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Junot Díaz is a Dominican American award-winning fiction writer and essayist. For over twenty years his work has helped to map and remap Latinx, Caribbean, and American literary and cultural studies. Since his collection of short stories, Drown, debuted in 1996, Díaz has become a leading literary figure in Latinx, Afro-Latinx, and diaspora studies. His voice is critically linked to the legacy of Latinx Caribbean literary poetics reaching back to the 1960s (including Piri Thomas’s Down These Mean Streets, 1967). Díaz’s work is likewise transnational and diasporic, often reflecting the lived experiences of working-class immigrant populations of color in northeastern urban centers. Within a broader scope, Díaz’s writing is tied to feminist African American and Chicana literary traditions, with Díaz citing the influence of writers such as Toni Morrison and Sandra Cisneros in his writing practice. His 2007 award-winning novel, The Brief Wondrous Life of Oscar Wao, earned him a Pulitzer Prize in fiction and catapulted him into literary superstardom. Díaz followed that success with his 2012 collection of short stories, This Is How You Lose Her, which was a finalist for both the 2012 National Book Award for Fiction and the 2013 Andrew Carnegie Medal for Excellence in Fiction. In 2012, Díaz was conferred the MacArthur Fellows Program Award, commonly known as the MacArthur “Genius Grant,” and in 2017, he was inducted into the American Academy of Arts and Letters. In 2019, he was the Rudge and Nancy Allen Professor of Writing at the Massachusetts Institute of Technology (MIT) and the fiction editor at the renowned literary magazine the Boston Review. Over the course of his professional writing career, Díaz has published numerous nonfiction essays and political commentaries, and coauthored opinion editorials on immigration and reflections on Caribbean and US politics. His short story “Monstro,” published in 2012, further rooted Díaz in the genres of science fiction and Afrofuturism. “Monstro” was understood to be a teaser for a now discarded novel of the same name. The simultaneous publication of the English-language Islandborn and Spanish-language Lola in 2018 represented the author’s first foray into the genre of children’s literature. Like much of Díaz’s literary oeuvre, the children’s books chronicle the experiences and memories of Afro-Dominicans in the diaspora through the perspective of a child narrator. Díaz is one of the founders of Voices of Our Nation (VONA), a summer creative writing workshop for writers of color where he helps aspiring writers to workshop their fiction. Díaz’s fiction and nonfiction writings have catalyzed work in literary, Latinx, and Afro-Latinx studies, prompting renewed discourses on literary representations of masculinity, gender, sexuality, intimacy, sexual violence, dictatorship, immigration, disability, Dominican history, race and anti-blackness, anti-Haitianism, decolonization and radical politics, and diaspora and belonging.

Asian American literature and art have had an illuminating effect on the significance of human rights in the United States and in national culture. Americans are often assumed to enjoy exceptional liberties and rights, which they seek in turn to deliver to other people, in other parts of the world. However, Asian American cultural critique provides an incisive perspective on the limits of citizenship and national belonging as the basis for the granting of fundamental human freedoms, rights, and protections to all persons. The legal exclusion of Asians from immigration and naturalization, as well as from other forms of social and economic security such as property ownership, has long been justified through the construction of Asian racial difference. Reforms in immigration law after World War II, which did eventually transform Asian American life in the United States, took place in the context of a “global Cold War,” and during the same period that saw the institution of an international human rights regime. “Integration” proved as essential a mandate in US domestic and foreign policy as did “containment” in this global conflict. As a result, not only has the Asian American population grown significantly and become more heterogeneous since the late 20th century, the nation has seen the flourishing of Asian American literary and cultural production. Asian American writers and artists have been especially keen to investigate the political, legal, and ideological tensions and contradictions that pervade the postsocialist world and the war on terror. Their works explore the political precarity faced by those caught between the contradictions of neoliberal multiculturalism, the logics and technologies of state security, and the legal tethering of human rights to citizenship.