The term consonant harmony refers to a class of systematic sound patterns, in which consonants interact in some assimilatory way even though they are not adjacent to each other in the word. Such long-distance assimilation can sometimes hold across a significant stretch of intervening vowels and consonants, such as in Samala (Ineseño Chumash) /s-am-net-in-waʃ/ → [ʃamnetiniwaʃ] “they did it to you”, where the alveolar sibilant /s‑/ of the 3.sbj prefix assimilates to the postalveolar sibilant /ʃ/ of the past suffix /‑waʃ/ across several intervening syllables that contain a variety of non-sibilant consonants. While consonant harmony most frequently involves coronal-specific contrasts, like in the Samala case, there are numerous cases of assimilation in other phonological properties, such as laryngeal features, nasality, secondary articulation, and even constriction degree. Not all cases of consonant harmony result in overt alternations, like the [s] ∼ [ʃ] alternation in the Samala 3.sbj prefix. Sometimes the harmony is merely a phonotactic restriction on the shape of morphemes (roots) within the lexicon.
Consonant harmony tends to implicate only some group (natural class) of consonants that already share a number of features, and are hence relatively similar, while ignoring less similar consonants. The distance between the potentially interacting consonants can also play a role. For example, in many cases assimilation is limited to relatively short-distance ‘transvocalic’ contexts (. . . CVC. . . ), though the interpretation of such locality restrictions remains a matter of debate. Consonants that do not directly participate in the harmony (as triggers or undergoers of assimilation) are typically neutral and transparent, allowing the assimilating property to be propagated across them. However, this is not universally true; in recent years several cases have come to light in which certain segments can act as blockers when they intervene between a potential trigger-target pair.
The main significance of consonant harmony for linguistic theory lies in its apparently non-local character and the challenges that this poses for theories of phonological representations and processes, as well as for formal models of phonological learning. Along with other types of long-distance dependencies in segmental phonology (e.g., long-distance dissimilation, and vowel harmony systems with one or more transparent vowels), sound patterns of consonant harmony have contributed to the development of many theoretical constructs, such as autosegmental (nonlinear) representations, feature geometry, underspecification, feature spreading, strict locality (vs. ‘gapped’ representations), parametrized visibility, agreement constraints, and surface correspondence relations. The formal analysis of long-distance assimilation (and dissimilation) remains a rich and vibrant area of theoretical research. The empirical base for such theoretical inquiry also continues to be expanded. On the one hand, previously undocumented cases (or new, surprising details of known cases) continue to be added to the corpus of attested consonant harmony patterns. On the other hand, artificial phonology learning experiments allow the properties of typologically rare or unattested patterns to be explored in a controlled laboratory setting.
Article
Consonant Harmony
Gunnar Hansson
Article
Dalmatian (Vegliote)
Martin Maiden
Dalmatian is an extinct group of Romance varieties spoken on the eastern Adriatic seaboard, best known from its Vegliote variety, spoken on the island of Krk (also called Veglia). Vegliote is principally represented by the linguistic testimony of its last speaker, Tuone Udaina, who died at the end of the 19th century. By the time Udaina’s Vegliote could be explored by linguists (principally by Matteo Bartoli), it seems that he had no longer actively spoken the language for decades, and his linguistic testimony is imperfect, in that it is influenced for example by the Venetan dialect that he habitually spoke. Nonetheless, his Vegliote reveals various distinctive and recurrent linguistic traits, notably in the domain of phonology (for example, pervasive and complex patterns of vowel diphthongization) and morphology (notably a general collapse of the general Romance inflexional system of tense and mood morphology, but also an unusual type of synthetic future form).
Article
English Language
Geoffrey K. Pullum
English is both the most studied of the world’s languages and the most widely used. It comes closer than any other language to functioning as a world communication medium and is very widely used for governmental purposes. This situation is the result of a number of historical accidents of different magnitudes. The linguistic properties of the language itself would not have motivated its choice (contra the talk of prescriptive usage writers who stress the clarity and logic that they believe English to have). Divided into multiple dialects, English has a phonological system involving remarkably complex consonant clusters and a large inventory of distinct vowel nuclei; a bad, confusing, and hard-to-learn alphabetic orthography riddled with exceptions, ambiguities, and failures of the spelling to correspond to the pronunciation; a morphology that is rather more complex than is generally appreciated, with seven or eight paradigm patterns and a couple of hundred irregular verbs; a large multilayered lexicon containing roots of several quite distinct historical sources; and a syntax that despite its very widespread SVO (Subject-Verb-Object) basic order in the clause is replete with tricky details. For example, there are crucial restrictions on government of prepositions, many verb-preposition idioms, subtle constraints on the intransitive prepositions known as “particles,” an important distinction between two (or under a better analysis, three) classes of verb that actually have different syntax, and a host of restrictions on the use of its crucial “wh-words.” It is only geopolitical and historical accidents that have given English its enormous importance and prestige in the world, not its inherent suitability for its role.
