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As a group, Asian Americans in particular have been portrayed by American society as incapable or uninterested in American sporting practices and traditions. When individuals have realized public acclaim for athletic prowess, their achievements have been characterized in media and elsewhere as an exception to the Asian American experience, even when their success also represents its common collective narratives. NBA (National Basketball Association) basketball player Jeremy Lin’s meteoric rise in 2012 was often defined through the trope of the model minority. Conversely, Pacific Islanders, in particular males, have been represented as possessing innate athletic prowess but with limited intellect. These tropes of Asian American and Pacific Islander identity in American society have long obscured their relation to sports and recreation, and there has been little scholarship in either sports studies or Asian American studies on the unique sporting cultures of these groups and their relations to American sporting practices and institutions. Asian American and Pacific Islander relations to American sport are best understood as a unique history defined by their relation to American colonialism, racism, global capitalism, and the transnational nature of modern sport.

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The concept of the “transpacific” has inherent asymmetries that must be explored in order to generate a more nuanced interpretive logic of transpacific possibility. Such epistemic asymmetry should be considered not simply as a description of the massive inequalities undergirding the geopolitical arrangements of the transpacific world, but also as a catalyst through which transpacific knowledge and critical orientations of the transpacific are produced. Scholarship evidences three key turns—through militarization, the ecological, and indigeneity—that collectively work to map the uneven terrain of the transpacific. The poet Lawson Inada’s wry observation about the epistemic, economic, and aesthetic challenges posed by the transpacific—that “the problem . . . is water”—provides a starting point from which to trace a fluid genealogy of transpacific literary and cultural production. This fluid genealogy traces alternative versions of the transpacific as “imaginable ageographies” to counterbalance the existing architectural ideas about security, economics, and militarization that have delimited this arena. Analysis of a wide range of texts demonstrates that transpacific asymmetry and transpacific interconnection can both be usefully leveraged to disrupt hierarchies of knowledge and practice.