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“Prosperity gospel” is a term used mostly by critics to describe a theology and movement based on the belief that God wants to reward believers with health and wealth. The prosperity gospel, known alternatively as the Word of Faith or Health and Wealth gospel, maintains a distinctive view of how faith operates. Built on the theology of Essek William Kenyon, an early 20th-century radio evangelist, faith came to be seen as a spiritual law that guaranteed that believers who spoke positive truths aloud would lay claim to the divine blessings of health and happiness. Kenyon had absorbed a metaphysical vision of the power of the mind that had been developed by the New Thought movement and popularized in the burgeoning genre of self-help. Kenyon’s theology of faith-filled words was spread through healing revivalists in the young Pentecostal movement—most famously F. F. Bosworth—as one of many tools for achieving divine healing. Other variations of New Thought–inflected Christianity appeared in self-help prophets of the 1920s and 1930s, like Father Divine’s (1877/82?–1965) Peace Mission Movement and Sweet Daddy Grace’s (1881–1960) United House of Prayer.
In the 1940s and 1950s, many Pentecostal pastors left their denominations and stirred up healing revivals across North America. Many of the most famous healing evangelists—Oral Roberts, William Branham, T. L. Osborn, A. A. Allen, Gordon Lindsay, and others—were influenced by Bosworth’s teachings on the law of faith (borrowed, of course, from Kenyon) to explain why some people were healed in their nightly revivals and others were not. Positive words, prayed aloud, possessed the power to make blessings materialize. By the early 1950s, they began to preach that wealth was also a divine right. New theological terms like “seed faith,” coined by Oral Roberts, sprang up to explain how gifts to the church were guaranteed to be returned to the believer with an added bonus. By the 1960s, the healing revivals had dried up, but the prosperity gospel continued to grow in the charismatic revivals washing through Catholic and mainline Protestant churches. In the charismatic movement, the prosperity gained middle-class audiences, greater respectability, and wider audiences beyond the Pentecostal nest. During this time, many prosperity-preaching evangelists began to build churches, educational centers, and radio and television ministries to spread their message. The airwaves were soon dominated by celebrity prosperity preachers like Rex Humbard, Robert Schuller, Jim and Tammy Bakker, and others. In the late 1980s, the movement faced a major crisis when several famous televangelists were accused of financial and sexual misconduct. However, new celebrities arose to replace them with a gentler message and a more professional image. The message was always a variation on the same theme: God wants to bless you. Stars like Joel Osteen, T. D. Jakes, or Joyce Meyer promised Christians the power to claim financial and physical well-being through right thought and speech. Though planted in Pentecostalism, the 21st-century prosperity movement attracted believers from diverse ethnic, denominational, racial, and economic backgrounds.
Public art in the United States has a long and complicated history through which nationalism and public monuments have often been intertwined. The most prominent public art forms have been statues and murals. Murals, as the more accessible medium, have served both hegemonic and subversive goals. Religious symbols and figures appear alongside fallen war heroes and slain street gang members alike. In considering public, artistic manifestations of religion in America, the terms, “public” and “art” must be carefully defined. As Sally M. Promey has noted, “To discuss publics is thus to deal with entities both kinetic and partial . . . The public display of religion is thus fundamentally interactive, the full range of interpretive responses inherently unpredictable” (David Morgan and Sally M. Promey, eds. The Visual Culture of American Religions [Berkeley: University of California, 2001], p. 32). For the sake of establishing some parameters, this examination considers public to be grounded in issues of accessibility. Public art is that which multiple audiences can see and experience in a public space; it also implies a very specific notion of community or belonging. This definition of public through accessibility implies democratization. “Public art” has shifting meanings and associations that contrast with those for “private art.”
Who engages with the artwork trumps why they engage it. The art is public because these terms can mean many different things to different people. Even the concepts of public versus publics and private versus public engage debates regarding the artist’s intentionality and the audiences’ agency to interpret what they will. In his introduction to Dialogues in Public Art (1992), Tom Finklepearl writes, the word “public” is associated with the lower classes (public school, public transportation, public housing, public park, public assistance, public defender) as opposed to the word “private.” Which is associated with privilege (private school, private car, private home, private country club, private fortune, private attorney). (Tom Finkelpearl, Dialogues in Public Art [Cambridge: MIT, 2000], x).
