Michael H. Fisher
The history of the Mughal Empire (1526–1858) reveals much of the diversity among Muslims and the complexity of Islam as variously envisioned and as practiced in India. The empire’s ruling Timurid dynasty was patrilineally Sunni; many of its original core supporters were also Sunni immigrants or descendants of immigrants from Central Asia, especially Turks and Mongols. But Mughal emperors married women from families who were Shiʿites or who either converted to Islam in India or remained Hindus; similarly, the imperial army and administration also broadened its composition to include such families. Each individual emperor developed his own religious ideology, including Sunni, Sufistic, strongly influenced by Shiʿism, and eclectically drawing upon diverse Islamic and non-Islamic Indic traditions (i.e., Hindu devotional bhakti, Zoroastrianism, Jainism). Roughly a quarter of the Mughal dynasty’s subjects were Muslim, but these also followed an array of diverse Islamic ideologies and social and religious practices (many functioning much like “castes”). Conversely, many non-Muslim officials and subjects of the dynasty adapted its Persianate patterns of culture and belief. Over the 16th and 17th centuries, the Mughal dynasty conquered most of the Indian subcontinent (except the southern tip of the peninsula), but then its empire fragmented over the 18th and early 19th centuries. Evidence for the variety of Islamic expressions within the Mughal Empire comes from many types of sources. Imperial officials, accountants, and scribes compiled Persian-language records in detail, extent, and preservation that exceeded previous states in India. Emperors, courtiers, and authors whom they patronized created sophisticated works of history and literature that described events, rituals, and values, using Persian and also Sanskrit and regional Indian languages. Additionally, various types of material evidence have survived—including architecture, paintings, coins, weapons, and clothing—that display the dynasty’s religious expressions, values, and technologies. Muslim and Christian visitors from Central and Western Asia and Europe also wrote down their observations and assessments while traveling to the imperial court or through the Empire’s provinces. The relationships between Islamic beliefs and practices and the Mughal Empire that travelers, commentators, and historians noted and evaluated varied over time.
Paul B. Donnelly
Along with Yogācāra, Madhyamaka (Middle Way) is one of the two foundational doctrinal systems of Indian Mahāyāna Buddhism, which flourished from the 3rd century
The name “Middle Way” references a fundamental assumption in Buddhism that stakes a middle position between the idea that the self is an irreducible, enduring entity and one in which it is wholly reducible to the physical body and perishes after death. Though central Madhyamaka ideas, such as the doctrine of the Two Truths, Dependent Origination, and Emptiness, can be found in Nikāya Buddhism and in Mahāyāna sutras, it is in the treatises of Nāgārjuna (2nd–3rd centuries
“Naikan” 内観 is a self-reflective form of meditation founded by Yoshimoto Ishin 吉本伊信 (1916–1988), who developed it from a lay Shin Buddhist practice called mishirabe身調べ. After Yoshimoto used it to help prisoners in the 1950s, psychiatrists in the 1960s started to use it as a psychotherapy. Today in Japan it is the most popular psychotherapeutic method that originated in Buddhism.
Naikan involves self-reflection on three questions: What have I received from a significant other? What have I given back to that person? What troubles and difficulties did I cause that person? People doing Naikan ask themselves these questions in relation to a family member or some other person during particular times in their lives.
There are two types of the practice: intensive Naikan (shūchū naikan集中内観) and daily Naikan (nichijō naikan日常内観 or bunsan naikan分散内観). The former is done continually for a week at a Naikan training center, of which there are about twenty-five in Japan and several outside Japan in Austria, Germany, and the United States. During intensive Naikan, those doing Naikan report individually eight or so times a day their answers to the three questions to an “interviewer” (mensetsusha面接者). Daily Naikan is done as part of a person’s everyday normal routine for as short as a few minutes or as long as two hours a day. Intensive or daily Naikan is offered as a therapy at about twenty medical institutions in Japan and another fifteen in China.
