Robert Hayden was made poet laureate of Senegal in 1966 and ten years later became America’s first black poet laureate. He was acclaimed as “People’s Poet” early in his career, but he was largely ignored by the American literary establishment until late in life. In his poetics of history and his nuanced representations of black life, Hayden’s art showed that the African American experience was quintessentially American, and that blackness was an essential aspect of relentlessly heterogeneous America. As he figured it in his late-in-life poem, “[American Journal],” national identity was best metaphorized in “bankers grey afro and dashiki long hair and jeans / hard hat yarmulka mini skirt.” Hayden’s archetypal efforts to demonstrate the kaleidoscopic quality of both black and American identity produced an art that transcended propagandistic categories of race and nation, and pathed the way for a large cadre of late 20th and early 21st century poets who, like Hayden, understand themselves to be simultaneously black and American, but ultimately human.
Article
Hayden, Robert
Christopher Buck and Derik Smith
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The Early Black Atlantic Conversion Narrative
Vincent Carretta
Prior to the last decade of the 20th century, literary critics generally, like Thomas Jefferson before them, dismissed the role religion played in the writings by and about the first generation of English-speaking authors of African descent. Christ’s injunction to his followers to bear witness to their faith, however, gave that first generation the sanction, means, motive, and opportunity to speak truth to power during the 18th-century period of the transatlantic Protestant Great Awakening and Evangelical Revival. The early Black evangelical authors, such as Phillis Wheatley in poetry and Olaudah Equiano in prose, used narratives of their religious conversions as both testaments to their own faith as well as models of spiritual belief and secular behavior for their primarily white readers to follow. The writings of Wheatley and Equiano also exemplify how early Black authors who adopted Christianity could appropriate its tenets to challenge the institution of slavery.
