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World War I and Brazil  

Stefan Rinke

When news broke of the war in Europe, there was talk of a catastrophe that, as a result of the close-knit global entanglements, would embroil the world in an unprecedented crisis. The world dimensions of the events were in evidence to contemporary Latin American observers from early on. Despite the region’s considerable distance from the battlefields, the First World War was felt more than any other previous event outside Latin America in Brazil, and it was clear that its repercussions would affect the lives of average citizens. The relative isolation from which people in the region had witnessed other conflicts in Europe prior to 1914 came to an end. Many Brazilians took an active interest in the war. They participated in the debates about the end of Western hegemony and the downfall of Europe, which took place around the world and would become emblematic of the 20th century. The perception of the war followed a global logic, as Brazil was entangled in the events because of the new type of economic and propaganda war. Modern historiography largely ignored the impact of the war in Brazil, although a number of treatises appeared immediately after the conflict. It was not until the advent of dependence theory that interest was rekindled in the significance of the First World War. The picture changed in 2014 when several important studies integrated new perspectives of cultural and global history. While the First World War may have long been a marginal concern of Brazilian historiography, it was even more common to find “general” histories of the conflagration devoid of any perspective other than the European and that of the United States. But in the total wars of the 20th century, even a neutral country could not remain passive. As a result of its natural resources and strategic position, Brazil was to become an actor in this conflagration.


Oliveira Lima and the Oliveira Lima Library at the Catholic University of America  

Nathalia Henrich

Manoel de Oliveira Lima (b. Recife, December 25, 1867–d. Washington DC, March 24, 1928) was one of the most prestigious men of letters of his generation. As a historian, diplomat, literary critic, journalist, writer, and professor, he maintained an intense intellectual activity. His strong and often controversial views galvanized public opinion and gathered as many admirers as detractors. The “Fat Don Quixote” and the “Intellectual Ambassador of Brazil” were at the same time deemed a “Diplomatic Torpedo” with an “incontinent pen.” Lima became a renowned scholar and public speaker thanks to his expertise on Latin American history, especially on the history of Brazil. He was the author of numerous books and articles published in Europe and the Americas, and a lecturer at Harvard, Stanford, and the Sorbonne. He was a founding member of the Brazilian Academy of Letters. His career as a diplomat began in 1891, the same year he married Flora de Oliveira Lima (neé Cavalcanti de Albuquerque, b. Cachoeirinha, October 26, 1863, d. August 12, 1940, Washington, DC), his lifelong companion and collaborator. Together they lived in Portugal, Germany, the United States, Great Britain, Japan, Venezuela, and Belgium until his retirement. A devoted bibliophile, Oliveira Lima donated his rich collection of rare books, artwork, manuscripts, prints, photographs, and documents from his personal archive to the Catholic University of America in 1916. In 1920, he established residence in Washington, DC to oversee the organization of the university’s library, which was inaugurated in 1924. He taught international law and acted as librarian at CUA until his death in 1928. The Oliveira Lima Library (OLL) is currently considered one of the finest collections of Luso-Brazilian materials and one of the most important Brasilianas in the world.


Wildlife in Brazil: History, Threats, and Opportunities  

José Luiz de Andrade Franco and José Augusto Drummond

The rich variety of the tropical ecosystems and wildlife native to the current territory of Brazil has captured the attention of several groups of observers since the early 1800s. Wildlife and landscapes in particular generated a continuous stream of appreciation of their uniqueness and concern about their integrity. This perception affected government officials and foreign traveling naturalists of the 19th century, when dozens of French, German, Austrian, English, Belgians and North American naturalists traversed the immense territory of the former Portuguese colony that had been virtually closed to trained scientists. Throughout the 20th century, newly trained Brazilian scientists and again foreign scientists, besides government officials and activist citizens, continued to explore species, ecosystems, and landscapes of what now recognized as the largest tropical country of the world. More recently, the growing amount of information about the global distribution of biodiversity placed Brazil at the top of the ranking, as a truly “megadiverse” country. As a consequence, Brazil has engaged, through environmental non-governmental organizations (NGOs), government agencies, and foreign and locally trained scientists, in a remarkable series of successful projects aimed at the identification and protection of endangered species. The country has only recently built a cadre of wildlife and ecological scientists trained to initiate and manage these types of projects. Despite the fact that these efforts are still far from being a priority in terms of its national environmental policies, Brazil has been quite active and successful in the protection of some of its most endangered animal species and their habitats.


