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PRINTED FROM the OXFORD RESEARCH ENCYCLOPEDIA, LITERATURE (oxfordre.com/literature). (c) Oxford University Press USA, 2020. All Rights Reserved. Personal use only; commercial use is strictly prohibited (for details see Privacy Policy and Legal Notice).

date: 24 November 2020

The New Journalismlocked

  • Danielle Hinrichs

Extract

Amidst war protests, hippies, civil rights demonstrations, rock-and-roll festivals, assassinations, feminism, youth power, experimentation with drugs, and sexual revolution, many reporters and writers found that traditional literary categories could not capture the tumultuous changes of the 1960s. Concerned that fiction neglected the people and events of America at that time and that journalism ignored the complexity of the era, reporters and writers forged a new genre by applying the writing techniques and characteristics of the novel and short story to nonfiction, journalistic prose. Journalists like Tom Wolfe, Gay Talese, and Michael Herr joined fiction writers such as Truman Capote, Norman Mailer, and Joan Didion to create a nonfiction form characterized by its use of dialogue, scenic construction, point of view, and personal voice, all traditionally the terrain of fiction. The genre's many critics denied the originality of the form and worried about its threats to the objectivity and accuracy of traditional reportage. For New Journalists, the emerging genre was more responsive to cultural changes and more accurately, more thoroughly, and more interestingly conveyed the issues, events, and people of the 1960s and early 1970s. The New Journalism drew greater attention to nonfiction as a creative literary form and encouraged experimentation with genre and style.

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