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date: 08 November 2024

Intonation in the Romance Languageslocked

Intonation in the Romance Languageslocked

  • Barbara Gili FivelaBarbara Gili FivelaUniversity of Salento

Summary

The article discusses the main intonation features of Catalan, French, Italian, Occitan, Portuguese, Raeto-Romance, Romanian, Sardinian, and Spanish, even though they have been investigated to different extents for their intonation traits. Differing amount of research has been carried out on each individual language, this research has often been performed with different methods and with reference to different frameworks, and, finally, investigations have considered language dialects and varieties in a variety of ways.

Nevertheless, scientific literature on intonation in Romance languages, especially that which refers to the autosegmental–metrical framework, has highlighted similarities and differences regarding prominence, phrasing, and the relationship between intonation patterns and pragmatic meaning. Pitch prominence is attested in all languages and varieties, whether it is related to lexical stressed positions or accentual phrases (APs), and the nuclear prominence does not need to be implemented on the rightmost element; consistently, Romance languages usually show pitch-range compression rather than de-accenting in statements. As for phrasing, most languages and varieties feature at least two levels above the word (the intonational phrase [IP] and the intermediate phrase [ip]), while some languages and varieties also feature a third level in the prosodic hierarchy (the AP), and one variety has one level only (the IP). Regarding pitch patterns, languages and varieties show a highly variable number of nuclear contours and internal variation; these, however, largely depend on the sentence type; this is because variation tends to be greater in questions than in broad-focus statements, where the usual pattern a falling one Romance languages.

The article’s final remarks focus on open issues, such as the debates on pitch-accent density and the prosodic levels, with a specific reference to the ip constituent and to constituents larger than the IP. Additionally, it addresses the need for larger comparable corpora, collected by means of the same methods and transcribed with reference to the same framework, as well as for a wider perspective which also takes into account the integration of context and multimodal information, in order to deepen the current body of knowledge on intonation in the Romance languages.

Subjects

  • Language Families/Areas/Contact
  • Phonetics/Phonology

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