Africans in Brazil and Afro-Brazilian Religion and Culture  

Luis Nicolau Parés

Of the estimated 4.9 million African captives disembarked in Brazil, 70 % were shipped from Central Africa, 24 % from West Africa, and the remaining 6 % from the East Coast of the continent. Despite their diverse political and cultural backgrounds, Africans were classified by slavers with a discrete number of generic categories often referred to as “nations.” The enslaved appropriation of such external labels, like Mina and Angola—distinguishing Western and Central Africans respectively—resulted in the formation of new collective identities. The novel ways of colonial belonging and behavior shaped and expressed themselves as distinct forms of Afro-Brazilian culture when organized around social institutions such as Catholic lay brotherhoods or other African-inspired associative dynamics. Religious practice, including music, language, bodily performance, cooking and dress, became a privileged domain for African cultural production, subsequently irradiating into other secular manifestations. The colonial calundu, concerned with healing and oracular functionalities, greatly influenced by the Bantu-speaking people, coexisted and intermingled with the more ecclesiastical West-African traditions of initiatory ritual dedicated to the worship of multiple deities. Despite common elements of celebration, healing and mediumship, Afro-Brazilian religious pluralism was historically marked by an extraordinary eclecticism. Different local interactions with the hegemonic Iberian Catholicism, Amerindian healing practices and French Spiritism, together with the circulation of people and ideas between Africa and Brazil after the end of the Atlantic slave trade, led to a wide range of regional variation. This heterogeneous Afro-Brazilian religious field, prone to continuous discrimination and selective tolerance by the authorities, is stressed by a discursive contrast between the alleged traditional pure African forms and the mixed syncretic Brazilian ones, all claiming their share of legitimacy and ritual efficiency.


Underdevelopment in Brazil and Its Interpretations  

Carlos Brandão and Hipólita Siqueira

Brazil is a vast and highly complex country that is subordinated to its central hegemonic poles and that combines both backwardness, modernity, progress interrupted by unfinished cycles of growth, and extreme inequality. Paradoxically, it is on the one hand ranked among the nine most advanced capitalist countries in the world and, on the other, listed as one of the nine countries with the worst income distribution. Attempts to interpret these dilemmas, historical disjunctives, and impasses have produced a plethora of original intellectual work that deals with the specificities of this most dynamic and yet highly contradictory national space. A select few authors have produced extensive work on the subject and have legitimized themselves as the pinnacle of classical interpreters of Brazilian social and political thought. The originality, broad scope of analysis, and ingenuity of these great national thinkers have made them the authors of choice for those seeking to better understand Brazil as a nation. Their classics have formulated key and critical questions relating to the often-interrupted construction of this nation and the truncated, material, and spiritual or immaterial development of the Brazilian civilization as a whole, which began as a former Portuguese colony founded on slave labor. These are very comprehensive formulations, with a long-term historical perspective produced by those who have taken a very profound and highly structural look at Brazil, shedding light on aspects of its hitherto-obscure or unquestioned reality, enlightening and inviting to think more coherently, boldly, and consequently about its present and, indeed, future. Among the main contributors are the likes of Caio Prado Júnior, Celso Furtado, Fernando Henrique Cardoso, and Florestan Fernandes, who have developed approaches to help unveil the nature and characteristics of the processes of dependence and underdevelopment that are so specific to Brazil’s peripheral capitalism.


