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Irit Meir and Oksana Tkachman

Iconicity is a relationship of resemblance or similarity between the two aspects of a sign: its form and its meaning. An iconic sign is one whose form resembles its meaning in some way. The opposite of iconicity is arbitrariness. In an arbitrary sign, the association between form and meaning is based solely on convention; there is nothing in the form of the sign that resembles aspects of its meaning. The Hindu-Arabic numerals 1, 2, 3 are arbitrary, because their current form does not correlate to any aspect of their meaning. In contrast, the Roman numerals I, II, III are iconic, because the number of occurrences of the sign I correlates with the quantity that the numerals represent. Because iconicity has to do with the properties of signs in general and not only those of linguistic signs, it plays an important role in the field of semiotics—the study of signs and signaling. However, language is the most pervasive symbolic communicative system used by humans, and the notion of iconicity plays an important role in characterizing the linguistic sign and linguistic systems. Iconicity is also central to the study of literary uses of language, such as prose and poetry. There are various types of iconicity: the form of a sign may resemble aspects of its meaning in several ways: it may create a mental image of the concept (imagic iconicity), or its structure and the arrangement of its elements may resemble the structural relationship between components of the concept represented (diagrammatic iconicity). An example of the first type is the word cuckoo, whose sounds resemble the call of the bird, or a sign such as RABBIT in Israeli Sign Language, whose form—the hands representing the rabbit's long ears—resembles a visual property of that animal. An example of diagrammatic iconicity is vēnī, vīdī, vīcī, where the order of clauses in a discourse is understood as reflecting the sequence of events in the world. Iconicity is found on all linguistic levels: phonology, morphology, syntax, semantics, and discourse. It is found both in spoken languages and in sign languages. However, sign languages, because of the visual-gestural modality through which they are transmitted, are much richer in iconic devices, and therefore offer a rich array of topics and perspectives for investigating iconicity, and the interaction between iconicity and language structure.


John E. Joseph

Ferdinand de Saussure (1857–1913), the founding figure of modern linguistics, made his mark on the field with a book he published a month after his 21st birthday, in which he proposed a radical rethinking of the original system of vowels in Proto-Indo-European. A year later, he submitted his doctoral thesis on a morpho-syntactic topic, the genitive absolute in Sanskrit, to the University of Leipzig. He went to Paris intending to do a second, French doctorate, but instead he was given responsibility for courses on Gothic and Old High Gerrman at the École Pratique des Hautes Études, and for managing the publications of the Société de Linguistique de Paris. He abandoned more than one large publication project of his own during the decade he spent in Paris. In 1891 he returned to his native Geneva, where the University created a chair in Sanskrit and the history and comparison of languages for him. He produced some significant work on Lithuanian during this period, connected to his early book on the Indo-European vowel system, and yielding Saussure’s Law, concerning the placement of stress in Lithuanian. He undertook writing projects about the general nature of language, but again abandoned them. In 1907, 1908–1909, and 1910–1911, he gave three courses in general linguistics at the University of Geneva, in which he developed an approach to languages as systems of signs, each sign consisting of a signifier (sound pattern) and a signified (concept), both of them mental rather than physical in nature, and conjoined arbitrarily and inseparably. The socially shared language system, or langue, makes possible the production and comprehension of parole, utterances, by individual speakers and hearers. Each signifier and signified is a value generated by its difference from all the other signifiers or signifieds with which it coexists on an associative (or paradigmatic) axis, and affected as well by its syntagmatic axis. Shortly after Saussure’s death at 55, two of his colleagues, Bally and Sechehaye, gathered together students’ notes from the three courses, as well as manuscript notes by Saussure, and from them constructed the Cours de linguistique générale, published in 1916. Over the course of the next several decades, this book became the basis for the structuralist approach, initially within linguistics, and later adapted to other fields. Saussure left behind a large quantity of manuscript material that has gradually been published over the last few decades, and continues to be published, shedding new light on his thought.