The Oxford Encyclopedia of Literary Theory
Literary theory is the practice of theoretical, methodological, and sociological reflection that accompanies the reading and interpretation of literary texts; it investigates the conceptual foundations of textual scholarship, the dynamics of textuality, the relations between literary and other texts, and the categories and social conditions through which our engagement with texts is organized. If the study of literary texts produces a kind of knowledge, it asks what kind of knowledge that is and on what grounds its claim to authority and distinctiveness might be based.
Since around the turn of the century literary studies has turned against the “high theory” moment of the previous three decades, and more generally against its privileged model of textuality or of cultural or linguistic mediation. It has also been marked by a structural reaction against the dominance of the US academy and toward a recognition of “world” literature. The effect of these shifts has been the development of new forms of engagement with theory: a new pragmatism; ethical criticism; affect theory; the critique of critique; the “new materialism”; the rise of ever more fine-grained forms of identity politics; the rise of new models of formalism and new models of political engagement; and a return to or reinvention of poetics or rhetoric.
The Oxford Encyclopedia of Literary Theory will illuminate the dynamic and constantly-developing aspects that have made literary theory an indispensable tool for thinking about how texts (whether written, iconic, or socio-cultural) are read. This ambitious project will promote a global and trans-disciplinary approach to fields as varied as literature, history, cultural studies, linguistics, philosophy, psychoanalysis, sociology, and the social sciences. All of the articles will appear online as part of the Oxford Research Encyclopedia of Literature.
Volume Editor
John Frow, The University of Sydney
Associate Editors
Mark Byron, The University of Sydney
Pelagia Goulimari, University of Oxford
Sean Pryor, The University of New South Wales Sydney
Julie Rak, The University of Alberta
Topics
Identities
Formal Concepts
Institutions
Methodologies
Articles
Affect Studies (Patrick Colm Hogan)
Afterlife (Alice Bennett)
Aisthesis (David Vichnar, Louis Armand)
Allegory (Jonathan Morton)
Animal (Christopher Peterson)
Anonymity (Robert J. Griffin)
Apostrophe (Denis Flannery)
Appropriation (Julie Sanders)
Beauty (Jennifer A. McMahon)
Celebrity (Lorraine York)
Censorship (Nicole Moore)
The Chapter (Nicholas Dames)
Character (Julian Murphet)
Class (Benjamin Balthaser)
Close Reading (Mark Byron)
Codex (Michelle P. Brown)
Copyright (Kim Treiger-Bar-Am)
Creolization (Ben Etherington)
Daemonic (Angus Nicholls)
Description (Joanna Stalnaker)
Diaspora (Smaro Kamboureli)
Digital Humanities (Simon Burrows, Michael Falk)
Discipline (Peter Hitchcock)
Ecocriticism (Cheryl Lousley)
Ekphrasis (Gabriele Rippl)
Enchantment (Michael Saler)
Enunciation (Russell Smith)
E-text (Niels Ole Finnemann)
Ethics of Reading (Matthew Garrett)
Everyday (William Galperin)
Feminist Theory (Pelagia Goulimari)
Fictionality (Simona Zetterberg-Nielsen, Henrik Zetterberg-Nielsen)
Figures of/for Voice (David Nowell Smith)
Genders (Pelagia Goulimari)
Genealogy (Verena Erlenbusch-Anderson, Amy Nigh)
Geo-locations (Peta Mitchell)
Grotesque (Rune Graulund)
Hermeneutics (Georgia Warnke)
Heteroglossia (Ken Hirschkop)
Historicities (Andrew Kalaidjian)
Hybridity (David Huddart)
Hypertext Theory (Astrid Ensslin)
Identification (James Purdon)
Impersonation (Laura Browder)
Infrastructure (Russell Coldicutt)
Intention (Mark Vareschi)
Interdisciplinarity (Julie Thompson Klein)
Intertextuality (Graham Allen)
Laughter (Anca Parvulescu)
Life Writing (Craig Howes)
Melodrama (Monique Rooney)
Minor Literature (Salah El Moncef)
Narrative Time (Stephanie Nelson, Barry Spence)
Narratology (Gerald Prince)
Networks (Patrick Jagoda)
New Materialisms (Liedeke Plate)
Parody and Pastiche (Leonard Diepeveen)
Pastoral (Katherine Little)
Pedagogy (Philip Mead, Brenton Doecke)
Phenomenology (Horst Ruthrof)
Philology (Harry Lönnroth)
Poetic Cognition (Marshall Brown)
Poetics (Jonathan Culler)
Pornography (April Alliston)
The Postcolonial (Mary N. Layoun)
Prosody (Meredith Martin)
Queer (Octavio González, Todd G. Nordgren)
Queer Theory (Lilith Acadia)
Race and Ethnicity (Amritjit Singh, Aaron Babcock)
Realisms (Alison Shonkwiler)
Reference (Satya P. Mohanty)
Remediation (Adam Hammond)
Repetition (Catherine Pickstock)
Rhetoric (Thomas H. Ford, Joe Hughes)
Rhizome (Claire Colebrook)
Sanskrit Literary Theory (Chettiarthodi Rajendran)
Sentiment (James Chandler)
Sexualities (Stephanie Clare)
Singularity (Derek Attridge)
Song (Stephanie Burt, Jenn Lewin)
Spectacle (McKenzie Wark)
Speculation (Graham Harman)
Technology (Eleonora Lima)
Temporality (Theodore Martin)
Textuality (Rossana De Angelis)
Tragedy (Alberto Toscano)
Value (Joshua Clover, Christopher Nealon)