Summary and Keywords
Posthumous publication is part of a long-standing literary tradition that crosses centuries and continents, giving works of art ranging from The Canterbury Tales to The Diary of Anne Frank, from Northanger Abbey to 2666. Preparing for print work that was incomplete and unpublished at the time of the author’s death, posthumous editing is a type of public and goal-oriented grieving that seeks to establish or preserve the legacy of a writer no longer able to establish it for herself. Surrounding the work of posthumous editing are questions of authorial intent, editorial and publisher imperative, and reader response, each shaping the degree to which a posthumously published edition of a text is considered valuable. The visibility of the work of such editing spans from conspicuously absent to noticeably transformative, suggesting a wide range of possibilities for imagining the editorial role in producing the posthumous text. Examples drawn from 20th- and 21st-century US literature reveal the nature of editorial relationships to the deceased as well as the subsequent relationships of readers to the posthumously published text.
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