Immigration and the Historical Formation of Brazil  

Jose Moya

More than 98 percent of the Brazilian population descend from people who arrived in the country, willingly or forced, during the last five centuries. French and Dutch Calvinists established colonies during the 1500s and 1600s. The Portuguese, including Jewish conversos, expelled these imperial rivals and, unlike in Portuguese India, managed to forge the Luso-Brazilian culture to which later arrivals would eventually assimilate. Close to four-tenths of the eleven million slaves trafficked across the Atlantic landed in Brazil, giving the country the largest Afro-descendant population in the world outside Nigeria. The large numbers, the traffic’s long temporal span, and the country’s close connection to Portuguese Africa infused Brazil with distinctively intense and varied African ethnic cultures that shaped both the slaves’ strategies of adaptation and resistance and the national ethos. Brazil also received over five million immigrants after its independence in 1822, most of them between the 1880s and the 1920s. Latin Europe accounted for four-fifths of the arrivals (1.8 million Portuguese, 1.5 million Italians, and 700,000 Spaniards). Others came from elsewhere in Europe and beyond, giving Brazil the largest population of Japanese descendants in the world outside Japan, the largest of Lebanese descendants outside Lebanon, and the second largest of German descendants outside Germany (after the United States). This engendered a strikingly multicultural society. Yet over a few generations, Brazil absorbed these new populations in a manner that resembles the experience of the rest of the New World. Economically, immigrants turned southern Brazil from a colonial backwater into the richest region of the country, but, in the process, they also brought racially embedded regional inequalities to the forefront.


Military Coup in Brazil, 1964  

João Roberto Martins Filho

The coup that took place in Brazil on March 31, 1964 can be understood as a typical Cold War event. Supported by civilians, the action was carried out by the armed forces. Its origins hark back to the failed military revolt, headed by the Brazilian Communist Party (PCB), in November of 1935, stirring up strong anticommunist sentiments. The Estado Novo coup, which occurred two years later, was supported by the army (war) and navy ministers. It marked the beginnings of the dictatorial phase of Getúlio Vargas, who had been in power since 1930. At the end of the Second World War, officers who had taken part in the struggle against Nazism in Italy returned to Brazil and overthrew the dictatorial Vargas regime, who nonetheless returned to power through the 1950 presidential elections. In 1954, under pressure from right-wing military forces, he committed suicide, thereby frustrating existing plans for another coup d’état. The Superior War School (ESG), created in 1949, had become both the birthplace of the ideology of National Security and stage where the French doctrine of guerre révolutionnaire was welcomed. During the 1950s, the military came to be divided into pro-American and nationalist factions. The alliance between the Brazilian Labor Party (PTB) and the centrist Social Democratic Party (PSD), which had elected Vargas earlier, now enabled Juscelino Kubitschek’s victory in the 1955 elections, disappointing the conservatives of the National Democratic Union (UDN) and its military allies. The latter were briefly encouraged when the 1960 presidential election put Jânio Quadros at the head of the executive. In August 1961, when Quadros resigned, his military ministers tried to use force to keep Vice-President João Goulart, Vargas’s political heir at the head of the PTB, from taking office. The coup was frustrated by the resistance of the governor of the state of Rio Grande do Sul. Yet the Goulart administration was marked by instability, in the midst of intense social struggles and by a sharp economic crisis. The outcome of this drama began to take shape in March 1963, when the government took a leftwards turn. A massive demonstration in downtown Rio de Janeiro on March 13 served as an alert, and the March 25 sailors’ revolt as the match in the powder keg. On March 31, military forces carried out the infamous coup. The Goulart administration collapsed. Social movements were left waiting for orders to resist that never came.


Brazilian Colonial Art and the Decolonization of Art History  

Maria Berbara

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.


Ecological Ideas and Historical Construction of the Brazilian Cerrado  

Sandro Dutra e Silva

Brazil’s national territory has traditionally been analyzed in terms of large biogeographical regions. The most current and widely used classification for both planning and environmental conservation purposes in Brazil divides the country into six large biomes: the Amazon, the Caatinga, the Cerrado, the Pantanal, the Atlantic Coast Forest, and the Pampa. All the biomes have faced threats to the preservation of their natural resources from various causes. Despite its rich biodiversity, the Cerrado has historically been affected by these threats, especially by the rapid expansion of the agricultural frontier over the past fifty years. An important issue for the environmental history of the Cerrado and for Brazilian biomes in general is the context of the ecological ideas used to construct the paradigms by which Brazil’s biogeographical formations are defined. This context involves ecological assumptions incorporated over the years that are crucial to understanding the historical construction of the Cerrado and other biomes. The ecological ideas that have historically constituted the Cerrado help to reflect on the historical distribution of phytogeographies, their specific features and the processes by which both human and nonhuman elements of the Brazilian biomes interact. The Cerrado is, therefore, a historical construction, the product of ecological metaphors and environmental paradigms adopted since the 19th century. Since 2004, the demarcations and territorial definitions of the Cerrado have been largely guided by the concept of biomes, which has also guided the country’s environmental policies. Similarly, the cartographic representation of the biomes is also a historical construction that reflects the prioritization of floristic compositions, especially in the distinction between forests and campos (grasslands) in Brazil. Due to its geographic location, the Cerrado shares a border with almost all the biomes, with the exception of the Pampas in the far south of Brazil. In addition to its floristic complexity, the adaptive integration of its fauna and flora, and the ways in which humans have adapted to the environment, the environmental history of the Cerrado offers an important insight into the asymmetries and strategies by which the environment is used and protected in Brazil.


