The most discussed and cited works of Asian American writing in literary studies include mainly novels, memoirs, short fiction, essays, and plays. To use Sau-ling Wong’s terms Necessity and Extravagance, the study of prose narrative has become a Necessity in the establishment of an Asian American literary canon, while poetry appears to occupy the status of the Extravagant—not excluded, but not as important or basic as prose. However, considering Asian American studies through the framework of not just poetry as a genre but also the poetic as a mode leads to some fresh understandings of canonical narratives, as well as criticism and theory. The power of poetry and the poetic do lie in their alignment with Extravagance, especially in their play with rules and expectations of language, convention, and form. Poems by Asian American writers point to the underside of play, the ways in which play can threaten minority subjects. At the same time the poems enact their own forms of play, through literary allusion and figurative language, for example. Asian American poetry and the Asian American poetic harness the energies of recreation and enjoyment to build and repurpose literary and discursive forms that articulate racial, ethnic, and gendered perils and promises.