Show Summary Details

Page of

Printed from Oxford Research Encyclopedias, Literature. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice).

date: 14 June 2024

Wright, Charleslocked

Wright, Charleslocked

  • Henry Hart


In an interview published in 1992, Charles Wright told David Young, the editor of Field magazine: “There are three things, basically, that I write about—language, landscape, and the idea of God.” Behind much of Wright's poetry is the Emersonian idea, which in turn derives from a long line of Platonic and Christian thinkers, that the universe resembles a text authored by God—a God who inhabits us. When Ralph Waldo Emerson contended in his essay Nature that “words are signs of natural facts” and “Nature is the symbol of spirit,” he was drawing on the old concept of “the book of nature.” In this “book,” language represents nature and nature represents the spirit or mind that created it—in other words, God. Throughout his essay Emerson argued for a poetic use of language that would renounce “rotten diction and fasten words again to visible things; so that picturesque language is at once a commanding certificate that he who employs it is a man in alliance with truth and God.” By employing a “natural” language (a vocabulary that adhered to the principle “no ideas but in things”), the writer could recapitulate the divine act of creation, duplicating, as it were, the book of nature in his or her own book.


  • North American Literatures

You do not currently have access to this article


Please login to access the full content.


Access to the full content requires a subscription