Black Associational Politics in 20th-Century Brazil  

Petrônio Domingues

The population of African descent in Brazil has always maintained vibrant associative communities, whether in the form of mutual aid societies, confraternities, and religious brotherhoods that existed since the time of slavery or in the form of other voluntary associations that appeared later, such as recreational societies, civic centers, literary guilds, musical groups, carnival blocos, and the black press. For Afro-Brazilians, the associative experience throughout the 20th century contributed to a sense of group belonging and a consciousness of a shared identity and experience of racial discrimination. Furthermore, these relationships enabled Afro-Brazilians to begin claiming rights as citizens, protesting against what afflicted them as a community. These joint efforts fueled collective acts of resistance and self-determination that, while evident for centuries, acquired new meanings and manifestations following the abolition of slavery in 1888. Black associations did not limit themselves to denouncing problems or detecting their causes and consequences. They tried to point out ways to overcome them by proposing several solutions: the moral elevation of Afro-Brazilians, which implied a preoccupation with their image in the various sectors where they acted; improving their educational and instructional level; valorizing their race and, by extension, black identity; and emphasizing the need to react to injustices, and even to act politically. However, the main solution was the union of black Brazilians, a sine qua non for this segment of the population to strengthen and thus be able to claim and gain space in society, improve living conditions, and even overcome persistent challenges. Understanding the history of black associative life in Brazil during the 20th century is necessary in order to grasp the struggles and challenges Afro-Brazilians have faced around common interests, particularly since these collective actions are an integral part of the black experience and, in some respects, overlap with it.


Brazilian Universities and Politics in the 20th Century  

Rodrigo Patto Sá Motta

Recently Brazil reached the mark of eight million university students, which represents around 4 percent of the population. Although this level is less than those in developed countries, it signifies an advance in relation to the country’s starting point. Unlike Spain, the Portuguese Empire did not create university institutions in its colonies. Following the Independence of Brazil in 1822, the new governing elite established some higher-level courses (initially medicine, law, and engineering), but these functioned in isolation, in other words, university institutions were not created. The first universities emerged only in the 1920s and were regulated during the Getúlio Vargas administration (1931). Since then, higher-level education has been the object of greater public attention—as well as political conflicts—due to both its role in development projects and its capacity to produce leaders. Between the 1940s and 1960s, university students became a relevant political force, having engaged in debates for university reform and also in favor of social changes, contributing to the process of political radicalization abruptly ended by the 1964 military coup. The dictatorship led by the military implemented an authoritarian modernization of the universities, repressing and purging the “undesirables” at the same time that it increased investment in research and graduate studies. The results were paradoxical, since although the dictatorship created a better structured university system, it was a more authoritarian and socially elitist one. The first post-dictatorial governments maintained the university structure inherited from the previous period, but they deteriorated due to a lack of public resources caused by hyperinflation and also by the intention of reducing public expenditure on higher education. The country managed to improve its higher-level institutions during the 20th century, which became strategic spaces for political battles and, for this reason, targets of constant state intervention. Despite the reforms and the expansion, universities were marked by elitism and social inequality, like Brazilian society itself, problems that only recently have started to be addressed. Only in the 21st century did Brazilian universities undergo a new expansionist phase, led by the center-left Brazilian governments which, in addition to expanding the public system, also invested in the inclusion of social sectors that previously had no access to higher education. It appears that this process may be interrupted, thanks to the “right turn” experienced by Brazil since 2016–2018.


