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Since the 1990s, there have been major developments in the variationist approach to morphological and syntactic variation and change in European Spanish. This research area has garnered increasing interest because of the various morphosyntactic phenomena available for study. A significant amount of work on morphological and syntactic variation and change has been devoted to analyzing the linguistic differences among variants and the social and stylistic communicative settings in which they are used. The main phenomena studied in European Spanish are classified in three main groups: variation of personal pronouns, variation of verbal forms, and variation of syntactic constructions. Morphological and syntactic variants are linguistic choices constructed in a meaningful way that reveal speakers’ perceptions of real-world events and are projected stylistically onto the domain of discourse and interaction. Effective engagement with these choices requires the adoption of a broad, multifaceted notion of meaning to overcome earlier methodological controversies about studying variation at the morphological and syntactic levels because of the meaning that variants convey. In recent years, variation theory has benefited greatly from research in cognitive linguistics, a field whose basic tenet is that grammatical structures reflect the human perception of events. In fact, the most modern theoretical approach to morphosyntactic variation is based on the study of the cognitive meanings underlying variants, which is at the core of the empirical concerns of cognitive sociolinguistics. From a cognitive viewpoint, language is not a separate ability within the realm of human cognition; rather, it is developed along with all other cognitive skills. Studies of morphosyntactic variation address the social contexts in which variation takes place to adequately explain linguistic variation phenomena. The analysis of the communicative and cognitive backgrounds of morphological and syntactic variation challenges the traditional, structural, and behavioral concepts of linguistic variability and change. Thus, the study of these changes reflects the diversity and evolution of ways of thinking.

Focus is key to understanding processes of syntactic and prosodic readjustments in the Romance languages. Since, prosodically, it must be the most prominent constituent in the sentence, focus associates with the nuclear pitch accent, which may be shifted from its default rightmost position when the syntactic position of the focus also changes. The application of specific syntactic operations depends both on the size and on the subtype of focus, although not always unambiguously. Subject inversion characterizes focus structures where the domain of focus covers either the whole sentence (broad-focus) or a single constituent (narrow-focus). Presentational constructions distinctively mark broad focus, avoiding potential ambiguity with an SVO structure where the predicate is the focus and the subject is interpreted as topic. In narrow-focus structures, the focus constituent typically occurs sentence-final (postverbal focalization), but it may also be fronted (focus fronting), depending on the specific interpretation associated with the focus. Semantically, focus indicates the presence of alternatives, and the different interpretations arise from the way the set of alternatives is pragmatically exploited, giving rise to a contextually open set (information focus), to contrast or correction (contrastive or corrective focus), or to surprise or unexpectedness (mirative focus). Whether a subtype of focus may undergo fronting in a Romance language is subject to variation. In most varieties it is indeed possible with contrastive or corrective focus, but it has been shown that focus fronting is also acceptable with noncontrastive focus in several languages, especially with mirative focus. Finally, certain focus-sensitive operators or particles directly interact with the narrow-focus constituent of the sentence and their association with focus has semantic effects on the interpretation of the sentence.

Discourse coherence is motivated by the need of the speaker to be understood, which is a psychological phenomenon reflected in the organization of natural discourse. It can be realized via the continuity or recurrence of some element(s) across a span (or spans) of text; alternatively, it can be defined in terms of cohesion, where the interpretation of some element in the discourse is dependent on that of another. The study of Chinese discourse can be traced back to the Han Dynasty, when the area of endeavor known as classical article-logy (Wénzhāngxué: 文章学) was affiliated to literature. The study of discourse coherence of modern linguistic sense starts from the late 1980s, when counterparts of ‘discourse analysis’, ‘discourse coherence’, and ‘cohesion’ in Chinese linguistic study were assigned a roughly equivalent connotation to those in the West. Two different approaches are differentiated based on the different foci of attention on this issue, namely the entity-oriented and the relation-oriented approach. The former focuses on the continuity of a particular element called “topic” in discourse and the topic chain thus formed, while the latter concerns itself with the connective relations within a discourse and the devices being adopted to realize these relations. Existing analyses toward discourse coherence in Chinese provide different classifications of coherence realization, most of which can be grouped into either of these two orientations. Topic continuity is one way of realizing discourse coherence in Chinese. The topic of a discourse is what the discourse is about, and always refers to something about which the speaker/writer assumes the receiver has some knowledge. Headed by the topic, a topic chain is a stretch of discourse composed of more than one clause that functions as a discourse unit in Chinese. A topic can play a continuing or (re)introductory role with regard to the previous discourse and a chaining or contrastive role with regard to the subsequent discourse within a topic chain. It is via these specific functions that the coherence of a discourse is maintained. Traditional approaches to composite sentences and clause clusters in Chinese provide careful description of the realization of both coordination and elaboration relations, which to a large extent are consistent with the systemic functional approach toward the cohesive devices and the Rhetorical Structure Theory framework. These traditional classifications of cohesive relations are still referred to by current studies. Via the connective devices (implicit ones such as the underlying logical relation, or explicit ones such as connective adverbs and conjunctions), the logical relation between adjacent clauses are specified, and in turn a global coherent discourse is constructed. A coherent discourse is a cluster of clauses bearing all kinds of semantic relations realized via explicit or implicit connective devices. The coherence of discourse relies on the internal cohesive relations within a topic chain as well as the connection among all topic chains of the discourse in question. The study of inner-sentential composition as well as the inter-sentential discourse connectiveness are both investigations on the cohesion of a discourse in Chinese.