Article
Morphology and Tone
Irina Monich
Tone is indispensable for understanding many morphological systems of the world. Tonal phenomena may serve the morphological needs of a language in a variety of ways: segmental affixes may be specified for tone just like roots are; affixes may have purely tonal exponents that associate to segmental material provided by other morphemes; affixes may consist of tonal melodies, or “templates”; and tonal processes may apply in a way that is sensitive to morphosyntactic boundaries, delineating word-internal structure.
Two behaviors set tonal morphemes apart from other kinds of affixes: their mobility and their ability to apply phrasally (i.e., beyond the limits of the word). Both floating tones and tonal templates can apply to words that are either phonologically grouped with the word containing the tonal morpheme or syntactically dependent on it.
Problems generally associated with featural morphology are even more acute in regard to tonal morphology because of the vast diversity of tonal phenomena and the versatility with which the human language faculty puts pitch to use. The ambiguity associated with assigning a proper role to tone in a given morphological system necessitates placing further constraints on our theory of grammar. Perhaps more than any other morphological phenomena, grammatical tone exposes an inadequacy in our understanding both of the relationship between phonological and morphological modules of grammar and of the way that phonology may reference morphological information.
Article
The Nature of Subtractive Processes in Morphology
Kazutaka Kurisu
This article discusses several important phonological issues concerning subtractive processes in morphology. First, this article addresses the scope of subtractive processes that linguistic theories should be concerned with. Many subtractive processes fall in the realm of grammatical theories. Subsequently, previous processual and affixal approaches to subtractive morphology and nonconcatenative allomorphy are reviewed. Then, theoretical restrictiveness is taken up. Proponents of the affixal view often claim that it is more restrictive than the processual view, but their argument is not convincing. We do not know enough to discuss theoretical restrictiveness. Finally, earlier analyses of subtractive morphology in parallel and serial Optimality Theory are reviewed. We have not accomplished enough in this respect, so no conclusive choice of parallelism or serialism is possible at present. As a whole, there are too many unsettled matters to conclude about the nature of subtractive processes in morphology.
Article
Stem Change (Apophony and Consonant Mutation) in Morphology
Thomas W. Stewart
Segment-level alternations that realize morphological properties or that have other morphological significance stand either at an interface or along a continuum between phonology and morphology. The typical source for morphologically correlated sound alternations is the automatic phonology, interacting with discrete morphological operations such as affixation. Traditional morphophonology depends on the association of an alternation with a distinct concatenative marker, but the rise of stem changes that are in themselves morphological markers, be they inflectional or derivational, resides in the fading of phonetic motivation in the conditioning environment, and thus an increase in independence from historical phonological sources. The clearest cases are sole-exponent alternations, such as English man~men or slide~slid, but it is not necessary that the remainder of an earlier conditioning affix be entirely absent, only that synchronic conditioning is fully opaque. Once a sound-structural pattern escapes the unexceptional workings of a language's general phonological patterning, yet reliably serves a signifying function for one or more morphological properties, the morphological component of the grammar bears a primary if not sole responsibility for accounting for the pattern’s distribution.
It is not uncommon for the transition of analysis into morphology from (morpho)phonology to be a fitful one. There is an established tendency for phonological theory to hold sway in matters of sound generally, even at the expense of challenging learnability through the introduction of remote representations, ad hoc triggering devices, or putative rules of phonology of very limited generality. On the morphological side, a bias in favor of separable morpheme-like units and syntax-like concatenative dynamics has relegated relations like stem alternations to the margins, no matter how regular, productive, or distinct from general phonological patterns in the language in question overall. This parallel focus of each component on a "specialization" as it were has left exactly morphologically significant stem alternations such as Germanic Ablaut and Celtic initial-consonant mutation poorly served. In both families, these robust sound patterns generally lack reliable synchronic phonological conditioning. Instead, one must crucially refer to grammatical structure and morphological properties in order to account for their distributions. It is no coincidence that such stem alternations look phonological, just as fossils resemble the forms of the organisms that left them. The work of morphology likewise does not depend on alternant segments sharing aspects of sound, but the salience of the system may benefit from perceptible coherence of form. One may observe what sound relations exist between stem alternants, but it is neither necessary nor realistic to oblige a speaker/learner to generate established stem alternations anew from remote underlying representations, as if the alternations were always still arising; to do so constitutes a grafting of the technique of internal reconstruction as a recapitulating simulation within the synchronic grammar.
Article
The Acquisition of Clitics in the Romance Languages
Anna Gavarró
The Romance languages are characterized by the existence of pronominal clitics. Third person pronominal clitics are often, but not always, homophonous with the definite determiner series in the same language. Both pronominal and determiner clitics emerge early in child acquisition, but their path of development varies depending on clitic type and language. While determiner clitic acquisition is quite homogeneous across Romance, there is wide cross-linguistic variation for pronominal clitics (accusative vs. partitive vs. dative, first/second person vs. third person); the observed differences in acquisition correlate with syntactic differences between the pronouns. Acquisition of pronominal clitics is also affected if a language has both null objects and object clitics, as in European Portuguese. The interpretation of Romance pronominal clitics is generally target-like in child grammar, with absence of Pronoun Interpretation problems like those found in languages with strong pronouns. Studies on developmental language impairment show that, as in typical development, clitic production is subject to cross-linguistic variation. The divergent performance between determiners and pronominals in this population points to the syntactic (as opposed to phonological) nature of the deficit.
