Mariana De Maio
November 2015 became a key date in the history of Argentina as former president Cristina Fernandez’ party lost the national elections by the narrowest of margins, less than 700,000 votes, to the right-wing candidate Mauricio Macri, ending a twelve-year run of one of the most progressive governments in the history of Argentina. Many analysts argue that large media conglomerates, especially the Clarín Group, played a significant role in the process leading to political change. Macri supporters in the city of Buenos Aires provided some reasons for their decision to vote for Macri and against Daniel Scioli, who ran on Fernandez’ party ticket. Their answers seem to be influenced by a series of fake news (misleading news articles) published by Clarín and La Nación, two leading news organizations in Argentina, during the months before the national elections. These misleading news stories were published in the front pages of those newspapers and at prime time in their affiliate TV and radio stations. Corrections and retractions rarely appeared in the front pages or prime time. Macri voters came to accept the initial news as legitimate and were influenced by them during the 2015 presidential election. Considering the insignificant margin of votes deciding the election, it can be argued that the two news organizations may have been instrumental in shaping the perceptions of just enough voters to swing the results in Macri’s favor. This suggests that dominant mainstream media have had a significant influence on voters’ attitudes and that this may explain in part the election’s outcome.
As the world’s fifth most populous nation and by far the largest Portuguese-speaking country, Brazil possesses a massive media market. Despite factors boosting demand for homegrown audiovisual content, the fortunes of the country’s film industry—prized as a means of expressing national identity and as a testament to technological modernity—have fluctuated over time. Historically, the sector has struggled in the face of competition from imported cinema, especially Hollywood product, which has dominated Brazilian screens since the mid-1910s. Nevertheless, Brazilian cinema has attracted mass audiences at home and won critical acclaim abroad, though not always with the same films. The humorous chanchadas (musical comedies) that characterized the industry from the 1930s through the 1950s were tailor-made for domestic audiences, but gained little traction internationally. By contrast, the politically charged and stylistically inventive films of the Cinema Novo movement attracted the attention of European and US critics, but held limited appeal for most Brazilian spectators. After Cinema Novo, few works of Brazilian cinema circulated in international markets until a series of gritty crime-themed films like City of God (2002) and Elite Squad (2007) reached global screens at the turn of the 21st century, bolstered by state incentives for private investment in film production. While this fare was also popular domestically, present-day Brazilian audiences often prefer romantic comedies, biopics, and religiously-themed films. These trends in Brazilian cinema have responded dynamically to the tastes and expectations of both national and international audiences. Onscreen representations create enduring images of the nation that circulate at home and abroad, while everyday practices of moviegoing forge an evolving realm of shared experience.
Bernardo Buarque de Hollanda
Football appeared in Brazil in the end of the 19th century, among a favorable environment for the practice of English sports. These sports were initially practiced not professionally by English migrants and young students of Law, Engineering, and Medicine. Fluminense was the first club from Rio de Janeiro, at that time the capital of the country, to be dedicated exclusively to practice football. In the beginning, football represented nobility for the local elite. The social profile of people who attended matches at Fluminense’s field was very near to that of the players, be it for family reasons, friendship, or other motivations. Young women who went there desired to see their distinguished idols, and from this practice many relationships started. While this idyllic image of the past was produced, a historical point of view can notice a decisive enhancement in social segments interested in football. In the decade of 1910, a collective enthusiasm arose for football, mainly due to the fact that it was easy to practice and watch football in any kind of open space. This allowed it to spread out of clubs and the National Team. Far from the spatial and economic restriction of performance arts, football could be practiced and watched freely, in most diverse situations. The clubs’ lack of structure to allocate players and fans contributed in making football a popular game, since they needed to seek public spaces to practice. At this point, the club that opposed to Fluminense has been Flamengo, which until then was not more than a regatta club. When it opened a football department, it practiced in open fields near the beaches. Many passersby started to look out their training and matches, and some of them adopted Flamengo as their club even if not participating of its internal sphere. The players became idols, first in the neighborhood and then in the whole city. This encouraged the talk about football in bars and cafés, with reflections on the increasing number of people to attend matches. Historian Leonardo Pereira says that in a few years football has become a mania. The making of the first national team to dispute friendly matches against England and Argentina has also stimulated football’s repercussion. Noticing public interest over matches with teams from different cities or countries, sports press left its poor attitude about football and began to carefully pay attention to this kind of rivalry and the consequent emotions each fan is able to express for his team, especially the National Team.
