1-4 of 4 Results  for:

  • History of Linguistics x
Clear all



Eva Skafte Jensen

Danish is a North Germanic language, spoken by approximately 6 million people. Genealogically, it is related to the other Germanic languages, in particular the other North Germanic languages (Swedish, Norwegian, Icelandic, Faroese), but also, for example, German, Dutch, and English; typologically, Modern Danish is closer to Norwegian and Swedish than to any other language. Historically deriving from Proto-Germanic, Danish morphology once had three grammatical genders (the masculine, the feminine, and the neuter) and case inflection (nominative, accusative, dative, and genitive) in all nominal words; it also had inflection for mood, tense, number, and person in the verbal conjugations. In Modern Standard Danish, much of the traditional nominal and verbal inflection has disappeared. Instead, other kinds of morphosyntactic constructions and structures have emerged. Middle Danish and Modern Danish are typologically very different languages. One of the structural innovations linked to the typological change is that a syntactic subject becomes obligatory in Danish sentences. Correlated to this, Danish develops expletive constructions with det ‘it’ and der ‘there’. Another important point differentiating Middle Danish from Modern Danish concerns agreement. Traditional Indo-European agreement (verbal as well as nominal) has receded in favor of more fixed word order, both on the sentence level and internally within phrases. As part of this, Modern Danish has developed a set of definite and indefinite articles. The traditional three genders are reduced to two (common and neuter) and have developed new syntactic-semantic functions alongside the traditional lexically distributed functions. In the verbal systems, Danish makes use of two different kinds of passive voice (a periphrastic and an inflected one), which carry different meanings, and also of two different auxiliaries in perfective constructions, that is, have ‘have’ and være ‘be’, the latter doubling as an auxiliary in periphrastic passive constructions. Perfective constructions are made up by an auxiliary and the supine form of the main verb. Danish is a V2-language with a relatively fixed word order, often depicted in the form of the so-called sentence frame, a topological model designed specifically for Danish. Like most other Germanic languages, Danish has a rich set of modal particles. All these morphosyntactic features, Danish shares with Swedish and Norwegian, but the distribution is not completely identical in the three languages, something that makes the Mainland Scandinavian languages an interesting study object to the typologically interested linguist. Exclusive for Danish is the so-called stød, a suprasegmental prosodic feature, used as a distinctive feature. Modern Danish is strongly standardized with only little of the traditional dialectal variation left. From the end of the 20th century, in the larger cities, new sociolects have emerged, that is, multi-ethnolects. The new multi-ethnolects are based on a substrate of Danish with lexical features from the languages of Central Asia, the Middle East, and Africa. In addition to the lexical innovations, the multi-ethnolects are characteristic in intonation patterns different from Standard Danish, and they have morphosyntactic features different from Standard Danish, for example, in word order and in the use of gender.


The Expression of Modality in Classical Chinese: Notions, Taxonomy and Distinctive Features  

Carlotta Sparvoli

Classical Chinese is the written language used from the late 6th to the early 2nd century bce. Located between the Eastern Zhou (770–256) and the foundation of the Qin dynasty (221–207), its textual repertoire comprises the philosophical treaties of the Warring States period (475–221 bce) and, based on syntactic criteria, roughly coincides with the Late Archaic Chinese (LAC). In a diachronic perspective, this is the stage between the rise of a set of possibility and desiderative modals and their systematic use to express a progressively more varied set of modal meanings. Even though many of those expressions still instantiate in modern Chinese, as bùdébù, ‘have to’, which echoes the LAC construction of possibility modal in double negation, the usage of other markers fell in disuse to be replaced by specialized modal, especially for epistemic and deontic modality, starting from Early Medieval Chinese (2nd–6th c. ce). The main bulk of LAC modals is built around three possibility modals, characterized by different syntactic, aspectual, and argumental properties, and expressing three types of enabling conditions for the actualization of the state of affairs. The first, and the most productive, is kĕ, ‘be possible, can’; it is related to the presence or absence of external factors that allow or prevent a given event. The modal néng, ‘be able’ is instead referred to inherent properties of the first participant; finally, dé, ‘come to get, manage’ expresses the potential of actualization of the first participant in the given circumstances. Combined with negation, restrictive focus markers, and specific pragmatic environments, each marker conveys a more varied array of modal meanings, also shifting to the necessity domain. In the latter area, the primary normative source is bound to contingent circumstances (including the power emanated by an authority) rather than moral obligations. Additionally, the only item that occurs consistently in LAC literature as a direct equivalent of deontic ‘should’ (yí宜) is more related to appropriateness than obligation. A further set of modal particles and speaker-oriented adverbs contribute to expressing the degree of factuality of the propositional content, conveying evidential and epistemic contents. Finally, the data show the centrality in LAC of the notion of necessity interpreted in terms of unavoidability, only possibility, and a lack of alternatives.


