Dislocations are syntactic constructions consisting of a core sentence and a detached constituent located outside the clause, either at its left (left dislocation) or at its right (right dislocation). Typically, although not invariably, the clause hosts a resumptive element, often a pronoun, which is co-referent with the detached constituent. This separation between an extra-clausal element and the sentence led to the classification of dislocations as “non-canonical” or “marked” syntactic structures.
Dislocations are attested in many language families, to the extent that they can be regarded as a language universal. However, these constructions have predominantly been examined in Germanic and Romance languages, both in formal and functional frameworks.
Left and right dislocations are usually analyzed as topic-marking structures, in which the referent of the detached element has the function of sentence topic. However, specific types of topics appear to preferentially occur in either left or right dislocation. For example, left dislocations often convey topic shifts and contrastive topics, while continuous (or familiar) topics are more commonly found in right dislocations. Nonetheless, corpus-based research unveiled a more nuanced situation. Furthermore, interactionally oriented studies also suggest that exploring dislocations in spontaneous conversations is crucial for comprehending their broad functional spectrum.
Thus, dislocations present many intriguing challenges to Romance linguistics, including the questions, To what extent do left and right dislocations differ syntactically and pragmatically across Romance languages? Are descriptions framed in terms of “topic establishing” and “topic promotion” truly adequate? What are the main prosodic characteristics of left and right dislocations? and What challenges do L1 and L2 learners encounter in the acquisition of these constructions?
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Article
Dislocation in the Romance Languages: Syntax, Semantics, Discourse, Acquisition
Davide Garassino
Article
Gothic and Other East Germanic Varieties
Stefan Schaffner
Biblical Gothic is the earliest Germanic language preserved in a longer text. The main source is represented by the Bible translation of the Visigothic Arian Christian bishop Wulfila ( born ca. 311, deceased ca. 382–383). Another few short Gothic texts are extant. For the translation of the Bible (ca. 350–380), on the basis of a Greek text, Wulfila invented his own alphabet (called Wulfila’s alphabet), using the Greek alphabet as model, with the addition of Latin and runic characters. Several manuscripts (5th/6th century; the most famous is the Uppsala Codex argenteus) contain the greater part of the New Testament. In spite of its fragmentary documentation, Gothic represents without doubt an important basis for the reconstruction of Proto-Germanic, because it offers—due to its early attestation—very archaic features in all areas of its grammar in comparison with the other old Germanic languages, the documentation of which began some centuries later. Gothic also shows recent innovations (especially the almost complete elimination of the effects of Verner’s Law within the strong verbs). The position of Gothic within the other Germanic subgroups, North and West Germanic, is still a matter of controversial discussion. Whereas older research stressed the correspondences between Gothic and North Germanic and, therefore, favored a closer relationship between them, postulating a subgroup Goto-Nordic, currently, a subgrouping into Northwest Germanic on the one hand and East Germanic (with Gothic as the most important representative) one the other hand is preferred, although this model also leaves open a couple of questions, giving impetus to further research. Other varieties of East Germanic are runic epigraphic texts (less than 10, most of them probably Gothic) from the 1st half of the 3rd century until the end of the 6th century. One of them (on the Charnay fibula, 2nd half of the 6th century) is probably of Burgundian origin. The documentation of other EGrm (East Germanic). languages is very poor and consists almost only of a few names. Two short syntagmata can probably be attributed to Vandalic. Crimean Gothic, the latest attested EGrm. language, is documented in a list of several dozen words and three lines of a cantilena. Most attested forms seem to represent a late EGrm. dialect.
Article
Danish
Eva Skafte Jensen
Danish is a North Germanic language, spoken by approximately 6 million people. Genealogically, it is related to the other Germanic languages, in particular the other North Germanic languages (Swedish, Norwegian, Icelandic, Faroese), but also, for example, German, Dutch, and English; typologically, Modern Danish is closer to Norwegian and Swedish than to any other language.
