Summary

Following the pattern in vogue during the late Middle Ages and the Renaissance, the religious architecture policy followed by the Portuguese kings was based on the construction of buildings. This approach unsurprisingly sought to respond to the growth of religious orders in the kingdom and simultaneously served as a mirror of magnificence and royal power. In order to make the construction sites of such buildings more successful, working procedures such as the direction of general work, how the tasks were divided, and how workers were paid needed an in-depth but careful adjustment. The royal patronage around the Mendicants (mainly Dominicans and Franciscans) throughout the 15th century appeared to be dominant. At the end of the century, during the reign of King Manuel I, the tendency was to favor and support instead the Hieronymites, a contemplative and intellectual religious order, responsible for spreading the Devotio Moderna and a reformist spirit centered on Erasmus. The Monastery of Batalha, the Monastery of Jesus of Setubal, and the Monastery of Jerónimos are three representative sides of an architectural strategy where power and spirituality mix in the interior and exterior of buildings that fortunately still remain.