The 1994 Zapatista uprising in the southern Mexican state of Chiapas was the culmination of centuries of repression and exploitation of the country’s indigenous minority at the hands of its Spanish and mestizo leaders and the landed elite. The Liberal Reform initiated in 1854, followed by the “modernizing” policies of President Porfirio Díaz (1877–1880; 1884–1911), and then the revolution that ousted him, would strengthen and institutionalize a new set of institutional frameworks, discourses, and practices that lasted through the 20th century. The Ejército Zapatista de Liberación Nacional (Zapatista National Liberation Army, or EZLN) emerged from a history of complex and volatile relationships between indigenous peoples of the impoverished state and its economic and political elite, relationships that began a process of redefinition in the 1950s. Zapatismo is one of the expressions of indigenous and working-class struggles in this social and historical context. It can be distinguished from other rural and indigenous movements by its repudiation of the strategies of protest and negotiation within an institutional framework, its adoption of armed struggle, and its rejection of the conventional objectives of land and commercial agricultural production in favor of territorial autonomy and de facto self-government.
Brasilio Sallum Jr.
In December 1989, Fernando Collor was elected President of Brazil, in the first election after the 1988 democratic Constitution. The election occurred under the threat of hyperinflation. The winner did not have strong parliamentary support, but the urgency for fighting high inflation gave to the President some time to govern without Judiciary and Legislative resistance. Soon after his inauguration, on March 15, the President launched heterodox stabilization measures—the Collor Plan—to “liquidate inflation.” This plan froze prices, changed the currency, and retained part of checking and saving accounts and other financial assets in Central Bank accounts, to be returned to the owners from September 1991 on. The government also started liberal reforms, privatizing state-owned enterprises and reducing barriers to international trade. The Collor Plan reduced the high inflation, but prices soon increased. On March 31, 1991, the government launched the Collor Plan II, once more against inflation. Having had bad results with the original plan, the government adopted economic orthodoxy, but high inflation remained. The center and left-wing party opposition grew, claiming legal protection for lower salaries and other demands for a substantive democracy. The conservatives pressed for more participation in the Executive in exchange of parliamentary support. President Collor resisted these pressures but finally made a ministerial reform in April 1992, to please the conservative parties and to strengthen his power. However, in May, a magazine published two interviews where the President’s younger brother accused him of corruption. In reaction, the center and left opposition parties made a coalition, and the Congress decided to organize a Mixed Parliamentary Inquiry Commission (CPMI) to investigate the accusation. After three months of inquiry, the CPMI approved, on August 26, a report saying that the President had committed crimes that allowed Congress to impeach him. Since August 16, the CPMI had been supported by a huge mass mobilization for impeachment. The mobilization continued until the Chamber of Representatives decided, on September 27, to allow the judgment of the President by Senate. This decision was achieved because conservative parties were included in the alliance around Vice President Itamar Franco. In December 1992, the Senate voted for Collor’s impeachment.
The cultural policies of the left-wing government of Hugo Chávez in Venezuela in the new millennium saw a shift back to funding and patronage of the arts after years of defunding and commodification of cultural production. However, despite leading to a renaissance of cultural activity, Chavista cultural policy also retained a modernist rationality that treated cultural production as objects to be classified and quantified. Official cultural policy in Venezuela has historically developed alongside popular-cultural formations that draw on alternative conceptions of culture that stem from everyday life. The official and the everyday have developed in tandem and, sometimes, at cross-purposes. Many scholars look to policies and states as the producers of change, but it is at the level of the everyday that we can see the emerging possibilities that define cultural movements in search of social change.
Roderic Ai Camp
Mexico’s democratic transition provides a revealing case study of a semi-authoritarian political model evolving incrementally into an electoral democracy over two decades. One of the special features of that transition was its slow progress compared to its peers in Latin America, especially given its proximity to the United States, the most influential democracy in the last half of the 20th century. The first attempt to introduce fair, competitive elections occurred under the leadership of Miguel de la Madrid in 1983, but he reversed direction when he was opposed by leading politicians from his own party. His successor, Carlos Salinas (1988–1994), chose to pursue economic liberalization, opening up Mexico to greater competition globally, and negotiating an agreement with Canada and the United States (North American Free Trade Agreement, or NAFTA), while maintaining an authoritarian presidency. During this era, proactive actors that fomented significant political change came from numerous sources. The following were particularly noteworthy in explaining Mexico’s shift to a democratic model: dissident elites who pushed for democracy inside the dominant Institutional Revolutionary Party (PRI); dissident elites who left PRI to form the most successful opposition parties in the 20th century, including the founding of the Party of the Democratic Revolution (PRD) in 1989; social and civic movements originating from government incompetence in addressing the results of the 1985 earthquake in Mexico City, the widespread fraud during the 1988 presidential election, and the Zapatista Army of National Liberation uprising in 1994; the altered composition of political leadership from the establishment and the opposition characterized by stronger backgrounds in local, elective offices, party leadership, and nonpolitical careers; new electoral laws reinforcing independent decision-making regarding electoral practices and outcomes in the 1990s; and the introduction of new political actors supportive of democratic change, such as the Catholic Church.