Adding religion to these equations complicates these dynamics based on the religious, cultural, personal, or political needs of the audience, and the secularization of public space, among other things, has transformed religion’s role in modern society. Religion’s presence in the public sphere may serve different purposes and may be more or less effective, but it still exists, albeit in less traditional forms. Public theology activates these images by giving traditional and historical religious symbols meaning relevant to their specific contemporary viewers. Public religious art, like public theology, engages broader social, political, and cultural concerns that are not always connected to one particular religion. Often these concerns are specific to the location of the public art object and its audience.
Samira K. Mehta
Jews in America have had a complex relationship to race. At times, they have been described as a racial minority, whereas at other times, they have been able to assimilate into the white majority. Jewish status has largely depended on whether white Americans felt, in any given moment, socially secure. Jews have therefore fared better during times of economic prosperity. This social instability has strongly affected their relationship to African Americans. Jews, who have a strong sense of themselves as outsiders, have often identified with African American struggles but feared that overt solidarity would endanger their own status as white. Nevertheless, American Jews were disproportionately represented in the civil rights movements. Lastly, while American Jewish are predominantly Ashkenazi, which is to say of Central and Eastern European heritage, contemporary American Jewry is increasingly racially diverse, in part because of Jewish immigration from other parts of the world but also because of interfaith marriage, conversion, and adoption. This increased racial diversity has caused problems in the contemporary American Jewish community, but it is also changing the face of it.
Justin D. Poché
Catholicism, as both an institution and a culture of popular beliefs, rituals, and values, has played an important role in the formation of racial boundaries in American society. The logic of race and its inherent function as a mechanism of social power, in turn, profoundly shaped Catholic thought and practice throughout the church’s own 400-year formation in America. Beginning with colonization of the New World, Catholicism defined and institutionalized racial difference in ways that both adhered to and challenged the dominant Anglo-American conceptions of whiteness as a critical measure of social belonging. Early Catholic missions abetted European colonialism by codifying Africans and Native Americans as cultural and moral “others.” Following a “national parish” system, institutional growth from the mid-19th to the mid-20th century sorted various European “races” and created spaces for resisting Anglo-American discrimination. The creation of a separate and singular mission for all “non-white” communities nonetheless reflected Catholic acquiescence to an American racial binary.
Intra-Catholic challenges to racialist organization struggled to gain traction until the mid-20th century. As second- and third-generation European immigrants began asserting white status in American society, Catholic understandings of sacred space, which infused white resistance to neighborhood integration with religious urgency, and hierarchical ordering of moral authority within an institution that historically excluded non-whites from positions of influence created significant barriers to Catholic interracialism. The influence of the civil rights movement and the structural transformation of both Catholic life and urban communities where non-whites lived nonetheless prompted new efforts to enlist Catholic teaching and community resources into ongoing struggles against racial oppression. Debates over the meaning of race and American society and social policy continue to draw upon competing histories of the American Catholic experience.
Lauren Frances Turek
The history of Protestantism in America is deeply intertwined with the histories of race and religious pluralism. Protestantism grew out of Martin Luther’s remonstrations against the Roman Catholic Church in the 16th century, and swiftly divided into a multiplicity of denominations and sects that spread across Europe, the Americas, and eventually the rest of the world. Luther believed that individuals gained salvation through God’s grace rather than through good works and that saved individuals belonged to the “priesthood of believers” and thus enjoyed direct access to God through their faith in Jesus Christ. Despite the significant differences that existed between Protestant denominations and sects, they shared these basic beliefs that salvation came through faith in Jesus Christ, that believers had an individual relationship with God, and that the Bible rather than a priest was the highest earthly authority.
The Protestants who made their way from Europe to the Americas during the early 17th century derived from different denominational branches, including Puritans, Anglicans, Huguenots, Quakers, Lutherans, Anabaptists, and others, and came for diverse reasons, with some seeking an escape from religious persecution and others eager to reap a profit in the New World. They arrived to a vast continent that already boasted a multiplicity of peoples and religions, including indigenous Americans, French and Spanish Catholics, Jews, and Africans.
Through their interactions with non-Protestant and non-European peoples, Protestants drew on their religious beliefs to make sense of the differences they perceived between themselves and those they encountered, defining and redefining the relatively new concept of “race” in the process. As Protestants established their faith as the dominant cultural, religious, and ideological force in North America, they used their religiously inflected definitions of race to create racial and religious hierarchies, enshrining white Protestantism at the apogee of these invented categories. These hierarchies influenced American law, politics, and culture from the colonial era onward. They delineated which peoples counted as “American” and who could and should possess the full rights granted to U.S. citizens in the decades and centuries after the American Revolution. These hierarchies, coupled with religious ideas such as the Protestant commitment to spreading the gospel, also shaped the transcontinental and international expansion of the nation, providing the impetus and justification for exerting hegemonic control over indigenous populations within and outside of the United States.
