South Africa’s literary history is divided across both language and race. A survey of the country’s publishing history provides a lens for examining these diverse literatures in an integrated way, by focusing on the production context, the circulation, and the readership. The key threads in South Africa’s publishing history can be traced to influences operating outside publishing: the influence of colonial governance, followed by the nationalist government and its apartheid system, and then the post-apartheid influence of transformation. All these factors reveal ongoing attempts by the government of the day to regulate and control publishing and the circulation of information. However, publishing history requires further study to better understand how publishing has evolved in South Africa, and how that permitted or prevented authors from circulating their work to readers.
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Publishing in South Africa
Elizabeth le Roux
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The Early Black Atlantic Conversion Narrative
Vincent Carretta
Prior to the last decade of the 20th century, literary critics generally, like Thomas Jefferson before them, dismissed the role religion played in the writings by and about the first generation of English-speaking authors of African descent. Christ’s injunction to his followers to bear witness to their faith, however, gave that first generation the sanction, means, motive, and opportunity to speak truth to power during the 18th-century period of the transatlantic Protestant Great Awakening and Evangelical Revival. The early Black evangelical authors, such as Phillis Wheatley in poetry and Olaudah Equiano in prose, used narratives of their religious conversions as both testaments to their own faith as well as models of spiritual belief and secular behavior for their primarily white readers to follow. The writings of Wheatley and Equiano also exemplify how early Black authors who adopted Christianity could appropriate its tenets to challenge the institution of slavery.
