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Article

Valentina Bambini and Paolo Canal

Neurolinguistics is devoted to the study of the language-brain relationship, using the methodologies of neuropsychology and cognitive neuroscience to investigate how linguistic categories are grounded in the brain. Although the brain infrastructure for language is invariable across cultures, neural networks might operate differently depending on language-specific features. In this respect, neurolinguistic research on the Romance languages, mostly French, Italian, and Spanish, proved key to progress the field, especially with specific reference to how the neural infrastructure for language works in the case of more richly inflected systems than English. Among the most popular domains of investigation are agreement patterns, where studies on Spanish and Italian showed that agreement across features and domains (e.g., number or gender agreement) engages partially different neural substrates. Also, studies measuring the electrophysiological response suggested that agreement processing is a composite mechanism involving different temporal steps. Another domain is the noun-verb distinction, where studies on the Romance languages indicated that the brain is more sensitive to the greater morphosyntactic engagement of verbs compared with nouns rather than to the grammatical class distinction per se. Concerning language disorders, the Romance languages shed new light on inflectional errors in aphasic speakers and contributed to revise the notion of agrammatism, which is not simply omission of morphemes but might involve incorrect substitution from the inflectional paradigm. Also, research in the Romance domain showed variation in degree and pattern of reading impairments due to language-specific segmental and suprasegmental features. Despite these important contributions, the Romance family, with its multitude of languages and dialects and a richly documented diachronic evolution, is a still underutilized ‘treasure house’ for neurolinguistic research, with significant room for investigations exploring the brain signatures of language variation in time and space and refining the linking between linguistic categories and neurobiological primitives.

Article

The basic vocabulary of Portuguese—the second largest Romance language in terms of speakers (about 210 million as of 2017)—comes from (vulgar) Latin, which itself incorporated a certain amount of so-called substratum and superstratum words. Whereas the former were adopted in a situation of language contact between Latin and the languages of the conquered peoples inhabiting the Iberian Peninsula, the latter are Germanic loans brought mainly by the Visigoths. From 711 onward, until the end of the Middle Ages, Arabic played a major role in the Peninsula, contributing about 1,000 words that are common in Modern Portuguese. (Classical) Latin and Greek were other sources for lexical enrichment especially in the 15th and 16th centuries as well as in the 18th and 19th centuries. Contact with other European languages—Romance and Germanic (especially English, and to a lower extent German)—led to borrowings in several thematic fields reflecting the economic, cultural, and scientific radiance that emanated from the respective language communities. In the course of colonial expansion, Portuguese came into contact with several African, Asian, and Amerindian languages from which it borrowed words for concepts and realia unknown to the Western world.

Article

André Thibault and Nicholas LoVecchio

The Romance languages have been involved in many situations of language contact. While language contact is evident at all levels, the most visible effects on the system of the recipient language concern the lexicon. The relationship between language contact and the lexicon raises some theoretical issues that are not always adequately addressed, including in etymological lexicography. First is the very notion of what constitutes “language contact.” Contrary to a somewhat dated view, language contact does not necessarily imply physical presence, contemporaneity, and orality: as far as the lexicon is concerned, contact can happen over time and space, particularly through written media. Depending on the kind of extralinguistic circumstances at stake, language contact can be induced by diverse factors, leading to different forms of borrowing. The misleading terms borrowings or loans mask the reality that these are actually adapted imitations—whether formal, semantic, or both—of a foreign model. Likewise, the common Latin or Greek origins of a huge proportion of the Romance lexicon often obscure the real history of words. As these classical languages have contributed numerous technical and scientific terms, as well as a series of “roots,” words coined in one Romance language can easily be reproduced in any other. However, simply reducing a word’s etymology to the origin of its components (classic or otherwise), ignoring intermediate stages and possibly intermediating languages in the borrowing process, is a distortion of word history. To the extent that it is useful to refer to “internationalisms,” related words in different Romance languages merit careful, often arduous research in the process of identifying the actual origin of a given coining. From a methodological point of view, it is crucial to distinguish between the immediate lending language and the oldest stage that can be identified, with the former being more relevant in a rigorous approach to comparative historical lexicology. Concrete examples from Ibero-Romania, Gallo-Romania, Italo-Romania, and Balkan-Romania highlight the variety of different Romance loans and reflect the diverse historical factors particular to each linguistic community in which borrowing occurred.

