Cognitive semantics (CS) is an approach to the study of linguistic meaning. It is based on the assumption that the human linguistic capacity is part of our cognitive abilities, and that language in general and meaning in particular can therefore be better understood by taking into account the cognitive mechanisms that control the conceptual and perceptual processing of extra-linguistic reality. Issues central to CS are (a) the notion of prototype and its role in the description of language, (b) the nature of linguistic meaning, and (c) the functioning of different types of semantic relations. The question concerning the nature of meaning is an issue that is particularly controversial between CS on the one hand and structuralist and generative approaches on the other hand: is linguistic meaning conceptual, that is, part of our encyclopedic knowledge (as is claimed by CS), or is it autonomous, that is, based on abstract and language-specific features? According to CS, the most important types of semantic relations are metaphor, metonymy, and different kinds of taxonomic relations, which, in turn, can be further broken down into more basic associative relations such as similarity, contiguity, and contrast. These play a central role not only in polysemy and word formation, that is, in the lexicon, but also in the grammar.
Cognitive Semantics in the Romance Languages
Ideophones (Mimetics, Expressives)
Kimi Akita and Mark Dingemanse
Ideophones, also termed mimetics or expressives, are marked words that depict sensory imagery. They are found in many of the world’s languages, and sizable lexical classes of ideophones are particularly well-documented in the languages of Asia, Africa, and the Americas. Ideophones are not limited to onomatopoeia like meow and smack but cover a wide range of sensory domains, such as manner of motion (e.g., plisti plasta ‘splish-splash’ in Basque), texture (e.g., tsaklii ‘rough’ in Ewe), and psychological states (e.g., wakuwaku ‘excited’ in Japanese). Across languages, ideophones stand out as marked words due to special phonotactics, expressive morphology including certain types of reduplication, and relative syntactic independence, in addition to production features like prosodic foregrounding and common co-occurrence with iconic gestures. Three intertwined issues have been repeatedly debated in the century-long literature on ideophones. (a) Definition: Isolated descriptive traditions and cross-linguistic variation have sometimes obscured a typologically unified view of ideophones, but recent advances show the promise of a prototype definition of ideophones as conventionalized depictions in speech, with room for language-specific nuances. (b) Integration: The variable integration of ideophones across linguistic levels reveals an interaction between expressiveness and grammatical integration, and has important implications for how to conceive of dependencies between linguistic systems. (c) Iconicity: Ideophones form a natural laboratory for the study of iconic form-meaning associations in natural languages, and converging evidence from corpus and experimental studies suggests important developmental, evolutionary, and communicative advantages of ideophones.