Historically deriving from Proto-Germanic, Danish morphology once had three grammatical genders (the masculine, the feminine, and the neuter) and case inflection (nominative, accusative, dative, and genitive) in all nominal words; it also had inflection for mood, tense, number, and person in the verbal conjugations. In Modern Standard Danish, much of the traditional nominal and verbal inflection has disappeared. Instead, other kinds of morphosyntactic constructions and structures have emerged. Middle Danish and Modern Danish are typologically very different languages. One of the structural innovations linked to the typological change is that a syntactic subject becomes obligatory in Danish sentences. Correlated to this, Danish develops expletive constructions with det ‘it’ and der ‘there’. Another important point differentiating Middle Danish from Modern Danish concerns agreement. Traditional Indo-European agreement (verbal as well as nominal) has receded in favor of more fixed word order, both on the sentence level and internally within phrases. As part of this, Modern Danish has developed a set of definite and indefinite articles. The traditional three genders are reduced to two (common and neuter) and have developed new syntactic-semantic functions alongside the traditional lexically distributed functions. In the verbal systems, Danish makes use of two different kinds of passive voice (a periphrastic and an inflected one), which carry different meanings, and also of two different auxiliaries in perfective constructions, that is, have ‘have’ and være ‘be’, the latter doubling as an auxiliary in periphrastic passive constructions. Perfective constructions are made up by an auxiliary and the supine form of the main verb. Danish is a V2-language with a relatively fixed word order, often depicted in the form of the so-called sentence frame, a topological model designed specifically for Danish. Like most other Germanic languages, Danish has a rich set of modal particles.
All these morphosyntactic features, Danish shares with Swedish and Norwegian, but the distribution is not completely identical in the three languages, something that makes the Mainland Scandinavian languages an interesting study object to the typologically interested linguist. Exclusive for Danish is the so-called stød, a suprasegmental prosodic feature, used as a distinctive feature.
Modern Danish is strongly standardized with only little of the traditional dialectal variation left. From the end of the 20th century, in the larger cities, new sociolects have emerged, that is, multi-ethnolects. The new multi-ethnolects are based on a substrate of Danish with lexical features from the languages of Central Asia, the Middle East, and Africa. In addition to the lexical innovations, the multi-ethnolects are characteristic in intonation patterns different from Standard Danish, and they have morphosyntactic features different from Standard Danish, for example, in word order and in the use of gender.
Article
Morphology in Japonic Languages
Taro Kageyama
Due to the agglutinative character, Japanese and Ryukyuan morphology is predominantly concatenative, applying to garden-variety word formation processes such as compounding, prefixation, suffixation, and inflection, though nonconcatenative morphology like clipping, blending, and reduplication is also available and sometimes interacts with concatenative word formation. The formal simplicity of the principal morphological devices is counterbalanced by their complex interaction with syntax and semantics as well as by the intricate interactions of four lexical strata (native, Sino-Japanese, foreign, and mimetic) with particular morphological processes. A wealth of phenomena is adduced that pertain to central issues in theories of morphology, such as the demarcation between words and phrases; the feasibility of the lexical integrity principle; the controversy over lexicalism and syntacticism; the distinction of morpheme-based and word-based morphology; the effects of the stage-level vs. individual-level distinction on the applicability of morphological rules; the interface of morphology, syntax, and semantics, and pragmatics; and the role of conjugation and inflection in predicate agglutination. In particular, the formation of compound and complex verbs/adjectives takes place in both lexical and syntactic structures, and the compound and complex predicates thus formed are further followed in syntax by suffixal predicates representing grammatical categories like causative, passive, negation, and politeness as well as inflections of tense and mood to form a long chain of predicate complexes. In addition, an array of morphological objects—bound root, word, clitic, nonindependent word or fuzoku-go, and (for Japanese) word plus—participate productively in word formation. The close association of morphology and syntax in Japonic languages thus demonstrates that morphological processes are spread over lexical and syntactic structures, whereas words are equipped with the distinct property of morphological integrity, which distinguishes them from syntactic phrases.
Article
Blending in Morphology
Natalia Beliaeva
Blending is a type of word formation in which two or more words are merged into one so that the blended constituents are either clipped, or partially overlap. An example of a typical blend is brunch, in which the beginning of the word breakfast is joined with the ending of the word lunch. In many cases such as motel (motor + hotel) or blizzaster (blizzard + disaster) the constituents of a blend overlap at segments that are phonologically or graphically identical. In some blends, both constituents retain their form as a result of overlap, for example, stoption (stop + option). These examples illustrate only a handful of the variety of forms blends may take; more exotic examples include formations like Thankshallowistmas (Thanksgiving + Halloween + Christmas). The visual and audial amalgamation in blends is reflected on the semantic level. It is common to form blends meaning a combination or a product of two objects or phenomena, such as an animal breed (e.g., zorse, a breed of zebra and horse), an interlanguage variety (e.g., franglais, which is a French blend of français and anglais meaning a mixture of French and English languages), or other type of mix (e.g., a shress is a type of clothes having features of both a shirt and a dress).