The Conflict Textiles website is a digital resource that allows users to learn more about how individuals who have experienced or been impacted by political violence have used textiles to respond to and recount their experiences. Some of the textiles on the website were made in response to the wars and conflicts in South America in the 1970s and 1980s (including the Dirty War in Argentina, the Pinochet regime in Chile, and the conflict in Peru between the government and the Shining Path), while others have emerged as a response to the Troubles in Northern Ireland. The majority of the textiles were created by women, though in some instances, men have also contributed to their creation. Conflict Textiles is the name of both the digital resource and a physical collection of textiles. Originating from the Art of Survival International and Irish Quilts in 2009 in Derry, Northern Ireland, this collection and online repository highlights the prolific use of textiles as a medium through which individuals are able to express themselves and the overarching nature of this medium as a form of expression. These two entities, the website and the physical collection, coexist, with the Conflict Textiles website documenting the textiles present in the physical collection and events that occur, or have occurred, in association with the collection. In this way, the Conflict Textiles website serves as an online repository of the physical Conflict Textiles collection and allows users internationally to learn more about a collection that includes textiles from dozens of different countries including, but not limited to, Chile, Northern Ireland, and Argentina.
The magnitude and brutality of the internal armed conflict of Guatemala led to its becoming infamous worldwide. Although the militarized state became a monster that brutalized many different groups, indigenous communities suffered at a rate far greater than the Ladino or non-indigenous population. It is pertinent to note that the term “Ladino” in Guatemala has a long and complex history that stems from the colonial period. Its meaning has morphed through time, from being used by colonial authorities to define indigenous peoples fluent in the conqueror’s language—Spanish—to its current meaning that defines all peoples, from white to mestizo, who are not part of the elite class and do not identify as indigenous. It is important to note that while not a formal social scientific term, “Ladino” was included in the latest Guatemalan census (2018) and, as posited by social scientists, is a contested term the meaning of which might continue to change. Nevertheless, the dichotomy of Ladino and indigenous has underscored issues of power and wealth in Guatemalan society since the early colonial period and continues to do so.
During the bloodiest years of the conflict, the military stepped up its repression and violence, leading to a series of massacres and displacements of tens of thousands of highland villagers and the razing of hundreds of communities. The focus on indigenous ethnicities as a factor of war allowed the massacres to be categorized as a genocide. What often gets lost in the recount is the historical foundations that made such atrocities possible. The cost of the war in Guatemala is ongoing and immeasurable. However, partial approximations can be made in both human and economic costs. What remains clear is that the war came at a great cost to future Guatemalan generations, as its repercussions continue to impact Guatemalan society.
Cuban cuisine brings together the island’s histories of colonial relations with Spain and the culinary traditions of Africans, Amerindians, Chinese laborers, and those who migrated from Haiti and Jamaica. This dynamic food draws from these traditions and the island’s tropical climate to create a rich and multidimensional cuisine. Cuba’s food system is also deeply tied to Cuban national politics and international trade. Under socialism Cuba has had a fifty-year-old food-rationing system, and the majority of Cuban foods are imported. Despite these changes, Cuban household cooks work diligently to create complete meals, and they bring together the ingredients for various special occasions throughout the year.
Sueann Caulfield and Cristiana Schettini
Over the past forty years, increasing attention to gender and sexuality in Brazilian historiography has given us a nuanced understanding of diverse ways in which women and men in Brazil’s past experienced patriarchy, racism, and other forms of oppression. As gender historians have shed light on how racialized and patriarchal gender and sexual roles have been reconstituted in different historical contexts, empirical studies in the field of social history have focused primarily on the historical agency of women, particularly non-elite women, who lived within or pushed against the confines of prescribed gender roles. Pioneering histories of sexual minorities have accompanied this trajectory since the 1980s, although this subfield has grown more slowly.