Intensive Naikan is commonly done for one of four reasons. First, it is done to solve a specific problem, such as alcoholism, gambling addiction, a psychosomatic disorder, or a bad relationship with a family member. Second, it is used to train employees so they can interact better with customers and colleagues. The Toyoko Inn, for example, which has over 230 hotels throughout Japan, requires all its full-time employees to do intensive Naikan. Third, it cultivates greater self-awareness with regard to, for example, how our minds work. Finally, it is done to discover the true nature of our lives through a spiritual awakening, which commonly entails the realization of how we live due to the care of others and how we suffer because of our own self-centeredness. This final purpose is in accordance with Yoshimoto’s view of Naikan as a method for learning how to live happily regardless of one’s life circumstances. Those who do Naikan for non-psychotherapeutic purposes sometimes use the term “Naikanhō” 内観法 (Naikan method) to distinguish their aims from Naikan therapy (Naikan ryōhō) 内観療法, which is used to solve a particular problem. But regardless of whether Naikan is done for self-developmental, spiritual, or for therapeutic reasons, the Naikan method of reflecting on the three Naikan questions is the same.
The Indian Buddhist philosophers Dignāga (c. 480–540
Rennyo was a Japanese Pure Land Buddhist priest and eighth head priest of Honganji (1457–1489), the central institutional complex of the Jōdo Shinshū tradition. He is often considered the “second founder” of the tradition due to his efforts in propagating the Jōdo Shinshū teachings; expanding the institution; and negotiating conflicts with the military, political, and religious authorities of the time. His prowess as an institution builder and religious teacher laid the foundations for Jōdo Shinshū to become one of the largest Buddhist denominations in Japan.
Rennyo was born as the first son of Zonnyo (1396–1457); the seventh head priest of Honganji; and was a ninth-generation descendant of Shinran (1173–1262), the founder of Jōdo Shinshū. Neither the name nor background of Rennyo’s mother is known, but it is believed that she may have been a servant attending at Honganji. When Rennyo was six years old, his mother left Honganji, perhaps because of Zonnyo’s official marriage in 1420. There are no further records of her after that time. In 1431, at the age of 17, Rennyo was ordained at Shōren-in, one of the major monzeki (noble cloister) temples of the Tendai school. Rennyo received transmission of the Jōdo Shinshū lineage from Zonnyo. At Honganji, Rennyo assisted his father’s missionary work.
In 1457, Rennyo was appointed as the eighth chief abbot of Honganji, which had been established at the mausoleum of Shinran on the outskirts of Kyoto. Under Rennyo’s leadership, Honganji began to expand its institutional reach beyond the areas surrounding the capital. However, the rapid growth of Honganji met with interference by the forces of the Tendai school on Mt. Hiei. In 1465, Honganji was destroyed by Enryakuji priests, and Rennyo was forced to retreat from Kyoto.
After leaving Kyoto, in 1471, Rennyo reestablished Honganji in the city of Yoshizaki, located on the border of Echizen and Kaga provinces (currently Fukui and Ishikawa prefectures). In order to propagate the teaching effectively to the faith communities scattered around Japan in rural areas, Rennyo wrote numerous instructional letters (ofumi, or gobunshō) in which he explained Shinran’s teaching in colloquial Japanese, and distributed six-character myōgo scrolls of Amida Buddha’s name (na-mu a-mi-da-butsu) as the main object of worship. He also reformed ritual practice by adopting the recitation of Shōshinge (The Hymns of True Faith) and Wasan (Japanese Hymns), both composed by Shinran, as a standard religious service to be performed by priests and lay followers together.
In Yoshizaki, Rennyo first put his institutional vision into practice by redeveloping the area into a religious township equipped with residences for both priests and lay followers. The town provided lodgings and other services, rapidly attracting large numbers of pilgrims mainly from the northern provinces as far away as Dewa and Ōshū (modern-day Tohoku region). His success at Yoshizaki, however, also drew him into conflicts with local religious and political authorities. In order to avoid these conflicts, he decided to leave Yoshizaki in 1475. After exploring various sites, Rennyo relocated Honganji to Yamashina, directly east of Kyoto.
Construction of the Yamashina Honganji started in 1478 and took five years to complete. The site included massive buildings of Shinran’s Memorial Hall and Amida Hall side by side, which would become the standard architectural form of the temple henceforth. Rennyo also developed the surrounding area into a jinaichō (temple-city) as he did at Yoshizaki, but on a much larger scale. In 1489, Rennyo, at the age of 75, ceded the position of head priest of Honganji to his fifth son Jitsunyo (1458–1525). Rennyo remained active in missionary work after his retirement. He directed the construction of another large temple, the Ishiyama Gobō in Settsu, Ōsaka, completed in 1497 as an outpost for further institutional expansion to the western regions.
Rennyo died in 1499 at the age of 85. His cloistered title is Shinshōin. In 1882, Emperor Meiji (1852–1912) awarded him the title of Great Master Etō (Etō Daishi).
