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Article

Person in Morphology  

Michael Daniel

The category of person is a linguistic expression of reference to a role in a speech act, including the speaker, the addressee, or a combination thereof. The values of the person category commonly, if not universally, include the opposition of first person (reference to the speaker) versus second person (reference to the addressee). Reference to neither the speaker nor the addressee is commonly—though not always—considered to be the third value of the category, third person. This article is an overview of person indexation on the verb and in possessive constructions, interaction of the category of person with other categories such as number and moods, the issue of person hierarchies as reflected in the categories of clusivity and direct-inverse systems, and some topics in the pragmatics of person. The discussion includes some topics disregarded or less touched upon in other surveys of the category of person, such as a discussion of the person relationship to commands (imperative paradigms) or logophoricity. The main focus is on the morphology of person, and other aspects of personal reference are discussed with respect to how they are expressed or differentiated by morphological material. On the other hand, personal reference in grammar and lexicon show strong affinity, making it both difficult and unnecessary to separate independent personal pronouns from person affixes in a typological perspective. In this sense, person-related lexicon and inflectional morphology are treated together.

Article

Mood in Morphology  

Daria Mordashova and Vladimir Plungian

The category of mood is closely related to modality, though specifically involves grammatical (inflectional) means for expressing core modal meanings (most notably, those of possibility and necessity). In other words, mood is defined as modality that is grammaticalized in the verbal system as an inflectional category. The category of mood is found in nearly all full-fledged inflectional verbal systems, along with the categories of aspect and tense. The typical opposition expected within the system of moods is the division into “indicative” and “non-indicative” moods, dependent on the real vs. irreal (or, more precisely, asserted vs. non-asserted) status of the proposition. There is no “preferable” morphological device for the expression of mood in the world’s languages—all the existing grammatical means are in demand, both synthetic and periphrastic. Among the segmental markers of mood affixal marking prevails, involving both prefixes and suffixes and various combinations thereof (yielding circumfixal marking). Non-segmental and suprasegmental marking of mood is less frequent, but also quite common. Another strategy for mood marking in the languages of the world is suppletion, when inflectional modal meanings require a different stem feeding into the verbal paradigm. Along with dedicated morphological markers of mood, there exists a plethora of cumulative types of marking, when mood is expressed simultaneously with other verbal categories, such as tense, aspect, voice, person, number, and possibly some others. The structure of mood as a grammatical category poses a challenge for universal typological descriptions, as the diversity of all its guises in the world’s languages is notoriously high. Imperative and subjunctive are regarded as the two core non-indicative members of mood domain attested cross-linguistically. A kind of terminological complication may arise with respect to the terms indicative vs. subjunctive and realis vs. irrealis. Still, there exist some points that reveal the differences between subjunctive and irrealis, syntactic distribution being one of the most essential (given that subjunctive is to be considered primarily as a morphological device for expressing syntactic subordination). Of course, the systems of mood in the world’s languages often display a greater diversity within the domain of non-indicative moods, and specifically epistemic and volitive values grammaticalize to separate inflectional forms, comprising various epistemic and optative moods respectively.