A few nodal themes help to explain transformations in gender relations during each of the major periods of Brazil’s social and political history. Under the empire (1822–1889), honor is the entryway for analysis of gender and sexuality. Gendered standards of honor were critical tools used to mark class and racial boundaries, and to traverse them. Historians of the imperial period also stress the centrality of gender to the social, cultural, and economic networks built by members of various occupational, familial, and kinship groups. During the First Republic (1889–1930), the focus shifts to state vigilance and social control, together with debates over modernization of sexual and gender norms, particularly regarding urban space and prostitution. In the Vargas era (1930–1945), patriarchy and racialized sexuality formed the core of intellectual constructions of the nation’s history and identity, at the same time that homosexuality and women’s and worker’s rights generated intense debate. A new emphasis on domesticity emerged in the context of developmentalism in the 1950s, helping to spur a reaction in the form of the counterculture and sexual revolution of the 1960s and 1970s. The dictatorship (1964–1985) went to great lengths to suppress challenges to gender and sexual norms as part of its broader strategy to demobilize society and repress oppositional political movements. These challenges reemerged in the 1970s, when feminists and sexual minorities gained much greater visibility within a new wave of social movements.
The 1988 constitution articulated these movements’ aspirations for social justice and equality through its foundational principal of human dignity. Significant legal changes followed over subsequent decades, including recognition of equal labor rights for domestic and sex workers, affirmative-action policies, and the legalization of same-sex marriage, in 2011. Despite notable setbacks, the momentum toward gender and sexual equality at the start of the 21st century was remarkable. This momentum was halted by the political coup that ousted the first woman president in 2016. The anti-feminist mood that accompanied the impeachment process underscored an overarching theme that runs through the historiography of gender and sexuality in Brazil: the centrality of gender to the major legal and political shifts that mark the nation’s history.
Giuseppe M. Messina
In Argentina, the provision of health care is divided into three components: a highly decentralized universal public sector, funded from general taxation; a constellation of compulsory collective insurance schemes, financed by contributions withdrawn from the salaries of workers in the formal labor market; and a system of private insurance companies used primarily by the middle and upper classes. Regarding the delivery of medical services, the configuration is mixed, as the weight of public and private providers is roughly equal. This complex structure, which derives from the historical development of particular institutions, produces high costs and unequal access to care according to a person’s geographical residence, occupational status, and purchasing power.
Japanese immigration to Brazil started in 1908 as a replacement for European immigrants to work for the state of São Paulo’s expanding coffee industry. It peaked in the late 1920s and early 1930s, in the face of growing anti-Japanese sentiment in Brazil. The Japanese migrated to Brazil in mandatory family units and formed their own agricultural settlements once they competed their colono labor contracts and became independent farmers. Under Getúlio Vargas’s nationalistic policies, a 1934 immigration law severely limited the entry of the Japanese. Strict legal restrictions were also imposed on them during Vargas’s Estado Novo (1937–1945). Japanese immigration was eventually terminated in 1942. Then the number of Japanese immigrants reached 188,986. At the end of the war, the Japanese were sharply divided among themselves over the defeat of Japan, and Sindō Renmei’s attacks on other Japanese factions terrified the nation of Brazil. Having given up their hope of returning to their homeland, the Japanese and their descendants began to migrate on a large scale to the cities, especially São Paulo City. Japanese immigration resumed in 1953 and peaked in 1959–1960. A total of 53,657 postwar immigrants, including many single adult men, arrived in Brazil before 1993. By 1980, the majority of Japanese Brazilians had joined the urban middle class, and many were already mixed racially. In the mid-1980s, Japanese Brazilians’ “return” labor migrations to Japan began on a large scale, due to Brazil’s troubled national economy. More than 310,000 Brazilian citizens were residing in Japan in June 2008, when the centenary of Japanese immigration was widely celebrated in Brazil. But the story does not end there: the global recession soon forced unemployed Brazilians and their Japanese-born children to return to Brazil.
Since the immediate post–World War II era, the International Monetary Fund (IMF) has played a leading role in the political, economic, and social lives of Latin Americans. Its role has evolved from the Bretton Woods era of the postwar period, through the era of the Washington Consensus, and into the post-2008 crisis period. However, throughout those times the institution served as the enforcement instrument for orthodox economic policies within the liberal international order. It conditioned emergency lending to countries in economic distress on the implementation of austere economic policies.
