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The Phonology of Compounds  

Irene Vogel

A number of recent developments in phonological theory, beginning with The Sound Pattern of English, are particularly relevant to the phonology of compounds. They address both the phonological phenomena that apply to compound words and the phonological structures that are required as the domains of these phenomena: segmental and nonsegmental phenomena that operate within each member of a compound separately, as well as at the juncture between the members of compounds and throughout compounds as a whole. In all cases, what is crucial for the operation of the phonological phenomena of compounds is phonological structure, in terms of constituents of the Prosodic Hierarchy, as opposed to morphosyntactic structure. Specifically, only two phonological constituents are required, the Phonological Word, which provides the domain for phenomena that apply to the individual members of compounds and at their junctures, and a larger constituent that groups the members of compounds together. The nature of the latter is somewhat controversial, the main issue being whether or not there is a constituent in the Prosodic Hierarchy between the Phonological Word and the Phonological Phrase. When present, this constituent, the Composite Group (revised from the original Clitic Group), includes the members of compounds, as well as “stray” elements such as clitics and “Level 2” affixes. In its absence, compounds, and often the same “stray” elements, are analyzed as a type of Recursive Phonological Word, although crucially, the combinations of such element do not exhibit the same properties as the basic Phonological Word.


Morphological Entities: Overview and General Issues  

Laurie Bauer

Some of the basic terminology for the major entities in morphological study is introduced, focusing on the word and elements within the word. This is done in a way which is deliberately introductory in nature and omits a great deal of detail about the elements that are introduced.


Phonological and Morphological Aspects of Reduplication  

Suzanne Urbanczyk

Reduplication is a word-formation process in which all or part of a word is repeated to convey some form of meaning. A wide range of patterns are found in terms of both the form and meaning expressed by reduplication, making it one of the most studied phenomenon in phonology and morphology. Because the form always varies, depending on the base to which it is attached, it raises many issues such as the nature of the repetition mechanism, how to represent reduplicative morphemes, and whether or not a unified approach can be proposed to account for the full range of patterns.


Morphology and Metrical Structure  

Birgit Alber and Sabine Arndt-Lappe

Work on the relationship between morphology and metrical structure has mainly addressed three questions: 1. How does morphological constituent structure map onto prosodic constituent structure, i.e., the structure that is responsible for metrical organization? 2. What are the reflexes of morphological relations between complex words and their bases in metrical structure? 3. How variable or categorical are metrical alternations? The focus in the work specified in question 1 has been on establishing prosodic constituency with supported evidence from morphological constituency. Pertinent prosodic constituents are the prosodic (or phonological) word, the metrical foot, the syllable, and the mora (Selkirk, 1980). For example, the phonological behavior of certain affixes has been used to argue that they are word-internal prosodic words, which thus means that prosodic words may be recursive structures (e.g., Aronoff & Sridhar, 1987). Similarly, the shape of truncated words has been used as evidence for the shape of the metrical foot (cf., e.g., Alber & Arndt-Lappe, 2012). Question 2 considers morphologically conditioned metrical alternations. Stress alternations have received particular attention. Affixation processes differ in whether or not they exhibit stress alternations. Affixes that trigger stress alternations are commonly referred to as 'stress-shifting' affixes, those that do not are referred to as 'stress-preserving' affixes. The fact that morphological categories differ in their stress behavior has figured prominently in theoretical debates about the phonology-morphology interface, in particular between accounts that assume a stratal architecture with interleaving phonology-morphology modules (such as lexical phonology, esp. Kiparsky, 1982, 1985) and those that assume that morphological categories come with their own phonologies (e.g., Inkelas, Orgun, & Zoll, 1997; Inkelas & Zoll, 2007; Orgun, 1996). Question 3 looks at metrical variation and its relation to the processing of morphologically complex words. There is a growing body of recent empirical work showing that some metrical alternations seem variable (e.g., Collie, 2008; Dabouis, 2019). This means that different stress patterns occur within a single morphological category. Theoretical explanations of the phenomenon vary depending on the framework adopted. However, what unites pertinent research seems to be that the variation is codetermined by measures that are usually associated with lexical storage. These are semantic transparency, productivity, and measures of lexical frequency.


The Status of the Morpheme  

Tom Leu

The morpheme was the central notion in morphological theorizing in the 20th century. It has a very intuitive appeal as the indivisible and invariant unit of form and meaning, a minimal linguistic sign. Ideally, that would be all there is to build words and sentences from. But this ideal does not appear to be entirely adequate. At least at a perhaps superficial understanding of form as a series of phonemes, and of meaning as concepts and morphosyntactic feature sets, the form and the meaning side of words are often not structured isomorphically. Different analytical reactions are possible to deal with the empirical challenges resulting from the various kinds of non-isomorphism between form and meaning. One prominent option is to reject the morpheme and to recognize conceptually larger units such as the word or the lexeme and its paradigm as the operands of morphological theory. This contrasts with various theoretical options maintaining the morpheme, terminologically or at least conceptually at some level. One such option is to maintain the morpheme as a minimal unit of form, relaxing the tension imposed by the meaning requirement. Another option is to maintain it as a minimal morphosyntactic unit, relaxing the requirements on the form side. The latter (and to a lesser extent also the former) has been understood in various profoundly different ways: association of one morpheme with several form variants, association of a morpheme with non-self-sufficient phonological units, or association of a morpheme with a formal process distinct from affixation. Variants of all of these possibilities have been entertained and have established distinct schools of thought. The overall architecture of the grammar, in particular the way that the morphology integrates with the syntax and the phonology, has become a driving force in the debate. If there are morpheme-sized units, are they pre-syntactic or post-syntactic units? Is the association between meaning and phonological information pre-syntactic or post-syntactic? Do morpheme-sized pieces have a specific status in the syntax? Invoking some of the main issues involved, this article draws a profile of the debate, following the term morpheme on a by-and-large chronological path from the late 19th century to the 21st century.