Along with the buddha and the dharma, the sangha is one of the “three jewels,” the core aspects of Buddhism in which a Buddhist “takes refuge.” The sangha is responsible for taking care of and propagating the dharma, the teachings of the buddha. It can also be considered more broadly as the Buddhist community, which in turn can be thought of as the group of people who either take refuge in the three jewels or follow the teachings of the buddha. Given this, the sangha has generally been conceptualized in two ways. Most often, it refers to the community of men and women who have been ordained as monks and nuns under the auspices of Buddhist disciplinary teachers. At the same time, it can sometimes refer more broadly to the four-fold community of monks, nuns, laymen, and laywomen.
While the sangha may be discussed in the singular, generally speaking it is appropriate to think of sanghas in the plural. In this sense, the term refers not to an ideal community that maintains the teachings of the buddha but rather to the communal and institutional structures through which people define themselves as Buddhist and maintain their Buddhist identities. A particular sangha is revealed by interrogating the linkages (i.e., lineages) between different Buddhists, the kinds of educational structures in place to train adherents, the ways that Buddhists discipline themselves (for example, through the vinaya rules), and the ways in which external governing bodies seek to regulate Buddhist communities.
During the Nara period (710–794), the Japanese religious and political landscape saw tremendous change. A new capital was built, Chinese legal codes were implemented, and the Buddhist temples grew in size and number. Traditionally, Nara period Buddhism has been described in terms of the so-called “Six Schools.” It is certainly the case that the 8th century became the cornerstone of later doctrinal and ritual developments, but the Buddhist context was more complex and intertwined than these six forms of Buddhism.
The Sōka Gakkai is a lay Buddhist movement, originating in Japan, that bases its religious practice and worldview on the Lotus Sutra-centric teachings of the Kamakura-era priest Nichiren (1222–1282). Following Nichiren, members of the Sōka Gakkai consider the practice of reciting Namu-myōhō-renge-kyō—the Daimoku, or title of the Lotus Sutra—to a copy of a character mandala (Gohonzon) originally inscribed by Nichiren to be the fundamental means for attainment of enlightenment. Also modeling themselves on Nichiren, the membership takes an active interest in the social and political realities of this world. In Japan, this engagement has taken various forms, including electoral support for a political party made up largely of Sōka Gakkai members, and globally, as activities in the fields of nuclear disarmament, sustainable development, human rights education, and humanitarian assistance.
Founded in 1930, the organization was suppressed during World War II. In the postwar era, its rapid growth, driven by a campaign of aggressive proselytization, as well its ongoing involvement in politics, has generated considerable controversy within Japanese society. Even as the organization has matured institutionally, and in its relations with other faith traditions, an exclusive commitment by members to a single faith practice makes it an outlier within the Japanese religious landscape.
The Sōka Gakkai in Japan currently claims some 8.27 million member families, making it the nation’s largest and most active religious movement. Outside Japan, under the rubric of Sōka Gakkai International (SGI), official statistics give membership totals of 1.75 million in 192 countries and territories, with 94 organizations incorporated under local national laws. More than half of the membership outside Japan—slightly more than 1 million—are said to be in Asia and Oceania, with South Korea, Taiwan, Hong Kong, and Singapore among the sites of large and active memberships. Other countries with significant national movements include Brazil, the United States, India, and Italy.
While the Sōka Gakkai was originally associated with the Nichiren Shōshū sect, long-standing tensions over the respective roles of priesthood and laity came to a head in a decisive schism in 1991, since which the two groups have pursued independent paths. Following the schism, the Sōka Gakkai has given more central emphasis to the “mentor-disciple relationship,” in particular as this relates to the first three presidents of the organization: Makiguchi Tsunesaburō (1871–1944), Toda Jōsei (1900–1958) and Ikeda Daisaku (1928–).
Solomon George FitzHerbert
In both eastern Tibet and in Mongolia, the Buddhist cult surrounding the figure of Ling Gesar (Gling ge sar) or Geser Khan in Mongolian versions is an outgrowth of Gesar’s standing as the eponymous hero of an elaborate oral epic tradition. Today, the epic and the Buddhist cult exist side by side in a relationship of symbiosis. Gesar’s sanctification as an enlightened being—as the combined manifestation of the Three Bodhisattva Lords and as an “emissary” or “manifestation” of Padmasambhava—whose tricksterism is enacted on behalf of the forces of goodness, justice, and the White Side in its perennial battle against the forces of evil, injustice, and the Dark Side—is both an outgrowth but also a source of nourishment for the epic tradition as it has continued to adapt and develop up to our own times.