Onomasiology in the Romance Languages  

Esme Winter-Froemel

Onomasiology represents an approach in semantics that takes the perspective from content to form and investigates the ways in which referents or concepts are designated in particular languages. In this way, onomasiology can be seen as being complementary to semasiology, which takes the opposite perspective and focuses on form-content relations. From a semiotic perspective, the two perspectives can be more clearly defined and delimited from each other by specifying the basic semiotic entities that represent the key reference points for onomasiological and semasiological investigations, respectively. Previous research has highlighted the contribution of both to a comprehensive understanding of lexical semantics. In this respect, the distinction between meaning change and change of designation appears to be of key importance for the domain of lexical innovation and change. In the history of Romance linguistics, onomasiological perspectives were included in early etymological studies (e.g., Diez, Salvioni, Tappolet, Merlo), and the term “onomasiology” was introduced by Zauner. The research on “Wörter and Sachen” (words and objects), and the research focus on lexical fields then took an explicit focus on onomasiological research questions, with linguistic geography established as a specific subdomain of linguistic research. The linguistic maps and atlases elaborated in this context provided important resources for multiple applications and theoretical discussions of synchronic and diachronic issues of Romance linguistics. In addition, various onomasiological case studies on particular concepts and conceptual domains were conducted, and onomasiological dictionaries elaborated. Moreover, linguistic typology has aimed to identify universal patterns of conceptualization and strategies of designation. With the rise of cognitive semantics, the synchronic relevance of onomasiology has been reinvigorated, as many basic approaches and concepts developed in this framework are inherently based on an onomasiological perspective. Bringing together typological considerations and cognitive semantics, and linking these approaches to the achievements of the prestructuralist and structuralist traditions, diachronic cognitive onomasiology opens up multiple perspectives for further research in lexical semantics. Finally, the potential of onomasiological investigations has also gained interest in language contact research, where issues of borrowability as well as semantic and pragmatic patterns of linguistic borrowing have been studied. A broad range of further research perspectives arises from the focus on the language users and their communicative intentions, these perspectives being strongly linked to the usage-based turn in cognitive linguistics as well as to investigations at the semantics-pragmatics interface.



Irit Meir and Oksana Tkachman

Iconicity is a relationship of resemblance or similarity between the two aspects of a sign: its form and its meaning. An iconic sign is one whose form resembles its meaning in some way. The opposite of iconicity is arbitrariness. In an arbitrary sign, the association between form and meaning is based solely on convention; there is nothing in the form of the sign that resembles aspects of its meaning. The Hindu-Arabic numerals 1, 2, 3 are arbitrary, because their current form does not correlate to any aspect of their meaning. In contrast, the Roman numerals I, II, III are iconic, because the number of occurrences of the sign I correlates with the quantity that the numerals represent. Because iconicity has to do with the properties of signs in general and not only those of linguistic signs, it plays an important role in the field of semiotics—the study of signs and signaling. However, language is the most pervasive symbolic communicative system used by humans, and the notion of iconicity plays an important role in characterizing the linguistic sign and linguistic systems. Iconicity is also central to the study of literary uses of language, such as prose and poetry. There are various types of iconicity: the form of a sign may resemble aspects of its meaning in several ways: it may create a mental image of the concept (imagic iconicity), or its structure and the arrangement of its elements may resemble the structural relationship between components of the concept represented (diagrammatic iconicity). An example of the first type is the word cuckoo, whose sounds resemble the call of the bird, or a sign such as RABBIT in Israeli Sign Language, whose form—the hands representing the rabbit's long ears—resembles a visual property of that animal. An example of diagrammatic iconicity is vēnī, vīdī, vīcī, where the order of clauses in a discourse is understood as reflecting the sequence of events in the world. Iconicity is found on all linguistic levels: phonology, morphology, syntax, semantics, and discourse. It is found both in spoken languages and in sign languages. However, sign languages, because of the visual-gestural modality through which they are transmitted, are much richer in iconic devices, and therefore offer a rich array of topics and perspectives for investigating iconicity, and the interaction between iconicity and language structure.