Article
Subtraction in Morphology
Stela Manova
Subtraction consists in shortening the shape of the word. It operates on morphological bases such as roots, stems, and words in word-formation and inflection. Cognitively, subtraction is the opposite of affixation, since the latter adds meaning and form (an overt affix) to roots, stems, or words, while the former adds meaning through subtraction of form. As subtraction and affixation work at the same level of grammar (morphology), they sometimes compete for the expression of the same semantics in the same language, for example, the pattern ‘science—scientist’ in German has derivations such as Physik ‘physics’—Physik-er ‘physicist’ and Astronom-ie ‘astronomy’—Astronom ‘astronomer’. Subtraction can delete phonemes and morphemes. In case of phoneme deletion, it is usually the final phoneme of a morphological base that is deleted and sometimes that phoneme can coincide with a morpheme.
Some analyses of subtraction(-like shortenings) rely not on morphological units (roots, stems, morphological words, affixes) but on the phonological word, which sometimes results in alternative definitions of subtraction. Additionally, syntax-based theories of morphology that do not recognize a morphological component of grammar and operate only with additive syntactic rules claim that subtraction actually consists in addition of defective phonological material that causes adjustments in phonology and leads to deletion of form on the surface. Other scholars postulate subtraction only if the deleted material does not coincide with an existing morpheme elsewhere in the language and if it does, they call the change backformation. There is also some controversy regarding what is a proper word-formation process and whether what is derived by subtraction is true word-formation or just marginal or extragrammatical morphology; that is, the question is whether shortenings such as hypocoristics and clippings should be treated on par with derivations such as, for example, the pattern of science-scientist.
Finally, research in subtraction also faces terminology issues in the sense that in the literature different labels have been used to refer to subtraction(-like) formations: minus feature, minus formation, disfixation, subtractive morph, (subtractive) truncation, backformation, or just shortening.
Article
Morphology in Japonic Languages
Taro Kageyama
Due to the agglutinative character, Japanese and Ryukyuan morphology is predominantly concatenative, applying to garden-variety word formation processes such as compounding, prefixation, suffixation, and inflection, though nonconcatenative morphology like clipping, blending, and reduplication is also available and sometimes interacts with concatenative word formation. The formal simplicity of the principal morphological devices is counterbalanced by their complex interaction with syntax and semantics as well as by the intricate interactions of four lexical strata (native, Sino-Japanese, foreign, and mimetic) with particular morphological processes. A wealth of phenomena is adduced that pertain to central issues in theories of morphology, such as the demarcation between words and phrases; the feasibility of the lexical integrity principle; the controversy over lexicalism and syntacticism; the distinction of morpheme-based and word-based morphology; the effects of the stage-level vs. individual-level distinction on the applicability of morphological rules; the interface of morphology, syntax, and semantics, and pragmatics; and the role of conjugation and inflection in predicate agglutination. In particular, the formation of compound and complex verbs/adjectives takes place in both lexical and syntactic structures, and the compound and complex predicates thus formed are further followed in syntax by suffixal predicates representing grammatical categories like causative, passive, negation, and politeness as well as inflections of tense and mood to form a long chain of predicate complexes. In addition, an array of morphological objects—bound root, word, clitic, nonindependent word or fuzoku-go, and (for Japanese) word plus—participate productively in word formation. The close association of morphology and syntax in Japonic languages thus demonstrates that morphological processes are spread over lexical and syntactic structures, whereas words are equipped with the distinct property of morphological integrity, which distinguishes them from syntactic phrases.
Article
Psycholinguistic Approaches to Morphology: Production
Benjamin V. Tucker
Speech production is an important aspect of linguistic competence. An attempt to understand linguistic morphology without speech production would be incomplete. A central research question develops from this perspective: what is the role of morphology in speech production. Speech production researchers collect many different types of data and much of that data has informed how linguists and psycholinguists characterize the role of linguistic morphology in speech production. Models of speech production play an important role in the investigation of linguistic morphology. These models provide a framework, which allows researchers to explore the role of morphology in speech production. However, models of speech production generally focus on different aspects of the production process. These models are split between phonetic models (which attempt to understand how the brain creates motor commands for uttering and articulating speech) and psycholinguistic models (which attempt to understand the cognitive processes and representation of the production process). Models that merge these two model types, phonetic and psycholinguistic models, have the potential to allow researchers the possibility to make specific predictions about the effects of morphology on speech production. Many studies have explored models of speech production, but the investigation of the role of morphology and how morphological properties may be represented in merged speech production models is limited.