The region’s workers consistently bore the costs of the IMF’s prescribed policies. Such policies resulted in fewer public-sector jobs, reductions in welfare state benefits, and increased levels of foreign involvement in national economies. Consequently, the IMF became the subject of frequent labor protests. Workers understood the key role the IMF played in devising the policies that caused them pain and often took steps to resist.
Although the IMF’s effects on the working class are well understood within Latin America, it has not been the subject of sustained historical analysis. To understand the dynamics of the region’s political economy, historians should focus on the IMF to a degree similar to that of economists and political scientists. More specifically, the relationship between the IMF and Latin American workers is ripe for sustained analysis across disciplinary boundaries.
Since the early 19th century, a number of Latin American countries have had active interests in the Antarctic continent. These interests began to accelerate in the early 20th century, and during the 1930s and 1940s, Argentina and Chile formalized sovereignty claims to the Antarctic Peninsula region. These claims overlapped not only with each other, but also with Great Britain’s claim to the “Falkland Islands Dependencies.” The two Latin American claims tended to be framed in the language of anti-imperialism, and for a while at least the idea of a “South American Antarctica” emerged to suggest a common front against the British Empire. Rivalry between Argentina and Chile, however, remained strong, and the alliance against imperialism never developed into a lasting agreement. In 1959, Argentina and Chile joined with ten other nations—including Great Britain, the United States, and the Soviet Union—in signing the Antarctic Treaty. This Treaty suspended sovereignty claims and created a “continent dedicated to peace and science.” Following the ratification of the Treaty in 1961, Argentina and Chile lessened their hostility to the imperial strategy of using scientific research as a justification for political claims, and came to be enthusiastic members of what some outsiders labeled an “exclusive club.” During the 1980s and early 1990s, four other Latin American nations—Brazil, Uruguay, Peru, and Ecuador—became full members of the Antarctic Treaty, attracted, in part, by the prospect of sharing in a potential minerals bonanza in the southern continent. This expected economic boom never came, however, and instead the Antarctic continent became one of the most protected environments anywhere on the planet by the terms of the 1991 Madrid Environmental Protocol.
Alejandro García Magos
Andrés Manuel López Obrador (b. 1953) is the current president of Mexico (for the period 2018–2024). He has been at the forefront of Mexican politics since 2000, having served as mayor of Mexico City between 2000 and 2005, and making three runs for the presidency in 2006, 2012, and 2018 in which he finally emerged victorious. While his detractors consider him a radical leftist in the mold of Venezuela’s late Hugo Chávez, his supporters praise him as a man of the people who fights to bridge the gap between rich and poor. Political preferences aside, the ascent of López Obrador to the presidency of Mexico needs to be understood first and foremost in the context of the country’s democratic transition. This was a protracted process that started in 1977 and concluded at some point between 1997 and 2000, right about when López arrived on the national political stage. The transition leveled the electoral arena and opened up opportunities for electoral competition that López has been able to capitalize on. Ironically, to this day he refuses to acknowledge the democratic improvements that Mexico experienced during its transition, and which allowed his political ascent in the first place.
Luiz Inácio Lula da Silva (b. Caetés, Pernambuco, Brazil, October 27, 1945) was born in severe poverty in the Brazilian northeast. “Lula” was a nickname which he legalized as an adult so that it could be listed on election ballots. He is universally referred to as Lula in Brazil. When he was seven years old his mother took the family on the back of a truck to the state of São Paulo in the hope of joining Lula’s father, who had abandoned the family. With her help, and without Lula’s illiterate and abusive father’s encouragement, he went to school to become a lathe mechanic. He then became a union activist and a leader of massive strikes in the industrial suburbs of São Paulo during the last years of Brazil’s military regime.
In 1980, Lula joined with progressive union leaders, activists, and intellectuals in organizing the Partido dos Trabalhadores (PT), or Workers’ Party. The PT was distinguished by its internal democracy and intellectual openness, and many on the left, in Brazil and elsewhere, believed it had great potential for reconciling socialist economics with political democracy. It initiated participatory budgeting practices in an effort to go beyond formal electoral democracy. Lula da Silva’s charisma made him the Party’s most popular leader. Lula won a seat in Congress in 1986, then was defeated in presidential campaigns in 1989, 1994, and 1998. In 2002, he adopted a more moderate campaign platform and was elected president of Brazil. He was re-elected in 2006 and passed the presidency on to his chief of staff, Dilma Rousseff, at the end of his second term.