At the same time, Protestant beliefs about freedom and the inherent dignity of the individual provided an ideological basis for African Americans, Latinx Americans, indigenous Americans, and a range of immigrant populations to resist subjugation. Constitutional guarantees of religious freedom and the separation of church and state created the opening for true religious pluralism. The diversity and evolution of American Protestantism and Protestant thought, as well as the role that Protestantism played in shaping and contesting American ideas about race and religion, influenced the development of American society and politics profoundly.
Ryan P. Jordan
For centuries before the European colonization of North America, sectarian, ethnic, and racial discrimination were interrelated. The proscription of certain groups based on their biological or other apparently ingrained characteristics, which is one definition of racism, in fact describes much religious prejudice in Western history—even as the modern term “racism” was not used until the 20th century. An early example of the similarities between religious and racial prejudice can be seen in the case of anti-Semitism, where merely possessing “Jewish blood” made one inherently unassimilable in many parts of Europe for nearly a thousand years before the initial European conquest of the New World. Throughout Western history, religious values have been mobilized to dehumanize other non-Christian groups such as Muslims, and starting in the 16th century, religious justifications of conquest played an indispensable role in the European takeover of the Americas. In the culture of the 17th- and 18th-century British colonies, still another example of religious and racial hatred existed in the anti-Catholicism of the original Protestant settlers, and this prejudice was particularly evident with the arrival of Irish immigrants in the 19th century. In contemporary language, the Irish belonged to the Celtic “race” and one of the many markers of this race’s inherent inferiority was Catholicism—a religious system that was alternatively defined as non-Western, pagan, or irrational by many Anglo-Saxon Protestants, who similarly saw themselves as a different, superior race. In addition to the Irish, many other racial groups—most notably Native Americans—were defined as inferior based on their religious beliefs. Throughout much of early American history, the normative religious culture of Anglo-Protestantism treated groups ranging from African slaves to Asian or Middle Eastern immigrants as alternatively unequal, corrupt, subversive, or civically immature by virtue of their religious identity. Historians can see many examples of the supposedly dangerous religious attributes of foreigners—such as those of the Chinese in the late 19th century—as a basis for restricting immigration. Evangelical Protestant ideas of divine chosen-ness also influenced imperial projects launched on behalf of the United States. The ideology of Manifest Destiny demonstrates how religious differences could be mobilized to excuse the conquest and monitoring of foreign subjects in places such as Mexico or the Philippines. Anglo-Protestant cultural chauvinism held sway for much of American history, though since the mid-1900s, it can be said to have lost some of its power. Throughout its history, many racial or ethnic groups—such as Hispanic Americans, African-Americans, or Asian Americans in the United States have struggled to counter the dominant ethnic or racial prejudice of the Anglo-Protestant majority by recovering alternative religious visions of nationhood or cultural solidarity. For groups such as the 20th-century Native American Church, or the African American Nation of Islam, religious expression formed an important vehicle to contest white supremacy.
Khyati Y. Joshi
Religion is front and center in the early 21st century. The United States not only has experienced an explosion of religious diversity on its own shores in the past five decades, but also is functioning in a world where the 20th century’s duel of political theories has given way to political and social movements driven by or making use of expressly religious identities and themes. All the while, the United States is trying the perfect the experiment in religious pluralism started by the framers of the US Constitution more than two centuries ago. Today, most people would say we have “freedom of religion,” guaranteed by the First Amendment. In reality, religious freedom and religious pluralism are something we have been struggling with since the inception of this country for a variety of reasons, including the presence of white and Christian normativity that is enshrined in our laws and policies and extends religious liberties haltingly, belatedly, and incompletely. The experiences of three immigrant cohorts that are both racial and religious minorities in the United States (South Asian American Muslims, Sikhs, and Hindus) illustrate the dynamic nature of religion in public life, and the unfulfilled promise of complete equality. By illustrating the complexities of how racial status and religious background have impacted the perception and reception of these immigrant communities, it offers untold stories and discusses the lessons they offer for those who aspire to a genuinely equal and pluralistic America.
