Summary and Keywords
Literary, aesthetic, and theoretical negotiations of repetition tend to focus on the category of repetition as a feature of spoken or written discourse, or visual or audible patterning, instantiated so as to produce a specific effect, such as of monotony or interruption. This effect is based upon a normative assumption that discourse will be structured according to a decorous balance between same and difference; when this decorum is not observed, a marked effect is realized. However, is repetition merely an aesthetic category deployed for local or ephemeral emotional or sematic emphasis? Given that exact repetition is perforce an impossibility, since no two moments are ever the same, nor is one moment the same as itself, what are the implications of this tension between an effect of sameness and an awareness of its impossibility? Are these implications ontological or metaphysical in character?
Access to the complete content on Oxford Research Encyclopedia of Literature requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription. If you are a student or academic complete our librarian recommendation form to recommend the Oxford Research Encyclopedias to your librarians for an institutional free trial.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.