Blending as a word formation process can be regarded as a subtype of compounding because, like compounds, blends are formed of two (or sometimes more) content words and semantically either are hyponyms of one of their constituents, or exhibit some kind of paradigmatic relationships between the constituents. In contrast to compounds, however, the formation of blends is restricted by a number of phonological constraints given that the resulting formation is a single word. In particular, blends tend to be of the same length as the longest of their constituent words, and to preserve the main stress of one of their constituents. Certain regularities are also observed in terms of ordering of the words in a blend (e.g., shorter first, more frequent first), and in the position of the switch point, that is, where one blended word is cut off and switched to another (typically at the syllable boundary or at the onset/rime boundary). The regularities of blend formation can be related to the recognizability of the blended words.
Article
Ideophones (Mimetics, Expressives)
Kimi Akita and Mark Dingemanse
Ideophones, also termed mimetics or expressives, are marked words that depict sensory imagery. They are found in many of the world’s languages, and sizable lexical classes of ideophones are particularly well-documented in the languages of Asia, Africa, and the Americas. Ideophones are not limited to onomatopoeia like meow and smack but cover a wide range of sensory domains, such as manner of motion (e.g., plisti plasta ‘splish-splash’ in Basque), texture (e.g., tsaklii ‘rough’ in Ewe), and psychological states (e.g., wakuwaku ‘excited’ in Japanese). Across languages, ideophones stand out as marked words due to special phonotactics, expressive morphology including certain types of reduplication, and relative syntactic independence, in addition to production features like prosodic foregrounding and common co-occurrence with iconic gestures.
Three intertwined issues have been repeatedly debated in the century-long literature on ideophones. (a) Definition: Isolated descriptive traditions and cross-linguistic variation have sometimes obscured a typologically unified view of ideophones, but recent advances show the promise of a prototype definition of ideophones as conventionalized depictions in speech, with room for language-specific nuances. (b) Integration: The variable integration of ideophones across linguistic levels reveals an interaction between expressiveness and grammatical integration, and has important implications for how to conceive of dependencies between linguistic systems. (c) Iconicity: Ideophones form a natural laboratory for the study of iconic form-meaning associations in natural languages, and converging evidence from corpus and experimental studies suggests important developmental, evolutionary, and communicative advantages of ideophones.
Article
Bracketing Paradoxes in Morphology
Heather Newell
Bracketing paradoxes—constructions whose morphosyntactic and morpho-phonological structures appear to be irreconcilably at odds (e.g., unhappier)—are unanimously taken to point to truths about the derivational system that we have not yet grasped. Consider that the prefix un- must be structurally separate in some way from happier both for its own reasons (its [n] surprisingly does not assimilate in Place to a following consonant (e.g., u[n]popular)), and for reasons external to the prefix (the suffix -er must be insensitive to the presence of un-, as the comparative cannot attach to bases of three syllables or longer (e.g., *intelligenter)). But, un- must simultaneously be present in the derivation before -er is merged, so that unhappier can have the proper semantic reading (‘more unhappy’, and not ‘not happier’). Bracketing paradoxes emerged as a problem for generative accounts of both morphosyntax and morphophonology only in the 1970s. With the rise of restrictions on and technology used to describe and represent the behavior of affixes (e.g., the Affix-Ordering Generalization, Lexical Phonology and Morphology, the Prosodic Hierarchy), morphosyntacticians and phonologists were confronted with this type of inconsistent derivation in many unrelated languages.
Article
Iconicity
Irit Meir and Oksana Tkachman
Iconicity is a relationship of resemblance or similarity between the two aspects of a sign: its form and its meaning. An iconic sign is one whose form resembles its meaning in some way. The opposite of iconicity is arbitrariness. In an arbitrary sign, the association between form and meaning is based solely on convention; there is nothing in the form of the sign that resembles aspects of its meaning. The Hindu-Arabic numerals 1, 2, 3 are arbitrary, because their current form does not correlate to any aspect of their meaning. In contrast, the Roman numerals I, II, III are iconic, because the number of occurrences of the sign I correlates with the quantity that the numerals represent. Because iconicity has to do with the properties of signs in general and not only those of linguistic signs, it plays an important role in the field of semiotics—the study of signs and signaling. However, language is the most pervasive symbolic communicative system used by humans, and the notion of iconicity plays an important role in characterizing the linguistic sign and linguistic systems. Iconicity is also central to the study of literary uses of language, such as prose and poetry.
There are various types of iconicity: the form of a sign may resemble aspects of its meaning in several ways: it may create a mental image of the concept (imagic iconicity), or its structure and the arrangement of its elements may resemble the structural relationship between components of the concept represented (diagrammatic iconicity). An example of the first type is the word cuckoo, whose sounds resemble the call of the bird, or a sign such as RABBIT in Israeli Sign Language, whose form—the hands representing the rabbit's long ears—resembles a visual property of that animal. An example of diagrammatic iconicity is vēnī, vīdī, vīcī, where the order of clauses in a discourse is understood as reflecting the sequence of events in the world.
