Globalization and global travel have existed for centuries. It is over the past century in particular, however, that travel has become truly global, in the sense that most and not just some travel can in some way or other be said to globalized. Indeed, with the invention and spread of new technologies of mobility (like jet travel), and new technologies of information (like the internet), as with the increasingly invasive impact of human activity on the planet at large (like global warming), it is difficult to conceive of travel in the 21st century that is purely “local.” Travel in the age of globalization, then, is at one and the same time both more widespread yet also more irrelevant than ever. As humans, goods, and information move around in ever-increasing quantities, and at ever-greater speed, it seems that mobility is at an all-time high in human history. On the other hand, as a rising number of people and places are interlinked through ever-faster travel and various forms of communication technologies, the local and the global are becoming harder and harder to distinguish. In this, travel writing has faced a range of challenges that are both old and new. With contemporary travel writers facing a global reality that is very different from the colonial legacy of a traditionally Eurocentric genre, travel writers in the age of globalization have been forced to radically reconsider the itineraries, the destinations, the purpose, and the identity of the traveling subject. Traditionally defined as a white (European) male, the global traveler of the 21st century can take on many forms in terms of race, gender, sexuality, and nationality. At the same time, however, a large number of contemporary travel writers have found it hard to break with the mold of old, desperately continuing to pursue the exotic adventure and the untouched “otherness” of the blank spaces of a map that, in the age of Google Earth, satellite navigation, jet and space travel, global warming, and an explosive growth in human population, are no more.