Article

An agent noun is a derived noun whose general meaning is ‘person who does . . .’. It is thus characterized by the feature [+ Human], regardless of whether the person involved actually performs an action (e.g., French nageur ‘swimmer’, i.e., ‘a person who swims’), carries out a profession (e.g., Spanish cabrero ‘goatherd’, i.e., ‘a person who looks after goats’), adheres to a certain ideology or group (e.g., Italian femminista ‘feminist’, i.e., ‘a person who supports or follows the feminist movement’), and so on. Agent nouns are for the most part denominal (as with cabrero and femminista above) and deverbal (as with nageur above). Latin denominal agent nouns were mainly formed with -arius, though the Latin agentive suffix par excellence was -tor, which derived nouns from verbs. Latin denominal agents were also formed with -ista, a borrowing from Greek -ιστήϛ. The reflexes of all three suffixes are widespread and highly productive in the Romance languages, as in the case of Portuguese/Spanish/Catalan/Occitan pescador ‘fisherman’ (-dor < -torem), French boucher ‘butcher’ (-er < -arium), and Romanian flautist (-ist < -ista). At any rate, the distinction between denominal and deverbal agent nouns is not always straightforward, as demonstrated by the Romance forms connected with the Latin present particle -nte, for whereas the majority display a verbal base (e.g., Italian cantante ‘singer’ ← cantare ‘to sing’), there are some which do not (e.g., Italian bracciante ‘hired hand’ ← braccio ‘arm’), thus allowing them to be regarded as denominal derivations. A minor group of agent nouns is made up of deadjectival derivations, often conveying a pejorative meaning; such is the case with Italian elegantone ‘person of overblown elegance’ (← elegante ‘elegant’) and French richard ‘very rich person’ (← riche ‘rich’).

Article

Gerd Jendraschek

The convergence between Basque and Romance is now largely unidirectional, with Basque becoming more like Romance, but shared features suggest that Basque had historically a considerable influence on the emerging Romance varieties in southern France and northern Iberia. Similar phonemic distinctions and phonetic realizations are found in adjacent Basque and Romance varieties, and sometimes beyond. The phoneme inventories of Basque and Castilian Spanish are largely identical. The Romance influence on Basque is most visible in the lexicon, as over half of the words used in everyday speech are of Latin or Romance origin. While the Basque contribution to the Romance lexicon of common nouns has been much more modest, some Basque anthroponyms have become very popular beyond the Basque Country. The integration of Latin verbs into the Basque lexicon triggered and then accelerated the switch to a tense-aspect system modeled on that of Romance. Like Spanish, the Basque varieties in Spain distinguish between two ‘be’-copulas, and two ‘have’-verbs. Certain types of relative clauses and passive constructions replicate Romance models, and a Basque mediopassive can be systematically translated into a Spanish clause with the pronoun se. The default constituent order of Basque is verb-final, but dependent clauses are often found in post-predicate position, matching the order found in Romance. While sharing many features with Romance varieties across southwestern Europe, Basque is closest to Castilian and Gascon, the two languages with which it has a long history of bilingualism and localized language shift.

Article

Claudio Iacobini

The term parasynthesis is mainly used in modern theoretical linguistics in the meaning introduced by Arsène Darmesteter (1874) to refer to denominal or deadjectival prefixed verbs of the Romance languages (Fr. embarquer ‘to load, to board’) in which the non-prefixed verb (barquer) is not an actual word, and the co-radical nominal form (embarqu-) is not well formed. The Romance parasynthetic verb is characterized with reference to its nominal or adjectival base as the result of the co-occurrence of both a prefix and a suffix (typically of a conversion process, i.e., non-overt derivational marking). The co-occurrence or simultaneity of the two processes has been seen by some scholars as a circumfixation phenomenon, whereby two elements act in combination. The peculiar relationship existing between base and parasynthetic verb is particularly problematic for an Item and Process theoretical perspective since this approach entails the application of one process at a time. Conversely, a Word and Paradigm framework deals more easily with parasynthetic patterns, as parasynthetic verbs are put in relation with prefixed verbs and verbs formed by conversion, without being undermined neither by gaps in derivational patterns nor by the possible concomitant addition of prefixes and suffixes. Due to their peculiar structure, parasynthetic verbs have been matter of investigation even for non-specialists of Romance languages, especially from synchronic (or, better said, achronic) point of view. Attention has been also placed on their diachronic development in that, despite being characteristic of the Romance languages, parasynthetic verbs were already present, although to a lesser extent, in Latin. The diachronic development of parasynthetic verbs is strictly connected with that of spatial verb prefixes from Latin to the Romance languages, with particular reference to their loss of productivity in the encoding of spatial meanings and their grammaticalization into actionality markers. Parasynthetic verbs have been in the Romance languages since their earliest stages and have shown constant productivity and diffusion in all the Romance varieties, thus differing from spatial prefixes, which underwent a strong reduction in productivity in combination with verbs. The term parasynthetic is sometimes also used to refer to nouns and adjectives derived from compounds or in which both a prefix and a suffix are attached to a lexical base. In the case of nominal and adjectival formation, there is much less consensus among scholars on the need to use this term, as well as on which processes should fall under this label. The common denominator of such cases consists either in the non-attestation of presumed intermediate stages (Sp. corchotaponero ‘relative to the industry of cork plugs’) or in the non-correspondence between sense and structure of the morphologically complex word (Fr. surnaturel ‘supernatural’).

