s land inhabited by giant anthropophagites located at the antipodes of civilization, this steppe swept by icy winds was not transformed into a colonial setting until the 19th century. The territory then became the object of an ongoing territorial dispute between the new states of Argentina and Chile, whose efforts to establish sovereignty as landowners languished until the late 1870s. Nomadic indigenous sovereignties had faced slow Western expansion on the continent; here, they were swiftly replaced by sheep. On the continent, the Tehuelche were displaced; on the island of Tierra del Fuego, the Selknam faced extermination. Sheep sovereignty, fully integrated into imperial networks, was the driving force behind local state building. Just as the British pastoral colonization of the Falkland Islands conditioned any possibility of permanent presence in the South Atlantic, the sheep industry, arriving swiftly in the shape of capital, persons, and animals, allowed for the Argentinization and Chileanization of what was once the frontier of civilization. In this sense, the occupation of the Falklands/Malvinas, Patagonia, and Tierra del Fuego may be considered successive colonial processes that form part of the same frontier drive as the Empire in capital.

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Rock Nacional in Argentina during the Dictatorship  

Timothy Wilson and Mara Favoretto

In the 20th century Argentina experienced a series of dictatorial regimes of varying intensity, but the last dictatorship stands apart. The Process of National Reorganization or Proceso (1976–1983) was not only the most brutally repressive, “disappearing” 30,000 of its own citizens into concentration camps, but also the most ambitious in terms of ideological mission. Its campaign, officially called “the war against subversion,” was committed to the total eradication of leftist ideas from the political landscape of the country by any means necessary. This radical transformation was to be brought about not only in the torture chamber, but in the media as well. The regime planned an Orwellian redefinition of words: the systematic creation of a national vocabulary that would exclude certain ideas and parties. In order to achieve its overt project of the appropriation of language, the junta maintained obsessive control over the media, instituted strict censorship reinforced by terror, and bombarded the airwaves and newspapers with official communiqués. In the face of this repression, most journalists and writers and many artists could not express dissent of any kind. Yet singers of a new Argentine music genre that came to be known as rock nacional developed codified and oblique metaphorical expression in their lyrics that allowed them to evade censorship and to continue to criticize the military regime with relative impunity. Moreover, many Argentine youths found solace in the music and used it to create communities in which they could meet and express themselves. The regime had sought to deny young Argentines a forum for public speech; however, together artists and listeners created a rock nacional culture that provided community for the isolated and lent a voice to the silenced.