Janine Giordano Drake
As a nation grounded in the appropriation of Native land and the destruction of Native peoples, Christianity has helped define what it means to be “American” from the start. Even though neither the Continental Congress nor the Constitutional Convention recognized a unifying set of religious beliefs, Protestant evangelicalism served as a force of cohesion that helped Americans rally behind the War for Independence. During the multiple 19th-century wars for Indian removal and extermination, Christianity again helped solidify the collapse of racial, class, and denominational categories behind a love for a Christian God and His support for an American nation. Close connections between Christianity and American nationhood have flared in popularity throughout American history, particularly during wartime. In the late 19th and 20th centuries, the closely affiliated religious and racial categories of Christianity and whiteness helped solidify American identity.
However, constructions of a white, Christian, American nation have always been oversimplified. Slavery, land-grabbing, and the systematic genocide of Native peoples ran alongside the creation of the American myth of a Christian nation, founded in religious freedom. Indeed, enslavement and settler colonialism helped contrive a coherence to white Protestantism during a moment of profound disagreement on church government, theology, and religious practice. During the antebellum period, white Protestants constructed a Christian and American identity largely in opposition to categories they identified as non-Christian. This “other” group was built around indigenous, African, Muslim, and sometimes-Catholic religious beliefs and their historic, religious, and racial categorizations as “pagans,” “heathens,” and “savages.” In the 19th-century republic, this “non-Christian” designation defined and enforced a unified category of American Protestants, even though their denominations fought constantly and splintered easily. Among those outside the rhetorical category of Protestantism were, frequently, Irish and Mexican Catholics, as well as Mormons. Enforced segregation of African Americans within or outside of white Protestant churches furthered a sense of Protestant whiteness. When, by the late 19th century, Protestantism became elided with white middle class expectations of productive work, leisure, and social mobility, it was largely because of the early 19th-century cultural associations Protestants had built between white Protestantism, republicanism, and civilization.
The fact that the largest categories of immigrants in the late 19th century came from non-Protestant cultures initially reified connections between Protestantism and American nationalism. Immigrants were identified as marginally capable of American citizenship and were simply considered “workers.” Protestant expectations of literacy, sobriety, social mobility, and religious practice helped construct Southern and Eastern European immigrants as nonwhite. Like African Americans, New Immigrants were considered incapable of fulfilling the responsibilities of American citizenship. Fears that Catholic and Jewish immigrants, like African Americans, might build lasting American institutions to change the cultural loci of power in the country were often expressed in religious terms. Groups such as the No-Nothing Party, the Ku Klux Klan, and the Immigration Restriction League often discussed their nationalist goals in terms of historic connections between the nation and Anglo-Protestantism. During the Great Depression and the long era of prosperity in the mid-20th century, the Catholic and Jewish migrants gradually assimilated into a common category of “whiteness” and American citizenship. However, the newly expansive category of postwar whiteness also further distanced African Americans, Native Americans, Asian Americans and others as perpetual “foreigners” within a white, Protestant, Christian nation.
The South still commonly appears as the land of the Bible Belt, of evangelical Protestant hegemony. Despite the rapidly increasing immigration from all parts of the world to the region, there is still justification for such a view. To study religion in the South, then, is to examine the influence of a dominant evangelical culture that has shaped the region’s social mores, religious minorities (including Catholicism, Judaism, and non-Christian immigrant religions), cultural forms, charged racial interactions, and political practices. In no other widely dispersed region, save for the Mormon regions of the Rocky Mountain West, does one family of religious belief and expression hold such sway over so many people and throughout such a large area. The biracial nature of evangelicalism in the South, as well, lends it a distinctive history and culture that alternately puzzles, repulses, and fascinates outsiders.
The South may be the Bible Belt, but, like Joseph’s coat, it is a belt of many colors, embroidered with a rich stitching together of words, sounds, and images from the inexhaustible resource of the scriptures. The rigid Bible Belt conservatism associated with the common understanding of religion in the South contrasts dramatically with the sheer creative explosiveness of southern religious cultural expression. Indeed, southern religious influences lay at the heart of much of 20th-century American popular culture. And it contrasts with a rapidly changing contemporary South in which Buddhist retreat centers and Ganesha temples are taking their place alongside Baptist and Methodist churches.
