Strategic Hybridity in Early Chinese and Japanese American Literature
- Floyd CheungFloyd CheungDepartment of English Language and Literature, Smith College
Early Chinese and Japanese American male writers between 1887 and 1938 such as Yan Phou Lee, Yung Wing, Sadakichi Hartmann, Yone Noguchi, and H. T. Tsiang accessed dominant US publishing markets and readerships by presenting themselves and their works as cultural hybrids that strategically blended enticing Eastern content and forms with familiar Western language and structures. Yan Phou Lee perpetrated cross-cultural comparisons that showed that Chinese were not unlike Europeans and Americans. Yung Wing appropriated and then transformed dominant American autobiographical narratives to recuperate Chinese character. Sadakichi Hartmann and Yone Noguchi combined poetic traditions from Japan, Europe, and America in order to define a modernism that included cosmopolitans such as themselves. And H. T. Tsiang promoted Marxist world revolution by experimenting with fusions of Eastern and Western elements with leftist ideology. Although these writers have been discounted by some critics as overly compromising in their attempts to reach Western readers, they accomplished laudable cultural work in their particular historical circumstances and provide insights into the varied and complicated negotiations of Asian American identity during the exclusion era.