Iconicity is found on all linguistic levels: phonology, morphology, syntax, semantics, and discourse. It is found both in spoken languages and in sign languages. However, sign languages, because of the visual-gestural modality through which they are transmitted, are much richer in iconic devices, and therefore offer a rich array of topics and perspectives for investigating iconicity, and the interaction between iconicity and language structure.
Article
Clinical Linguistics
Louise Cummings
Clinical linguistics is the branch of linguistics that applies linguistic concepts and theories to the study of language disorders. As the name suggests, clinical linguistics is a dual-facing discipline. Although the conceptual roots of this field are in linguistics, its domain of application is the vast array of clinical disorders that may compromise the use and understanding of language. Both dimensions of clinical linguistics can be addressed through an examination of specific linguistic deficits in individuals with neurodevelopmental disorders, craniofacial anomalies, adult-onset neurological impairments, psychiatric disorders, and neurodegenerative disorders. Clinical linguists are interested in the full range of linguistic deficits in these conditions, including phonetic deficits of children with cleft lip and palate, morphosyntactic errors in children with specific language impairment, and pragmatic language impairments in adults with schizophrenia.
Like many applied disciplines in linguistics, clinical linguistics sits at the intersection of a number of areas. The relationship of clinical linguistics to the study of communication disorders and to speech-language pathology (speech and language therapy in the United Kingdom) are two particularly important points of intersection. Speech-language pathology is the area of clinical practice that assesses and treats children and adults with communication disorders. All language disorders restrict an individual’s ability to communicate freely with others in a range of contexts and settings. So language disorders are first and foremost communication disorders. To understand language disorders, it is useful to think of them in terms of points of breakdown on a communication cycle that tracks the progress of a linguistic utterance from its conception in the mind of a speaker to its comprehension by a hearer. This cycle permits the introduction of a number of important distinctions in language pathology, such as the distinction between a receptive and an expressive language disorder, and between a developmental and an acquired language disorder. The cycle is also a useful model with which to conceptualize a range of communication disorders other than language disorders. These other disorders, which include hearing, voice, and fluency disorders, are also relevant to clinical linguistics.
Clinical linguistics draws on the conceptual resources of the full range of linguistic disciplines to describe and explain language disorders. These disciplines include phonetics, phonology, morphology, syntax, semantics, pragmatics, and discourse. Each of these linguistic disciplines contributes concepts and theories that can shed light on the nature of language disorder. A wide range of tools and approaches are used by clinical linguists and speech-language pathologists to assess, diagnose, and treat language disorders. They include the use of standardized and norm-referenced tests, communication checklists and profiles (some administered by clinicians, others by parents, teachers, and caregivers), and qualitative methods such as conversation analysis and discourse analysis. Finally, clinical linguists can contribute to debates about the nosology of language disorders. In order to do so, however, they must have an understanding of the place of language disorders in internationally recognized classification systems such as the 2013 Diagnostic and Statistical Manual of Mental Disorders (DSM-5) of the American Psychiatric Association.
Article
Derivational Morphology
Rochelle Lieber
Derivational morphology is a type of word formation that creates new lexemes, either by changing syntactic category or by adding substantial new meaning (or both) to a free or bound base. Derivation may be contrasted with inflection on the one hand or with compounding on the other. The distinctions between derivation and inflection and between derivation and compounding, however, are not always clear-cut. New words may be derived by a variety of formal means including affixation, reduplication, internal modification of various sorts, subtraction, and conversion. Affixation is best attested cross-linguistically, especially prefixation and suffixation. Reduplication is also widely found, with various internal changes like ablaut and root and pattern derivation less common. Derived words may fit into a number of semantic categories. For nouns, event and result, personal and participant, collective and abstract noun are frequent. For verbs, causative and applicative categories are well-attested, as are relational and qualitative derivations for adjectives. Languages frequently also have ways of deriving negatives, relational words, and evaluatives. Most languages have derivation of some sort, although there are languages that rely more heavily on compounding than on derivation to build their lexical stock. A number of topics have dominated the theoretical literature on derivation, including productivity (the extent to which new words can be created with a given affix or morphological process), the principles that determine the ordering of affixes, and the place of derivational morphology with respect to other components of the grammar. The study of derivation has also been important in a number of psycholinguistic debates concerning the perception and production of language.
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