Traders in Colonial Brazil: Origins, Strategies, and Networks  

George Felix Cabral de Souza

Mercantile groups of colonial Brazil have drawn renewed attention in recent decades as analyses of empirical data have outlined a more complex economic scenario for the Portuguese colonies in Brazil, bringing into sharper focus the range of activities undertaken by businessmen who established themselves in the conquered lands. Acting individually or through large mercantile networks, they were on the front lines of efforts to expand and maintain the colonized areas, as well providing links between the Old and New Worlds, including by trafficking in enslaved Africans. The 18th-century gold boom had a tremendous impact on colonial markets and brought both economic and social consequences for merchants. Although the model of social hierarchization continued to be set by the agrarian elite, large merchants’ access to liquidity, credit mechanisms, and reinvestment opportunities gave them ever greater political weight in the empire’s balance of power. Most merchants in colonial Brazil were natives of Portugal and had to overcome prejudices and resistance to integrate themselves into society. Commercial success was only the first step in a long path that relied on political and family strategies. From the 16th to the 18th centuries, merchants in colonial towns from the north to the south of Brazil had some features in common: they sought symbols of social distinction, they formed and carefully tended networks of family and clients, and they participated in local governance.


Historiography of Brazil in the 20th Century  

Thiago Lima Nicodemo, Mateus Henrique de Faria Pereira, and Pedro Afonso Cristovão dos Santos

The founding of the first universities in the first decades of the 20th century in Brazil emerged from a context of public education reforms and expansion that modified the relationship between intellectuals and the public sphere in Brazil. The representation of national pasts was the object of prolific public debate in the social sciences and literature and fine arts through social and historical essays, pushed mostly from the 1920’s to the 1950’s, such as Gilberto Freyre’s, The Master and the Slaves (Casa Grande e Senzala, 1936) and Sérgio Buarque de Holanda’s Roots of Brazil (Raízes do Brasil, 1936). Just after the 1950s, universities expanded nationally, and new resources were available for academic and scientific production, such as libraries, archives, scientific journals, and funding agencies (namely CNPQ, CAPES and FAPESP). In the field of history, these effects would have a greater impact in the 1960s and 1970s with the consolidation of a National Association of History, the debate over curricula and required content, and the systematization of graduate programs (thanks to the University Reform of 1968, during the military dictatorship). Theses, dissertations, and monographs gradually gained ground as long social essays lost their prestige, seen as not befitting the standards of disciplinary historiography as defined in the graduate programs such as a wider empirical ground and more accurate time frames and scopes. Through their writing in more specialized formats, which moved away from essays and looked into the great Brazilian historical problems, historians played an important role in the resistance against the authoritarian regime (1964–1985) and, above all, contributed to a debate on the role of silenced minorities regarding redemocratization.


Sugar and the Formation of Colonial Brazil  

Vera Lucia Amaral Ferlini

Sugar, besides its economic importance, created the foundations of political power in Brazil, based on the monopoly of land and the enslavement of indigenous and African people. Colonization, structured by the hegemony of the external market, created, over three centuries, a free rural population of whites, free blacks, and mestizos who survived on small plots and subsistence farms dependent on the power of the great landowners. From the centrality of the mills in the sugar world, the patriarchal character of this society, the basis and support of its political power, was forged. Sugar production was responsible for the “geography” of sugar, with territorial occupation by subsidiary activities such as subsistence farming and tobacco in the northeast, and with the expansion of sugar production towards the south in the 18th century.


The Abolition of Brazilian Slavery, 1864–1888  

Ricardo Salles

Brazil was the last Western country to abolish slavery, which it did in 1888. As a colonial institution, slavery was present in all regions and in almost all free and freed strata of the population. Emancipation only became an issue in the political sphere when it was raised by the imperial government in the second half of the decade of the 1860s, after the defeat of the Confederacy in the US Civil War and during the war against Paraguay. In 1871, new legislation, despite the initial opposition from slave owners and their political representatives, set up a process of gradual emancipation. By the end of the century, slavery would have disappeared, or would have become residual, without major disruptions to the economy or the land property regime. By the end of the 1870s, however, popular opposition to slavery, demanding its immediate abolition without any kind of compensation to former slave owners, grew in parliament and as a mass movement. Abolitionist organizations spread across the country during the first half of the 1880s. Stimulated by the direct actions of some of these abolitionist organizations, resistance to slavery intensified and became increasingly a struggle against slavery itself and not only for individual or collective freedom. Incapable of controlling the situation, the imperial government finally passed a law in parliament granting immediate and unconditional abolition on May 13, 1888.


