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Indefinite Articles in the Romance Languages  

Julia Pozas Loyo

A common feature of Romance languages is the existence of indefinite articles. Prototypically, indefinite articles serve to introduce new referents into discourse, which can later be taken up by means of a definite. In Romance languages, the diachronic source of indefinite articles is the unitary cardinal ‘one’ and in most cases the singular indefinite article is formally identical to the numeral: Ast., Sp., Cat., Occ., It., Srd. un/una; Pt. um/uma; Glc. un/unha; Fr. un/une; RaeR. en/ena; Ro. un/o. Despite their formal identity to the unitary cardinal, these forms are considered indefinite articles since they can be used in generic and predicative nominals, the two contexts that characterize the last stages of the grammaticalization of indefinite articles. As for plurals, there are two possible diachronic sources. On one hand, Gallo-Romance languages and some varieties of Italo-Romance (i.e., Tuscan and northern Italian dialects) have grammaticalized a plural marker of indefiniteness on the basis of the preposition de, di (< lat. de) plus the definite article (e.g., Fr. des; It. dei/delle/degli). On the other hand, Ibero-Romance and neighboring languages derive their simple indefinite plural marker from the plural forms of the Latin cardinal (i.e., acc.pl. unos, unas): Pt. uns/umas; Glc. uns/unhas; Ast. unos/unes; Sp. unos/unas; and Cat. uns/unes. Romanian also preserves a plural form derived from Lat. unos, unas: for the nom.acc unii/unele, and gen.dat. unor. More commonly, however, plural indefinites are left bare or are preceded by nişte ‘some’ or câţiva ‘several.’ The use of the plural indefinite article in Romance is less extended than that of its singular counterpart. In fact, except for French where the obligatoriness of the determiner has been linked to the severe loss of morphological number, plural indefinite count nouns can, under certain circumstances, remain bare. Finally, in diachrony, the grammaticalization of plural indefinite articles is behind that of the singular. Synchronically, this is reflected in at least two facts: first, the frequency of use and the degree of obligatoriness of the plural indefinite articles are significantly lower than that of the singular indefinite article; second, plural indefinite articles are normally not accepted in generics.


Partitive Articles in the Romance Languages  

Anne Carlier and Béatrice Lamiroy

Partitive articles raise several research questions. First, whereas a vast majority of the world’s languages do not have articles at all, and only some have a definite article as well as an indefinite article for singular count nouns, why did some Romance languages develop an article for indefinite plural nouns (Fr des hommes art.indf.m.pl man:pl ‘men’) and singular mass or abstract nouns (It del vino art.indf.m.sg wine ‘wine’, Fr du bonheur art.indf.m.sg happiness ‘happiness’)? Secondly, unlike the definite article and the indefinite singular article, whose source is already a determiner (or pronoun), that is, the distal demonstrative and the unity numeral respectively, the partitive article derives from a preposition contracted with the definite article. How did the Latin preposition de grammaticalize into an article? And why was the grammaticalization process completed in French, but not in Italian? Thirdly, given that the source of the partitive article was available for all Romance languages, since some form of partitive construction was already attested in Late Latin, why did the process not take place in Rumanian and the Ibero-Romance languages?


Perfects in the Romance Languages  

Gerhard Schaden

This article is devoted to the description of perfect tenses in Romance. Perfects can be described as verbal forms which place events in the past with respect to some point of reference, and indicate that the event has some special relevance at the point of reference ; in that, they are opposed to past tenses, which localize an event in the past with respect to the moment of utterance. Romance is an interesting language family with respect to perfect tenses, because it features a set of closely related constructions, descending almost all from the same diachronic source yet differing in interesting ways among each other. Romance also provides us with a lesson in the difficulty of clearly pinning down and stating a single, obvious and generally agreed upon criterion of defining a perfect.