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Verbless Predicative Clauses in the Romance Languages: Syntax, Semantics, Variation  

Melvin González-Rivera

Nonverbal or verbless utterances posit a great deal of challenge to any linguistic theory. Despite its frequency and productivity among many languages, such as Arabic, Chinese, Finnish, Guaraní, Haitian Creole; Hdi, Hebrew, Hungarian, Irish, Korean, Mauritian Creole, Mina, Northern Kurdish, Romandalusí, Russian, Samoan, Turkish, Yucatec Maya, a.o., verbless clauses have received so far relatively little attention from most theoretical frameworks. The study of such clauses in general raises many interesting questions, since they appear to involve main clause structure without overt verbs. Some of the questions that arise when dealing with verbless constructions are the following: (a) are these clauses a projection of T(ense), or some other functional category, (b) do verbless clauses have an overt or null verbal head, (c) are verbless clauses small clauses, and (d) can verbless clauses be interpreted as propositions or statements that are either true or false. In mainstream generative grammar the predominant assumption has been that verbless clauses contain a functional projection that may be specified for tense (Tense Phrase) but need not occur necessarily with a verbal projection or a copula. This is strong evidence against the view that tense needs to co-occur with a verbal head—that is, tense may be universally projected but does not need to co-occur with a verbal head. This proposal departs from previous analyses where the category tense may be specified for categorial verbal or nominal features. Thus, in general, verbless clauses may be considered Tense Phrases (TPs) that dominate a nonverbal predicate. An example of verbless constructions in Romance languages are Predicative Noun Phrases (henceforth, PNPs). PNPs are nonverbal or verbless constructions that exhibit clausal properties.

Article

Perfects in the Romance Languages  

Gerhard Schaden

This article is devoted to the description of perfect tenses in Romance. Perfects can be described as verbal forms which place events in the past with respect to some point of reference, and indicate that the event has some special relevance at the point of reference ; in that, they are opposed to past tenses, which localize an event in the past with respect to the moment of utterance. Romance is an interesting language family with respect to perfect tenses, because it features a set of closely related constructions, descending almost all from the same diachronic source yet differing in interesting ways among each other. Romance also provides us with a lesson in the difficulty of clearly pinning down and stating a single, obvious and generally agreed upon criterion of defining a perfect.