The Gesar/Geser epic, in all the three main regions in which it survives (eastern Tibet and its neighboring regions, the Mongolic regions as far west as Kalmykia, and Ladakh and neighboring regions), is a living and mobile tradition of oral recitation and improvisation. The available textual corpus of this epic is very large, though none of it is very old (the oldest available epic texts in Tibetan are from the 17th century and in Mongolian are from 18th century). Thanks in part to sustained state patronage in the PRC, there are now over 200 published volumes of non-duplicating Gesar epic narrative and song, mostly from eastern Tibet. A lot of this material is of a directly oral provenance. Many modern volumes are the direct transcriptions (with some editing) of the oral repertoires of contemporary bards, some of which have been very lengthy. To take one example, the recorded repertoire of the bard Samdrup (Bsam grub) (1922–2011) was over 3,000 hours long, much of which has now been published. As for literary versions, the authors of Gesar epic texts often make explicit the debt that their tellings owe to oral renditions that they have heard. The mid-18th-century author of the famous Horling Yülgyé (Hor gling g.yul ’gyed), for example, mentions that he based his telling on the oral repertoires of “some twenty bards,” several of whom he cites by name. Due to the heterogeneity and sheer volume of this available textual corpus, it is hard to make categorical assertions about the relationship between Buddhism and the epic tradition, since that relationship varies from version to version. However, some general observations may be offered. In the ritual cult devoted to Gesar that evolved from the epic tradition, matters are somewhat clearer. In the ritual texts devoted to Gesar—which are mostly offering texts—the unruly polyphony of the epic (many bards, many characters, many perspectives) is replaced with a neater integrated vision, in which the hero is praised as a totalizing culture hero and enlightened lord—a hero in every register, both worldly and spiritual, both chivalric and shamanistic.
Belonging to an esoteric corpus of Buddhist texts known as the teachings of secret mantra (Skt. guhyamantra), the tantras of Vajrakīla have been carefully guarded through the centuries and handed down from teacher to disciple under a strictly ethical code of conduct. Although the texts themselves often seem to advocate a violent and unrestrained lifestyle, under the skillful guidance of a suitably qualified guru, who must be seen by the disciple as none other than the Buddha himself, one who seriously engages in the systematic practice of their profound series of meditations becomes quickly and thoroughly purified in body, speech, and mind.
The wrathful deity Vajrakīla is described in all the tantras that bear his name as the manifestation of heroic power for the overthrow of Māra. During times of peace he manifests as Vajrasattva, and his mind abides in tranquility. During times of activity he manifests as “Vajra of Total Destruction” (Skt. *Ativināśanavajra) and, when manifesting as a bodhisattva, he is Vajrapāṇi, “the One with a Vajra in his Hand.”
With regard to his name “Vajrakīla”: vajra as a prefix is found everywhere within the Buddhist tantras. Originally meaning “the hard or mighty one” and referring in particular to the thunderbolt as a weapon of Indra, it subsequently became so intimately associated with the development of tantric ideas in Buddhism that the entire system of practice came to be known as the Vajrayāna or Vajra Vehicle. Indeed, as a symbol within the Buddhist tantras it is as pregnant with meaning as the very texts themselves. Characterized as abhedya, “unbreakable,” and acchedya, “indivisible,” the term may be said to represent nothing less than the full enlightenment of the samyaksaṃbuddha, who himself came to be referred to as Vajradhara, “Holder of the Vajra.” The Sanskrit word kīla means “nail,” “peg,” or “spike,” and thus Vajrakīla may be taken to mean “the unassailable spike” or, on a higher level, “(He who is) the nail of supreme enlightenment.”
Introduced to Tibet during the 8th century
The roots of Kīla mythology, however, may lie buried deep within the pre-Buddhist religion of ancient India where, in the Ṛgveda, the story is told of the god Indra who slew the demon Vṛtra. It is said that, at that time, Indra stabilized the earth and propped up the heavens with a kīla and thus, at the outset, we have clearly discernible indications of a path along which a simple wooden stake might travel so as eventually to become deified as a terrifying god of awesome power, one by whom all demons are vanquished and enlightenment realized for the benefit of the world.