Russell Jeung and Jonathan Calvillo
In 2010, immigrants represented 13 percent of the United States population, and almost one in four American children lived at home with an immigrant parent. Over half of the population growth in the United States from 2000 to 2010 was due to the increase of Hispanics, and currently, the highest number of immigrants come from Asian nations. This influx of immigrants has not only increased the percentage of people of color in the United States, at 28 percent, but has also dramatically altered the religious landscape of the country. The decline in the number of American Christians signals this shift, as does the growth of the religiously non-affiliated, Hindus, and Muslims. In the past century, sociologists have accounted for religious change by employing theories of secularization, assimilation, and modernization.
For more recent religious change in regard to ethnicity and race, however, four processes are more salient: (1) the religious marketplace, (2) globalization, (3) multicultural discourse production, and (4) racialization. The religious marketplace continues to cater to spiritual consumers who have become increasingly diversified with the influx of new immigrants and the rise of “spiritual but not religious individuals.” The United States has thus remained a religiously vital context, with a strong supply of religious groupings. Globalization has spurred more transnational religious networks, which have increased the flow of religious personnel, ideas, and organizations across borders. New immigrants, furthermore, enter an American host society that is segmented economically. Consequently, ethnic groups do adapt to their neighborhoods, but in different contexts and in dissimilar manners. With the increase in multicultural discourse, ethnic groups may choose to retain their ethnicity and religious heritages for symbolic pride. Finally, race, as a central organizing concept in the United States, is a basis by which religious groups mobilize for spiritual interests. As religious groups become racialized, such as how Islamophobia targets persons with similar physical features, they respond with reactive solidarity.
John L. Crow
Sectionalism denotes the division of a country, such as the United States, into sections based on shared cultures, religions, and racial, economic, and political identities. These sections then compete, putting their interests over those of the other sections. In the case of the United States, one of the most significant sectional conflicts was the Civil War, where North and South battled due to conflict over racial, economic, religious, and political differences. However, sectional conflict can be seen as early as British colonialism during which time the colonies competed with each other and with their governments in Europe and later as other sections such as the West developed its own characteristics and interests. Religion and race were frequently at the core of sectional conflicts, in everything from the Revolutionary War, the drafting of the Constitution, the failure of compromise regarding slavery, and the intermittent battles with Native Americans over land and religious practice to the emergence of the West and the great immigration and religious innovation that took place there. In all these cases, sections constructed identities in which race and religion were fundamental and were also significant points of contention. Even today, at the beginning of the 21st century, sectionalism continues with geographic sections still battling for dominance, and cultural sections square off in what is commonly called the culture wars.
Craig R. Prentiss
With the slow realization that race was not a category in nature, but rather the fruit of social imagination emerging from colonialism, scholars in the late 20th century shifted their focus to the cultural elements feeding that imagination, including religion and the arts. Although most studies in the field address fairly conventional constructions of religion and the arts (two categories that, like race, have also been destabilized), some studies reveal the potential for these three categories to be co-constituting. Studies addressing religiously themed music, including spirituals, gospel, hip-hop, and a significant portion of country music, have shed light on the ways in which these genres encode and inform racial paradigms. Portraits in theater, dance, and film of ideas and practices associated with Christianity, Judaism, Buddhism, and other social groupings have proven active sites for the production of influential, and often competing, conceptions of race. Stereotypes linking religious and racial classifications are perpetuated as well as challenged in these artistic media. Given that the racial imagination in the United States is articulated using the language of color, painting and sculpture have been instrumental in conveying vivid connections between race and religion. For instance, many paintings celebrating Christianity’s triumph over America’s indigenous people concurrently depicted white dominance over them as well. A theological system rooting skin color in divine decree, like the Church of Jesus Christ of Latter-day Saints did in its Book of Mormon, helped assure a fair-skinned and fair-haired Jesus would populate its art. The politics of Jesus’ color continued to be played out in painting and sculpture in the United States to the present day, and exemplifies the interaction of racial, religious, and artistic categories.
The history of race, religion, and law in the United States is a story about who gets to be human and the relevance of human difference to political and material power. Each side in this argument marshaled a variety of scientific, theological, and intellectual arguments supporting its position. Consequently, we should not accept a simple binary in which religion either supports or obstructs processes of racialization in American history. Race and religion, rather, are co-constitutive. They have been defined and measured together since Europeans’ arrival in the western hemisphere. A focus on legal history is one way to track these developments.
