Speech acts are acts that can, but need not, be carried out by saying and meaning that one is doing so. Many view speech acts as the central units of communication, with phonological, morphological, syntactic, and semantic properties of an utterance serving as ways of identifying whether the speaker is making a promise, a prediction, a statement, or a threat. Some speech acts are momentous, since an appropriate authority can, for instance, declare war or sentence a defendant to prison, by saying that he or she is doing so. Speech acts are typically analyzed into two distinct components: a content dimension (corresponding to what is being said), and a force dimension (corresponding to how what is being said is being expressed). The grammatical mood of the sentence used in a speech act signals, but does not uniquely determine, the force of the speech act being performed. A special type of speech act is the performative, which makes explicit the force of the utterance. Although it has been famously claimed that performatives such as “I promise to be there on time” are neither true nor false, current scholarly consensus rejects this view. The study of so-called infelicities concerns the ways in which speech acts might either be defective (say by being insincere) or fail completely.
Recent theorizing about speech acts tends to fall either into conventionalist or intentionalist traditions: the former sees speech acts as analogous to moves in a game, with such acts being governed by rules of the form “doing A counts as doing B”; the latter eschews game-like rules and instead sees speech acts as governed by communicative intentions only. Debate also arises over the extent to which speakers can perform one speech act indirectly by performing another. Skeptics about the frequency of such events contend that many alleged indirect speech acts should be seen instead as expressions of attitudes. New developments in speech act theory also situate them in larger conversational frameworks, such as inquiries, debates, or deliberations made in the course of planning. In addition, recent scholarship has identified a type of oppression against under-represented groups as occurring through “silencing”: a speaker attempts to use a speech act to protect her autonomy, but the putative act fails due to her unjust milieu.
Article
Speech Acts
Mitchell Green
Article
Theme
Eva Hajičová
In the linguistic literature, the term theme has several interpretations, one of which relates to discourse analysis and two others to sentence structure. In a more general (or global) sense, one may speak about the theme or topic (or topics) of a text (or discourse), that is, to analyze relations going beyond the sentence boundary and try to identify some characteristic subject(s) for the text (discourse) as a whole. This analysis is mostly a matter of the domain of information retrieval and only partially takes into account linguistically based considerations. The main linguistically based usage of the term theme concerns relations within the sentence. Theme is understood to be one of the (syntactico-) semantic relations and is used as the label of one of the arguments of the verb; the whole network of these relations is called thematic relations or roles (or, in the terminology of Chomskyan generative theory, theta roles and theta grids). Alternatively, from the point of view of the communicative function of the language reflected in the information structure of the sentence, the theme (or topic) of a sentence is distinguished from the rest of it (rheme, or focus, as the case may be) and attention is paid to the semantic consequences of the dichotomy (especially in relation to presuppositions and negation) and its realization (morphological, syntactic, prosodic) in the surface shape of the sentence. In some approaches to morphosyntactic analysis the term theme is also used referring to the part of the word to which inflections are added, especially composed of the root and an added vowel.
Article
Topicalization in the Romance Languages
Silvio Cruschina
Topic and topicalization are key notions to understand processes of syntactic and prosodic readjustments in Romance. More specifically, topicalization refers to the syntactic mechanisms and constructions available in a language to mark an expression as the topic of the sentence. Despite the lack of a uniform definition of topic, often based on the notions of aboutness or givenness, significant advances have been made in Romance linguistics since the 1990s, yielding a better understanding of the topicalization constructions, their properties, and their grammatical correlates. Prosodically, topics are generally described as being contained in independent intonational phrases. The syntactic and pragmatic characteristics of a specific topicalization construction, by contrast, depend both on the form of resumption of the dislocated topic within the clause and on the types of topic (aboutness, given, and contrastive topics). We can thus distinguish between hanging topic (left dislocation) (HTLD) and clitic left-dislocation (ClLD) for sentence-initial topics, and clitic right-dislocation (ClRD) for sentence-final dislocated constituents. These topicalization constructions are available in most Romance languages, although variation may affect the type and the obligatory presence of the resumptive element.
Scholars working on topic and topicalization in the Romance languages have also addressed controversial issues such as the relation between topics and subjects, both grammatical (nominative) subjects and ‘oblique’ subjects such as dative experiencers and locative expressions. Moreover, topicalization has been discussed for medieval Romance, in conjunction with its alleged V2 syntactic status. Some topicalization constructions such as subject inversion, especially in the non-null subject Romance languages, and Resumptive Preposing may indeed be viewed as potential residues of medieval V2 property in contemporary Romance.
Article
Unspecified Human Subjects in the Romance Languages
Pekka Posio
The term unspecified human subjects refers to syntactic constructions profiling a human subject participant whose identity is either not specified at all or is left underspecified, for instance by limiting the scope of potential referents either by choice of verb (e.g., They have raised taxes again) or by a locative expression (e.g., In Spain they eat late). Such constructions include human impersonal pronouns grammaticalized from nouns meaning ‘man’ or ‘person’ (e.g., French on, Portuguese a pessoa) or based on the numeral ‘one’ (e.g., Spanish uno), as well as impersonal (i.e., unspecified, generic, or arbitrary, depending on the theoretical framework) uses of personal pronouns and verb forms, in particular the second-person singular and the third-person plural. Unspecified human subjects present functional overlap with other human impersonal constructions such as the periphrastic passive and reflexive-based passives and impersonals (i.e., Romance se/si constructions), however differing from them in that the unspecified human argument is not the syntactic subject in these latter constructions. While it has been argued that man-impersonal constructions are either restricted or more frequent in languages with obligatory subject expression (e.g., French) and pronoun-based human impersonals are more frequent in so-called null subject languages (e.g., Italian, Spanish), some Romance languages and language varieties display both types, thus providing interesting data for the study of variation.
Article
Verbless Predicative Clauses in the Romance Languages: Syntax, Semantics, Variation
Melvin González-Rivera
Nonverbal or verbless utterances posit a great deal of challenge to any linguistic theory. Despite its frequency and productivity among many languages, such as Arabic, Chinese, Finnish, Guaraní, Haitian Creole; Hdi, Hebrew, Hungarian, Irish, Korean, Mauritian Creole, Mina, Northern Kurdish, Romandalusí, Russian, Samoan, Turkish, Yucatec Maya, a.o., verbless clauses have received so far relatively little attention from most theoretical frameworks. The study of such clauses in general raises many interesting questions, since they appear to involve main clause structure without overt verbs. Some of the questions that arise when dealing with verbless constructions are the following: (a) are these clauses a projection of T(ense), or some other functional category, (b) do verbless clauses have an overt or null verbal head, (c) are verbless clauses small clauses, and (d) can verbless clauses be interpreted as propositions or statements that are either true or false. In mainstream generative grammar the predominant assumption has been that verbless clauses contain a functional projection that may be specified for tense (Tense Phrase) but need not occur necessarily with a verbal projection or a copula. This is strong evidence against the view that tense needs to co-occur with a verbal head—that is, tense may be universally projected but does not need to co-occur with a verbal head. This proposal departs from previous analyses where the category tense may be specified for categorial verbal or nominal features. Thus, in general, verbless clauses may be considered Tense Phrases (TPs) that dominate a nonverbal predicate. An example of verbless constructions in Romance languages are Predicative Noun Phrases (henceforth, PNPs). PNPs are nonverbal or verbless constructions that exhibit clausal properties.