As president of Brazil, Lula followed moderate economic and social policies, building on the accomplishments of his predecessor rather than making the radical changes many Workers’ Party activists and supporters wanted. The economy grew during his presidency, and he was able to increase funding for income redistribution programs that helped the poorest Brazilians. His administration was tarnished, however, by a massive corruption scandal involving illegal payments to members of Congress. Brazil went into a recession after Dilma Rousseff’s re-election in 2014, and there was an even larger corruption scandal involving the national oil company. Rousseff was impeached in 2016, and the Workers’ Party lost control of the Brazilian government and fared badly in municipal elections. Lula da Silva was convicted on corruption charges. If his conviction is not reversed on appeal, or if he is convicted on other pending indictments, he will not be allowed to compete for the presidency in the 2018 elections.
Machu Picchu is an Inca royal estate constructed in the mid-15th century in Peru’s picturesque high jungle. As a seasonal retreat for celebrations, religious rituals, and administrative affairs when the Incas traveled beyond Cuzco, Machu Picchu was abandoned soon after Spanish conquistadors arrived in the Andes in 1531. The site was largely lost to the Western world until 1911, when a Yale University expedition led by Hiram Bingham lay claim to the scientific and historical “discovery” of the impressive complex of white-granite buildings and agricultural terraces. Contentious debates over cultural patrimony, conservation, indigenous rights, and neoliberal exploitation have enhanced Machu Picchu’s allure as one of the most famous archaeological remains in the Western Hemisphere.
Mexican comic books are a cultural product whose development is tied to the history of the modern Mexican state. The consolidation of the state in the aftermath of the armed conflict period of the Mexican Revolution (1910–1920) shaped the conditions for the emergence of a domestic industry and market for comics, and in particular for comic books, alongside other important cultural industries such as radio, film, and television, through state supports for and controls over the nation’s culture industries. In the late 20th century, the neoliberal character of the Mexican state—for which official policy has centered on privatization of state economic enterprises, the reduction of public subsidies for goods and services, and the elimination of import tariffs—subsequently reshaped the conditions for production and consumption of the nation’s sequential art.
The term “comics” is applied to graphic narrative generally, which in turn is defined by the sequential use of images, usually in combination with language, in order to tell some kind of story. Comics are therefore a broad category of cultural production that includes newspaper strips, comic books, graphic novels, fotonovelas (comprising photographs in series with inserted dialogue text), and, more recently, webcomics. Comics are a cultural commodity the production and distribution of which are affected by changes in public supports, as well as by governmental controls over comics content. In the period of institutional consolidation that followed the armed phased of the Mexican Revolution, government supports were provided principally through the subsidizing of newsprint and the implementation of national literacy campaigns.
The North American Free Trade Agreement (NAFTA)—a tri-national trade liberalization regime signed by Mexico, Canada, and the United States and implemented on January 1, 1994—significantly altered the circumstances of comics in Mexico, in terms of both the economic conditions for comics production and readership, and the political environment and public discourses addressed and communicated through Mexican comics art. The most direct impact on comics production came through the Mexican state’s retreat from control of the paper supply under the terms of NAFTA. Because paper is a key productive input, changes in paper cost and availability had the largest impact on the cost of long-form or sustained graphic narratives, such as comic books. As a result, the NAFTA period (1994 to present) is marked by the emergence of the Mexican graphic novel and of webcomics. Both of these cultural forms are based on a reorganization of the economics of comic-book production.
Comics production and consumption are therefore implicated in neoliberal policy constructs such as the North American Free Trade agreement, despite not being an explicit category of economic activity addressed by the treaty.
Since the early 1960s, Mexican women writers have relentlessly fought to become recognized within a traditionally male-dominated literary canon.
In the 20th century, women’s writing began to flourish, in many cases emerging as a counternarrative to the patriarchal discourse that had dominated the literary scene for decades after the Mexican Revolution (1910–1920). The work of women writers can be examined according to three different phases: from 1960 to the 1970s, 1980 to the 1990s, and 2000 to the present, and by highlighting in particular a group of women writers from the northern border region, who have faced additional obstacles in their path to becoming published writers. All in all, each of the writers discussed here contributes to a snapshot of the literature written by women from the 1960s to today. The chronological trajectory of their literary voices underscores Mexico’s rich cultural and historical past through the eyes and voices of those traditionally silenced and marginalized in the patriarchal and hierarchical spaces of power.