One of the primary contradictions in the relationship between religion and race in the U.S. legal system has been that, despite the promise of individual religious free exercise enshrined in the Constitution, dominant strands of American culture have long identified certain racial and religious groups as a threat to the security of the nation. The expansion of rights to minority groups has been, and remains, contested in American culture. “Race,” as Americans came to think about it, was encoded in laws, adjudicated in courts, enforced through government action, and conditioned everyday life. Ideas of race were closely related to religious and cultural assumptions about human nature and human origins. Much of the history of the United States, and the western hemisphere of which it is part, is linked to changing ideas about—even the emergence of—a terminology of “race,” “religion,” and related concepts.
Throughout his academic life, Martin Luther was in constant discussion with philosophy. He was prepared for this with a substantial study of philosophy at the University of Erfurt, finishing with a master of arts degree. In many parts of Luther’s work, there are explicit discussions of philosophy, in the interpretation of biblical texts and in the definition of theological concepts. Quite early in his theological career, Luther became aware of the problematic dominance of Aristotelian scholastic philosophy in the formation and definition of theological concepts. He was always attempting to develop a clear distinction between philosophy and theology, which freed theology from the concepts of Aristotelian philosophy and from the limits of Aristotelian logic, but the same time respected the significance of philosophy. As Luther preferred clear critique and often used strident language for this, his sometimes polemical critique of philosophy, logic, and “the philosopher” (Aristotle) was often interpreted as a fundamental dismissal of philosophy. Since the late 20th century, research has presented a very different picture of Luther’s understanding of philosophy, of the role and significance he gave to philosophy theoretically and in his practical academic work, and of the relation of Luther’s references to Aristotle and the concrete Aristotelian philosophy in scholasticism, as well as to the relationship between theology and philosophy in general. All this research showed how deeply Luther was rooted in the philosophical discourses and contexts of late scholasticism and involved in the debates of nominalism. But this research also made clear how Luther successfully struggled to come to a very different model of the relationship between theology and philosophy than the models of scholasticism, which secured the independence of both intellectual disciplines despite their close relatedness their relatedness. Luther’s understanding of philosophy and philosophy’s significance for theology is closely related to his concept of reason. Again, there is some polemical critique of reason in Luther’s writings, but in fact Luther had a high appreciation of reason, when reason was in exploring the physical, social, and psychic reality and in shaping the natural, social, and moral world. Luther was critical and polemical toward reason when it was used in matters of faith. But although the use of reason in theology had its limits, it was nevertheless indispensable in theological work. This was especially clear in Luther’s hermeneutics, as reason was the means to come to the external clarity of biblical texts in the process of interpretation.
Martin Luther was a subject of the Elector of Saxony in the Holy Roman Empire. His emergence as a reformer was made possible by the sponsorship he received in Wittenberg. He owed his survival to the protection afforded him by the Elector when Emperor Charles V outlawed him and ordered that the papal ban of excommunication be enforced in the empire. The audience to which Luther appealed was the general population of German Christians, both lay and ecclesiastical, who wanted a reform of the church and the reduction of the pope’s influence over it. That his appeal resonated so widely and so profoundly had much to do with a combination of crises that had developed in the empire from the 15th century. That his reform proposals resulted in the formation of a new church owed everything to the political structures of the empire. These facilitated the suppression of radical challenges to Luther’s position. They also thwarted every effort Charles V made over several decades to ensure that the empire remained Catholic. Lutheranism became entwined with the idea of German liberty; as a result, its survival was secured in the constitution of the empire, first in 1555 and then in 1648.
Frank C. Senn
The Reformation era was one of the most fertile times for liturgical revision in the history of Christianity between Late Antiquity and the late 20th century. New theological ideas, based on a study of the Bible and combined with humanist historical and literary scholarship, created dissatisfaction with the received medieval rites. Each of the great reformers undertook the work of liturgical reform, often producing two or more liturgical orders. Important Reformation liturgical work includes the reform proposals of Martin Luther, their implementation in official church orders, the very different approach to liturgy in the orders prepared by Ulrich Zwingli at Zürich, the worship of sectarian groups of Brethren and Anabaptists, the mediating Protestant liturgies that evolved in Strassburg and their influence on John Calvin in Strasbourg (there were German and French congregations in this city that straddled Germany and France; to indicate Bucer’s and Calvin’s liturgies, I use both the German and French spellings of the city) and Geneva, the liturgical changes that occurred in England during the reigns of Henry VIII and Edward VI, the work of the Scottish reformer John Knox among English exiles on the continent during the reign of Queen Mary Tudor and later in Scotland, the compromises of the Elizabethan settlement, the efforts of the Catholic Church to respond both to the Protestant attacks on traditional teachings and practices and to the frustrations of their own clergy with liturgies that had become overburdened with accretions of dubious historical veracity and literary quality and the complications of a cluttered calendar, and two final examples of Reformation liturgy among the New England Puritans and the Westminster Directory in the 17th century. The Reformation was a time of growing divisions between Christian people, especially in practices of public worship. But Protestants and Catholics were also responding in similar ways to cultural challenges that they themselves could not see. In their various ways they were turning away from rituals that concerned the body and toward doctrinal issues that engaged the mind. Reformation worship, both Protestant and Catholic, increasingly focused on informed (i.e., catechized) participation in new rites nurtured by a clear proclamation of the word and administration of the sacraments.