Topic and topicalization are key notions to understand processes of syntactic and prosodic readjustments in Romance. More specifically, topicalization refers to the syntactic mechanisms and constructions available in a language to mark an expression as the topic of the sentence. Despite the lack of a uniform definition of topic, often based on the notions of aboutness or givenness, significant advances have been made in Romance linguistics since the 1990s, yielding a better understanding of the topicalization constructions, their properties, and their grammatical correlates. Prosodically, topics are generally described as being contained in independent intonational phrases. The syntactic and pragmatic characteristics of a specific topicalization construction, by contrast, depend both on the form of resumption of the dislocated topic within the clause and on the types of topic (aboutness, given, and contrastive topics). We can thus distinguish between hanging topic (left dislocation) (HTLD) and clitic left-dislocation (ClLD) for sentence-initial topics, and clitic right-dislocation (ClRD) for sentence-final dislocated constituents. These topicalization constructions are available in most Romance languages, although variation may affect the type and the obligatory presence of the resumptive element. Scholars working on topic and topicalization in the Romance languages have also addressed controversial issues such as the relation between topics and subjects, both grammatical (nominative) subjects and ‘oblique’ subjects such as dative experiencers and locative expressions. Moreover, topicalization has been discussed for medieval Romance, in conjunction with its alleged V2 syntactic status. Some topicalization constructions such as subject inversion, especially in the non-null subject Romance languages, and Resumptive Preposing may indeed be viewed as potential residues of medieval V2 property in contemporary Romance.

The noun-modifying clause construction (NMCC) in Japanese is a complex noun phrase in which a prenominal clause is dependent on the head noun. Naturally occurring instances of the construction demonstrate that a single structure, schematized as [[… predicate (finite/adnominal)] Noun], represents a wide range of semantic relations between the head noun and the dependent clause, encompassing some that would be expressed by structurally distinct constructions such as relative clauses, noun complement clauses, and other types of complex noun phrases in other languages, such as English. In that way, the Japanese NMCC demonstrates a clear case of the general noun-modifying construction (GNMCC), that is, an NMCC that has structural uniformity across interpretations that extend beyond the range of relative clauses. One of the notable properties of the Japanese NMCC is that the modifying clause may consist only of the predicate, reflecting the fact that referential density is moderate in Japanese—arguments of a predicate are not required to be overtly expressed either in the main clause or in the modifying clause. Another property of the Japanese NMCC is that there is no explicit marking in the construction that indicates the grammatical or semantic relation between the head noun and the modifying clause. The two major constituents are simply juxtaposed to each other. Successful construal of the intended interpretations of instances of such a construction, in the absence of explicit markings, likely relies on an aggregate of structural, semantic, and pragmatic factors, including the semantic content of the linguistic elements, verb valence information, and the interpreter’s real-world knowledge, in addition to the basic structural information. Researchers with different theoretical approaches have studied Japanese NMCCs or subsets thereof. Syntactic approaches, inspired by generative grammar, have focused mostly on relative clauses and aimed to identify universally recognized syntactic principles. Studies that take the descriptive approach have focused on detailed descriptions and the classification of a wide spectrum of naturally occurring instances of the construction in Japanese. The third and most recent group of studies has emphasized the importance of semantics and pragmatics in accounting for a wide variety of naturally occurring instances. The examination of Japanese NMCCs provides information about the nature of clausal noun modification and affords insights into languages beyond Japanese, as similar phenomena have reportedly been observed crosslinguistically to varying degrees.

Meanings are assembled in various ways in a construction-based grammar, and this array can be represented as a continuum of idiomaticity, a gradient of lexical fixity. Constructional meanings are the meanings to be discovered at every point along the idiomaticity continuum. At the leftmost, or ‘fixed,’ extreme of this continuum are frozen idioms, like the salt of the earth and in the know. The set of frozen idioms includes those with idiosyncratic syntactic properties, like the fixed expression by and large (an exceptional pattern of coordination in which a preposition and adjective are conjoined). Other frozen idioms, like the unexceptionable modified noun red herring, feature syntax found elsewhere. At the rightmost, or ‘open’ end of this continuum are fully productive patterns, including the rule that licenses the string Kim blinked, known as the Subject-Predicate construction. Between these two poles are (a) lexically fixed idiomatic expressions, verb-headed and otherwise, with regular inflection, such as chew/chews/chewed the fat; (b) flexible expressions with invariant lexical fillers, including phrasal idioms like spill the beans and the Correlative Conditional, such as the more, the merrier; and (c) specialized syntactic patterns without lexical fillers, like the Conjunctive Conditional (e.g., One more remark like that and you’re out of here). Construction Grammar represents this range of expressions in a uniform way: whether phrasal or lexical, all are modeled as feature structures that specify phonological and morphological structure, meaning, use conditions, and relevant syntactic information (including syntactic category and combinatoric potential).

In the linguistic literature, the term theme has several interpretations, one of which relates to discourse analysis and two others to sentence structure. In a more general (or global) sense, one may speak about the theme or topic (or topics) of a text (or discourse), that is, to analyze relations going beyond the sentence boundary and try to identify some characteristic subject(s) for the text (discourse) as a whole. This analysis is mostly a matter of the domain of information retrieval and only partially takes into account linguistically based considerations. The main linguistically based usage of the term theme concerns relations within the sentence. Theme is understood to be one of the (syntactico-) semantic relations and is used as the label of one of the arguments of the verb; the whole network of these relations is called thematic relations or roles (or, in the terminology of Chomskyan generative theory, theta roles and theta grids). Alternatively, from the point of view of the communicative function of the language reflected in the information structure of the sentence, the theme (or topic) of a sentence is distinguished from the rest of it (rheme, or focus, as the case may be) and attention is paid to the semantic consequences of the dichotomy (especially in relation to presuppositions and negation) and its realization (morphological, syntactic, prosodic) in the surface shape of the sentence. In some approaches to morphosyntactic analysis the term theme is also used referring to the part of the word to which inflections are added, especially composed of the root and an added vowel.