(East and Southeast) Asian Canadian literature has consistently been preoccupied with the transpacific: from its lived spaces, its imagined ones, and its hybrid literary constructions. This body of literature includes narratives of arrival, autobiographical texts, historiographic novels, magical realist fiction, and experimental poetry. While these texts have usually been read through historical frameworks, thinking through them spatially enables us to understand and trace the alternate geographies of mobility, belonging, and cultural change beyond the project of the Canadian nation. These texts are predicated on transnational spaces of commerce and labor, trauma and resistance, refuge and liminality, and mobility and materiality. They reflect and produce the complex and overlapping trajectories of communities and individuals from East and Southeast Asia. From fictions of Chinatown to testimonies of racist dispersal and exclusion, refugee narratives to speculative decolonial futures, Asian Canadian literature has shaped both rural and urban Canadian spaces and their transnational and local textures. Thinking through the transpacific spaces in the literature points to the ways in which racist and exclusionary policies have shaped the landscapes and social spaces of the nation whether through immigration laws or forcible dispossession and internment. Yet, it also gives rise to the possibilities of new collectivities and communities within and beyond the nation-state. In the face of unequal globalization and movements of labor and capital, this mode of analysis points to possible indigenous and diasporic solidarities and place-making. Contemporary texts from Asian Canadian writers also evince a consciousness of Canadian bioregions and the confrontation of extraction economics that allows for a discussion of intersectionality in the context of environmental humanities and ecocriticism.
Latina/o environmental justice literature, prompted by organizing against environmental racism and for ecologically linked social responsibility, emerges in the late 20th century, but environmental justice literary interpretation and critical theory examines texts from any period of Latina/o literature, engaging the nexus of nature, culture, and environmental degradation and justice. Latina/o environmental justice literature includes many genres (fiction, poetry, nonfiction, memoir, testimonio, and performance art, to name a few) and has umbilical connections to a large body of lived experience, longstanding theory and praxis, traditional environmental knowledge (TEK), and environmental justice movement activism. This body of literary poetics that followed the emergence and naming of the environmental justice movement in the 1980s had precursors in the cultural poetics of the civil rights movement and related struggles for justice, equality, nonviolence, feminisms, human rights, and environmental protection. Antecedents to Latina/o environmental justice literature are found in oral literature, pre-Columbian texts, and subsequent Latina/o writing. Definitions of environmental justice within the context of the burgeoning environmental justice movement in the latter decades of the 20th century contribute to interpretations of the literature from this period forward. The last decades of the 20th century and beginning of the 21st century saw environmental justice themes emerge in many genres, and Latina/o literature made significant contributions to the broader field. Studies of cultural poetics of environmental justice contributed to that diversity. Contemporary environmental justice literary scholarship summarizes past approaches, traces ongoing work, and offers future directions—redefining and rebirthing environmental justice and climate justice poetics, given global warming and resulting climate change.