Dutch Reformed liturgy started with Dutch refugees in London, where they used a Dutch translation of Martin Bucers’s liturgy at Strasbourg as well as the liturgy that John à Lasco brought back from Emden, Germany. When these refugees fled again, this time to Frankenthal, Germany, they formed their liturgy and theology at Heidelberg University. So Dutch Reformed liturgy was born outside its own boundaries—in Europe!
In The Netherlands itself, Dutch Reformed liturgy was grounded at the National Council of the Dutch Reformed Church at Dordrecht, in 1674 and 1678. Here the national synod made several decisions on liturgical practices as well of the use of the psalms. They also took initiative to begin a Dutch Bible translation: the famous Statenvertaling.
The 17th and 18th centuries of the Dutch Reformed liturgy are characterized by a long sermon as the heart of the liturgy, extended with the reading of the Ten Commandments, the Creed, and a prayer of confession of sins. Only psalms were sung in a 1773 translation, and without an organ, because it was seen as a pagan instrument.
Another national synod in 1817 dealt with the liturgy; now the he singing of a hymn became obligatory, a decision that led to many quarrels and the first schism in the Protestant Church of The Netherlands. Also the synod decided that the ministers should wear black gowns. But instead of set rules and forms, liturgical freedom was absolute.
At the beginning of the 20th century, new attention was directed at liturgical practices—many parishes started to experiment. A Dutch version of the ecumenical ordinarium came up, based on the Missale Romanum and the Book of Common Prayer. New hymn books saw the light in 1973 and in 2013, when several Protestant churches took part. However, there are still two mainstream liturgies. The first one, Liturgy A, is the orthodox liturgy with set forms, use of psalms only, reading of the Ten Commandments, and the Heidelberger Catechism with emphasis on the sermon and the Scripture reading. The second mainstream liturgy, Liturgy B, is the ordinary ecumenical with liturgical acclamations, the use of hymns, and the participation of a scholar or choir.
The Lord’s Supper has both an A and B form: didactic form or worship prayer based on the classical form of the mass.
A Service Book was published in 1998 (part 1) and 2004 (part 2), consisting of all liturgical texts and forms for both liturgies A and B. There is still liturgical freedom, as the Dutch are not amused by obligatory items of any kind!
Concepts of religion and humanity form an integral component of Mesopotamian narrative literature, and these ideas are evidenced in the frequent exploration of themes involving mortality and immortality, power and authority, and creation and destruction. Through the use of plot, characterization, literary themes and techniques, and also structure, Mesopotamian myths and epics transmit religious ideas and beliefs, as well as informing on cultural identity and meaning. In both oral and written transmission, storytelling is a powerful medium for exploring ancient theology.
Religious ideas are expressed in a wide array of Mesopotamian literary works, and while some features, such as the polytheistic view of the divine hierarchy, remain generally constant, different texts and “genres” show changes in focus and in the perception of the divine and the human. While deities and supernatural creatures have a prominent role in literature, Mesopotamian myth is not only concerned with theistic matters, but also with what it means to be human.
It is often observed in modern scholarly works that humans, in the Babylonian Flood narrative of Atrahasis, and the creation myth of Enuma Elish, were born to serve the gods and perform their menial tasks. This is undoubtedly an important observation for the analysis of humanity and religion, yet the presentation of human/divine relations as one of simple subjection gives a misleading and superficial impression of the interaction between the mortal and divine spheres, one that is at odds with the subject’s complexity, variety, and subtlety.
