Show Summary Details

Page of

PRINTED FROM the OXFORD RESEARCH ENCYCLOPEDIA, LITERATURE (oxfordre.com/literature). (c) Oxford University Press USA, 2020. All Rights Reserved. Personal use only; commercial use is strictly prohibited (for details see Privacy Policy and Legal Notice).

date: 23 November 2020

Scandallocked

  • Tarek El-ArissTarek El-ArissDartmouth College Department of Middle Eastern Studies

Summary

What does scandal designate? Is it a narrative of moral outrage, a titillating spectacle of shame, or a violation that simultaneously unsettles and consolidates norms and traditions? Scandal as a phenomenon, event, and analytical category has been the focus of debates and representations in works by Kant, Heidegger, Rousseau, Sade, and Mme de Sévigné, as well as in The Arabian Nights. These engagements with scandal in philosophy, literature, and media constitute a genealogy if not a tradition that emphasizes the relations between scandal and the body, gender, story-telling, visuality, marginality, and power. From the body of Aphrodite that frames scandal in the Greek mythological context to the body of Egyptian activist and nude blogger Alyaa Elmahdi, adulterous affairs and fantasies of debauchery particularly have been used as instruments to critique the rich and powerful but also to oppress women and sexual minorities. What becomes of scandal in the age of the Internet, apps, and social media? The article examines whether the digital is bringing about the demise of scandal as an affective scene that generates outrage and condemnation but also as a model of telling and representing tied to antiquated reportage genres, gossip scenes, and fictional models.

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Access to the full content requires a subscription