Article

Several attempts have been made to classify Romance languages. The subgroups created can be posited as intermediate entities in diachrony between a mother language and daughter languages. This diachronic perspective can be structured using a rigid model, such as that of the family tree, or more flexible ones. In general, this perspective yields a bipartite division between Western Romance languages (Ibero-Romance, Gallo-Romance, Alpine-, and Cisalpine-Romance) and Eastern Romance languages (Italian and Romanian), or a tripartite split between Sardinian, Romanian, and other languages. The subgroups can, however, be considered synchronic groupings based on the analysis of the characteristics internal to the varieties. Naturally, the groupings change depending on which features are used and which theoretic model is adopted. Still, this type of approach signals the individuality of French and Romanian with respect to the Romània continua, or contrasts northern and southern Romània, highlighting, on the one hand, the shared features in Gallo-Romance and Gallo-Italian and, on the other, those common to Ibero-Romance, southern Italian, and Sardinian. The task of classifying Romance languages includes thorny issues such as distinguishing between synchrony and diachrony, language and dialect, and monothetic and polythetic classification. Moreover, ideological and political matters often complicate the theme of classification. Many problems stand as yet unresolved, and they will probably remain unresolvable.

Article

A lexical item is described as “playful” or “ludic” when it shows evidence of manipulation of the relation that inheres between its form (signifier) and its meaning (signified). The playful lexicon of any given language, therefore, is the sum total of its lexical items that show signs of such manipulation. Linguists have long recognized that the only necessary link between a word’s form and its meaning is the arbitrary social convention that binds them. However, nothing prevents speakers from creating additional, unnecessary and therefore essentially “playful” links, associating forms with meanings in a symbolic, hence non-arbitrary way. This semantic effect is most evident in the case of onomatopoeia, through which the phonetic form of words that designate sounds is designed to be conventionally imitative of the sound. A second group of playful words combines repeated sequences of sounds with meanings that are themselves suggestive of repetition or related concepts such as collectivity, continuity, or actions in sequence, as well as repeated, back-and-forth, or uncontrolled movements, or even, more abstractly, intensity and hesitation. The playfulness of truncated forms such as clips and blends is based on a still more abstract connection between forms and meanings. In the case of clipping, the truncation of the full form of a word triggers a corresponding connotative truncation or diminution of the meaning, that is, a suggestion that the referent is small—either endearingly, humorously, or contemptuously so. In blending, truncation is often accompanied by overlapping, which symbolically highlights the interrelatedness or juxtaposition of the constituents’ individual meanings. Prosodic templates do not constitute a separate category per se; instead, they may play a part in the formation or alteration of words in any of the other categories discussed here.

Article

Nonverbal or verbless utterances posit a great deal of challenge to any linguistic theory. Despite its frequency and productivity among many languages, such as Arabic, Chinese, Finnish, Guaraní, Haitian Creole; Hdi, Hebrew, Hungarian, Irish, Korean, Mauritian Creole, Mina, Northern Kurdish, Romandalusí, Russian, Samoan, Turkish, Yucatec Maya, a.o., verbless clauses have received so far relatively little attention from most theoretical frameworks. The study of such clauses in general raises many interesting questions, since they appear to involve main clause structure without overt verbs. Some of the questions that arise when dealing with verbless constructions are the following: (a) are these clauses a projection of T(ense), or some other functional category, (b) do verbless clauses have an overt or null verbal head, (c) are verbless clauses small clauses, and (d) can verbless clauses be interpreted as propositions or statements that are either true or false. In mainstream generative grammar the predominant assumption has been that verbless clauses contain a functional projection that may be specified for tense (Tense Phrase) but need not occur necessarily with a verbal projection or a copula. This is strong evidence against the view that tense needs to co-occur with a verbal head—that is, tense may be universally projected but does not need to co-occur with a verbal head. This proposal departs from previous analyses where the category tense may be specified for categorial verbal or nominal features. Thus, in general, verbless clauses may be considered Tense Phrases (TPs) that dominate a nonverbal predicate. An example of verbless constructions in Romance languages are Predicative Noun Phrases (henceforth, PNPs). PNPs are nonverbal or verbless constructions that exhibit clausal properties.