Myths and epics provide a multifaceted picture of a number of different types of relationships between gods and humans: even in the narrative of Atrahasis, individual deities interact with humans in different ways; there is no “one size fits all” divine connection in Mesopotamian literature. Despite a rigid hierarchy in favor of the divine, these relationships are frequently close, involving strong emotional bonds. The human/divine connection is not solely beneficial to either party, but reciprocal and often mutually rewarding. At the same time, the relations between humans and deities can be destructive and damaging—with the harm most often depicted to occur on the human side, possibly because of the vulnerability offered by mortality and the lack of supernatural abilities. Humanity is reflected in the anthropomorphic representations of deities and also the sociomorphism of their family-oriented community structure. For heroes of epic literature, the divine connection can be perilous, but also rewarding. The success of heroes in accessing divine support is frequently (but not exclusively) linked to the morality of their actions.
Religion and humanity in literature concern not only deities’ interactions with humans, but also how the authors of literature conceptualized and gave meaning to the human condition. It is clear from Mesopotamian literature that close, positive relationships with the divine were important for survival and success during the human lifespan (and even beyond), yet at the same time, the answer to questions of finding meaning in mortal existence is at times presented in very human terms. Love, alongside shared human achievements and experiences, is presented in several literary sources as essential for giving meaning to the human condition.
Since the early 19th century, the expansion of American empire has constrained Native American autonomy and cultural expression. Native American history simply cannot be told apart from accounts of violent dispossession of land, languages, and lifeways. The pressures exerted on Native Americans by U.S. colonialism were intense and far-reaching: U.S. officials sought no less than the complete eradication of Native cultures through the assimilation policies they devised in the 19th century and beyond. Their efforts, however, never went uncontested. Despite significant asymmetries in political power and material resources, Native Americans developed a range of strategies to ensure the survival of their communities in the complicated colonial context created by American expansion. Their activism meant that U.S. colonialism operated as a dynamic process that facilitated various forms of cultural innovation. With survival as their goal, Native American responses to U.S. colonialism can be mapped on a continuum of resistance in which accommodation and militancy exist as related impulses. Native Americans selectively deployed various expressions of resistance according to the particular political circumstances they faced. This strategy allowed them to facilitate an array of cultural changes intended to preserve their own cultural integrity by mitigating the most damaging effects of white rule.
Because religion provided the language and logic of U.S. colonial expansion and Native American resistance, it functioned as a powerful medium for cross-cultural communication and exchange in the American colonial context. Religion facilitated engagement with white (mostly Protestant) Christian missionaries and allowed Native Americans to embrace some aspects of white American culture while rejecting others (even within the context of Native conversion to Christianity). It also allowed for flexible responses to U.S. consolidation policies intended to constrain Native autonomy still further by extending the reservation system, missionary oversight of indigenous communities, and land use in the late 19th century. Tribes that fought consolidation through the armed rebellions of the 1870s could find reasons to accept reservation life once continued military action became untenable. Once settled on reservations, these same tribes could deploy new strategies of resistance to make reservation life more tolerable. In this environment of religious innovation and resistance, new religious movements like the Ghost Dance and peyote religion arose to challenge the legitimacy of U.S. colonialism more directly through their revolutionary combinations of Native and Christian forms.
The relationship between religion and the body can be viewed from two very different perspectives. The first perspective emphasizes culture’s role in constructing human thought and behavior. This approach illuminates the diverse ways that religious traditions shape human attitudes toward the nature and meaning of their physical bodies. Scholars guided by this perspective have helped us better understand religion’s complicity in such otherwise mysterious phenomena as mandated celibacy, restrictive diets, circumcision, genital mutilation, self-flagellation, or the specification of particular forms of clothing.
Newly emerging information about the biological body has given rise to a second approach to the body’s relationship to religion. Rather than exploring how religion influences attitudes toward our bodies, these new studies investigate how our biological bodies exert identifiable influences on our religious thoughts, feelings, and behaviors. Neural chemistry, emotions, sensory modalities, pain responses, mating strategies, sexual arousal systems, and genetic personality predispositions all influence the personal salience of religious beliefs or behavior. Attention to the biological body unravels many of the enigmas that formerly accompanied the study of such things as the appeal of apocalyptic beliefs, the frequent connection between religion and systems of healing, devotional piety aiming toward union with a beloved deity, the specific practices entailed in ascetic spirituality, or the mechanisms triggering ecstatic emotional states.