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An Lesbian, Gay, Bisexual, Trans, Queer (LGBTQ) movement emerged in the late 1970s during the Brazilian military dictatorship (1964–1985), as the country slowly moved toward democracy. The “Homosexual Movement,” as it was called at the time, along with feminist and black organizations that formed during the same period, fought for an end to discrimination, equality, and full rights. Since then, LGBTQ activists have challenged stereotypes about lesbians, gay men, and trans people and won some important victories, such as same-sex marriage, legal recognition of trans people’s rights to legalize their gender identity, and constitutional protection against hate speech, although discrimination and violence against LGBTQ people is still widespread. The movement challenged traditional Catholic Church notions of homosexuality as a sin, medico-legal discourses that considered same-sex and nontraditional gender performances as sicknesses, conservative political ideologies that privileged the heteronormative family, and sectors of the Left that considered homosexuality a product of “bourgeois decadence.” Built upon a long history of resistance to impositions of compulsory heterosexuality and normative gender roles, lesbians, gay men, and trans people formed diverse communities during the second half of the 20th century that offered important support networks. They also appropriated public spaces for dissident sexualities and gender performances. Carnival became a privileged site for subverting traditional gender roles. Gay activists pushed the government to change initial conservative policies dealing with HIV/AIDS, and Brazil became an international model for effectively combating the disease. Lesbians fought within the feminist movement for acceptance and against social norms that marginalized them. Trans people gained considerable respect and certain rights. The LGBTQ movement remains diverse in practice, composition, and ideologies. A recent reactionary backlash, which has united conservative Catholics, evangelical Christians, and right-wing political forces, is trying to undo the advances made since the late 1970s in favor of social toleration, respect, and equality.

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Women occupy few professional roles in electronic music scenes worldwide. In Brazil, and particularly in the city of São Paulo, female collectives have been playing an important role in raising awareness and trying to change this scenario in recent years. In order to do so, they appropriate social media as communication tools, which become relevant digital resources. Mamba Negra was founded in 2013, and was initially organized by Carolina Schutzer and Laura Diaz. They are part of a cultural movement that seeks to occupy São Paulo’s underused public spaces for festivities that embrace especially the female, queer, and black communities. Their name is that of a dangerous snake from Africa (Dendroaspis polylepis). Their considerable number of supporters is concentrated on their Facebook fan page, which had more than 38,000 followers as of April 11, 2019. The page was created on August 27, 2013. Since its origin, the page aims at sharing multimedia content related to the collective’s activities, such as events (mostly performances and parties), their online radio show, and photos and videos from specific artists. Bandida Coletivo is a collective of female DJs, event and music producers, photographers, and graphic artists that was created in 2016 with the aim of building safe spaces for women within the electronic music scene, not only to experiment with their art, but also to obtain more visibility and professional participation in events. Their name can be translated as “Female Bandit Collective,” and they are especially addressed to an audience of women from the outskirts of São Paulo. Their Instagram profile, @bandidacoletivo, is their preferred outlet in social media. It was created in December 2016 and had almost 2,400 followers as of April 24, 2019. It is filled with pictures and videos from different events they promote, such as parties and workshops, and their DJs’ performances.