Visions of the Nation in Imperial Brazil: Arts and Celebrations  

Maria Ligia Coelho Prado

The imperial period in Brazil (1822–1889) is central to a better understanding of the particularities of Brazilian history in the broader context of Latin America. Independence in relation to the Iberian metropolis resulted not only in the institutional establishment of the various Latin American states, but also in the elaboration and construction of new identities aimed at legitimizing the nation. In this context, Brazil kept specificities in relation to the rest of the continent, especially by its imperial monarchist regime and by the maintenance of its slave system (until 1888), which was only paralleled in the southern United States and in the Caribbean regions. At the same time, the process of forming a Brazilian national identity in the 19th century was linked to multiple civic and religious, artistic, and cultural manifestations that outlined the great diversity of the country’s social and ethnic life. The writing of the homeland history, the celebrations, official or not, and the constitution of representative images of the new nation played a fundamental role in this process. In the same way, the arts, among which music, literature, and painting stood out, sought to reflect the multifaceted elements that formed Brazilian society. Among the many themes that emerged from this complex cultural framework, one can highlight the conception of a national identity based on the mixture of “three races” (indigenous, white, and black) whose stereotypes and preconceived images established the primary place of the “white” and the subordinate status of the other racial and ethnic groups. In addition to the canonical productions of the imperial literate elite, there is no way to discuss this period without showing the presence of popular groups, blacks, natives, and women, who, even occupying subaltern positions, acted in various ways through their cultural manifestations and festivities, producing their own narratives about the new nation that was forming.


Digital Resources: Social Media, Gender, and the Electronic Music Scene in São Paulo  

Beatriz Polivanov

Women occupy few professional roles in electronic music scenes worldwide. In Brazil, and particularly in the city of São Paulo, female collectives have been playing an important role in raising awareness and trying to change this scenario in recent years. In order to do so, they appropriate social media as communication tools, which become relevant digital resources. Mamba Negra was founded in 2013, and was initially organized by Carolina Schutzer and Laura Diaz. They are part of a cultural movement that seeks to occupy São Paulo’s underused public spaces for festivities that embrace especially the female, queer, and black communities. Their name is that of a dangerous snake from Africa (Dendroaspis polylepis). Their considerable number of supporters is concentrated on their Facebook fan page, which had more than 38,000 followers as of April 11, 2019. The page was created on August 27, 2013. Since its origin, the page aims at sharing multimedia content related to the collective’s activities, such as events (mostly performances and parties), their online radio show, and photos and videos from specific artists. Bandida Coletivo is a collective of female DJs, event and music producers, photographers, and graphic artists that was created in 2016 with the aim of building safe spaces for women within the electronic music scene, not only to experiment with their art, but also to obtain more visibility and professional participation in events. Their name can be translated as “Female Bandit Collective,” and they are especially addressed to an audience of women from the outskirts of São Paulo. Their Instagram profile, @bandidacoletivo, is their preferred outlet in social media. It was created in December 2016 and had almost 2,400 followers as of April 24, 2019. It is filled with pictures and videos from different events they promote, such as parties and workshops, and their DJs’ performances.


Japanese Immigration to Brazil  

Mieko Nishida

Japanese immigration to Brazil started in 1908 as a replacement for European immigrants to work for the state of São Paulo’s expanding coffee industry. It peaked in the late 1920s and early 1930s, in the face of growing anti-Japanese sentiment in Brazil. The Japanese migrated to Brazil in mandatory family units and formed their own agricultural settlements once they competed their colono labor contracts and became independent farmers. Under Getúlio Vargas’s nationalistic policies, a 1934 immigration law severely limited the entry of the Japanese. Strict legal restrictions were also imposed on them during Vargas’s Estado Novo (1937–1945). Japanese immigration was eventually terminated in 1942. Then the number of Japanese immigrants reached 188,986. At the end of the war, the Japanese were sharply divided among themselves over the defeat of Japan, and Sindō Renmei’s attacks on other Japanese factions terrified the nation of Brazil. Having given up their hope of returning to their homeland, the Japanese and their descendants began to migrate on a large scale to the cities, especially São Paulo City. Japanese immigration resumed in 1953 and peaked in 1959–1960. A total of 53,657 postwar immigrants, including many single adult men, arrived in Brazil before 1993. By 1980, the majority of Japanese Brazilians had joined the urban middle class, and many were already mixed racially. In the mid-1980s, Japanese Brazilians’ “return” labor migrations to Japan began on a large scale, due to Brazil’s troubled national economy. More than 310,000 Brazilian citizens were residing in Japan in June 2008, when the centenary of Japanese immigration was widely celebrated in Brazil. But the story does not end there: the global recession soon forced unemployed Brazilians and their Japanese-born children to return to Brazil.


