Show Summary Details

Page of

Printed from Oxford Research Encyclopedias, Literature. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice).

date: 06 May 2021

Clichélocked

  • Tom GrimwoodTom GrimwoodUniversity of Cumbria Department of Health, Psychology and Social Studies

Summary

A term deriving from the sound of the mechanical printing process able to provide cheap and fast reproductions of literary works, the cliché is at once both a foundation of modern culture and its constant adversary. Denoting a lack of originality, thought, or effort, clichés appear to be the very opposite of literature’s aspirations, and there is no end to the warnings for writers to avoid them at all costs. However, few theorists have spent sustained time detailing the workings of the cliché outside of criticizing their use. Indeed, the cliché seems to resist being thought about too much. At the same time, this resistance to theory can also obscure a range of issues that the cliché raises as a problem for literature. Unpacking these problems suggests that the cliché is not simply an issue of unoriginal thought, but arises from, and is perpetuated by, a number of tensions within the production and circulation of writing itself. These include tensions between artistic worth and literary ownership; between organic creation and technologies of reproduction; between localized communications and universal truth; and concerning the status of the intellectual in relation to the masses and the place of authenticity in late-modern culture.

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Access to the full content requires a subscription