Football (Soccer) in Brazil  

Bernardo Buarque de Hollanda

Football appeared in Brazil in the end of the 19th century, among a favorable environment for the practice of English sports. These sports were initially practiced not professionally by English migrants and young students of Law, Engineering, and Medicine. Fluminense was the first club from Rio de Janeiro, at that time the capital of the country, to be dedicated exclusively to practice football. In the beginning, football represented nobility for the local elite. The social profile of people who attended matches at Fluminense’s field was very near to that of the players, be it for family reasons, friendship, or other motivations. Young women who went there desired to see their distinguished idols, and from this practice many relationships started. While this idyllic image of the past was produced, a historical point of view can notice a decisive enhancement in social segments interested in football. In the decade of 1910, a collective enthusiasm arose for football, mainly due to the fact that it was easy to practice and watch football in any kind of open space. This allowed it to spread out of clubs and the National Team. Far from the spatial and economic restriction of performance arts, football could be practiced and watched freely, in most diverse situations. The clubs’ lack of structure to allocate players and fans contributed in making football a popular game, since they needed to seek public spaces to practice. At this point, the club that opposed to Fluminense has been Flamengo, which until then was not more than a regatta club. When it opened a football department, it practiced in open fields near the beaches. Many passersby started to look out their training and matches, and some of them adopted Flamengo as their club even if not participating of its internal sphere. The players became idols, first in the neighborhood and then in the whole city. This encouraged the talk about football in bars and cafés, with reflections on the increasing number of people to attend matches. Historian Leonardo Pereira says that in a few years football has become a mania. The making of the first national team to dispute friendly matches against England and Argentina has also stimulated football’s repercussion. Noticing public interest over matches with teams from different cities or countries, sports press left its poor attitude about football and began to carefully pay attention to this kind of rivalry and the consequent emotions each fan is able to express for his team, especially the National Team.


Black Brotherhoods in the Portuguese Atlantic  

Alicia L. Monroe

Lay Catholic brotherhoods constituted important religious, social, and civic associations among African-origin and African-descended people in Portugal, West Central Africa, and Portuguese America in the early modern period (1450–1850). Lay Catholic brotherhoods (irmandades), also known as confraternities (confrarias) and sodalities, functioned as spaces of devotion oriented around one or more patron saints. In the Portuguese Atlantic world, free and enslaved people of African origin and descent utilized the associations to prioritize collective devotion, mutual aid, and burial rites for members. Mutual aid could include small payments during illness, assistance with manumission process completion, and internment of deceased members under the auspices of the sodality. Lay Catholic brotherhoods functioned as critical sites of transculturation and belonging for people of African origin and descent in the 1490s in Portugal, by the early 1500s in areas of West Central Africa with an entrenched Portuguese presence, and in Brazil beginning in the colonial period (1500–1822). Confraternities became a common facet of lived experience and religiosity for African and African-descended Catholic devotees across the Portuguese-speaking Atlantic world. Associations were governed by organizational charters generated by founding or elected directorate members that required approval from Catholic Church leaders, the Crown, and provincial-level state authorities. Confraternities had juridical personality and recognition from ecclesial and state officials as semi-autonomous entities or corporate bodies. Members could exercise and experience limited levels of autonomy, even in slave-holding colonial environments. Within brotherhoods in Portugal and in its overseas imperial territories, ethnic and racial stratification was predominant, but not absolute. Confraternities acted as institutional sites where West, West Central, and Southeastern African ethnic group identities held importance and deep social meaning across several centuries. Confraternity participants engaged baroque Catholicism, which emphasized collective action including celebration of the saints and related rites relying on music, movement, and festivities. Brotherhoods functioned as critical sites of proselytization, but also came to serve as spaces for local member imperatives that incorporated African cultural expression, esthetics, and worldviews.