1-3 of 3 Results  for:

  • Figures and Symbols x
  • Practices, Applications, and Concepts x
Clear all


Solomon George FitzHerbert

In both eastern Tibet and in Mongolia, the Buddhist cult surrounding the figure of Ling Gesar (Gling ge sar) or Geser Khan in Mongolian versions is an outgrowth of Gesar’s standing as the eponymous hero of an elaborate oral epic tradition. Today, the epic and the Buddhist cult exist side by side in a relationship of symbiosis. Gesar’s sanctification as an enlightened being—as the combined manifestation of the Three Bodhisattva Lords and as an “emissary” or “manifestation” of Padmasambhava—whose tricksterism is enacted on behalf of the forces of goodness, justice, and the White Side in its perennial battle against the forces of evil, injustice, and the Dark Side—is both an outgrowth but also a source of nourishment for the epic tradition as it has continued to adapt and develop up to our own times. The Gesar/Geser epic, in all the three main regions in which it survives (eastern Tibet and its neighboring regions, the Mongolic regions as far west as Kalmykia, and Ladakh and neighboring regions), is a living and mobile tradition of oral recitation and improvisation. The available textual corpus of this epic is very large, though none of it is very old (the oldest available epic texts in Tibetan are from the 17th century and in Mongolian are from 18th century). Thanks in part to sustained state patronage in the PRC, there are now over 200 published volumes of non-duplicating Gesar epic narrative and song, mostly from eastern Tibet. A lot of this material is of a directly oral provenance. Many modern volumes are the direct transcriptions (with some editing) of the oral repertoires of contemporary bards, some of which have been very lengthy. To take one example, the recorded repertoire of the bard Samdrup (Bsam grub) (1922–2011) was over 3,000 hours long, much of which has now been published. As for literary versions, the authors of Gesar epic texts often make explicit the debt that their tellings owe to oral renditions that they have heard. The mid-18th-century author of the famous Horling Yülgyé (Hor gling g.yul ’gyed), for example, mentions that he based his telling on the oral repertoires of “some twenty bards,” several of whom he cites by name. Due to the heterogeneity and sheer volume of this available textual corpus, it is hard to make categorical assertions about the relationship between Buddhism and the epic tradition, since that relationship varies from version to version. However, some general observations may be offered. In the ritual cult devoted to Gesar that evolved from the epic tradition, matters are somewhat clearer. In the ritual texts devoted to Gesar—which are mostly offering texts—the unruly polyphony of the epic (many bards, many characters, many perspectives) is replaced with a neater integrated vision, in which the hero is praised as a totalizing culture hero and enlightened lord—a hero in every register, both worldly and spiritual, both chivalric and shamanistic.


James Duncan Gentry

As Tibetans began to import Buddhist scriptures and translate them into the Tibetan language in the 8th and 9th centuries, they also imported items like relics, reliquaries, statues, paintings, amulets, and other material objects believed to embody and transmit power through their physical connections with buddhas, bodhisattvas, and saints of the past. Guided by scriptural pronouncements, as these resonated with indigenous sensibilities Tibetans came to hold that sensory interactions with Buddhist power objects would enable unmediated access to the powerful sources of the Buddhist tradition for a range of pragmatic and transcendent goals. Such encounters were held to be so efficacious that they were sometimes promoted as viable complements or substitutes for the study and cultivation of Buddhist doctrine. As Tibetans integrated Buddhism into Tibetan culture they began crafting their own Buddhist power objects. These became so ubiquitous and diverse in Tibetan Buddhist societies that there is no single Tibetan term that directly corresponds with the category of “power objects” to encapsulate their full range. Patterned after Indian prototypes, Tibetans developed their own terms and rubrics for these kinds of objects. They also adapted them to include a wider spectrum of items and advanced theories of their power and efficacy that extend beyond their Indian Buddhist counterparts. On this account, controversies sometimes erupted among Tibetan ecclesiastical scholars over the purported nature and potency of such things. The prominent role given to Buddhist power objects in Tibet entailed they would serve as touchstones for the formation of Tibetan Buddhist communities, institutions, and states. Yet, sustained discussion of these kinds of objects has only been sporadic among traditional Tibetan exegetes and modern academic scholars of Tibetan Buddhism.


As “cultic citizens,” women participated in state festivals at Athens alongside men and celebrated their own rituals apart from them, at shrines within the house and in cults outside the house in the company of other women. Their association with fertility made them indispensable performers of rites connected with the agricultural year. Women also served as priestesses, as dedicators, and as euergetai (benefactors). At home, their rituals accompanied nuptial preparations, the laying out of the dead, and the departure of soldiers for war. Female religious activity was considered so critical to the welfare of the community that it was sanctioned by law and financed by the polis. Religion further allowed women’s widespread movement throughout the city as they left their homes to participate in processions and festivals, visit shrines, sanctuaries, and cemeteries. By performing rituals on behalf of the city, Athenian women distinguished themselves from female foreigners and slaves as rightful citizens of the polis. Women-only festivals further offered opportunities to build and strengthen female social networks, to act autonomously, and perhaps even to subvert social norms. Domestic rituals accomplished by women in turn helped to mark the life stages and strengthen familial identity. The difficulties of reconstructing the ancient Greek religious system are well known, even for the period for which there is the most evidence, classical Athens. Even more challenging is the task of recovering the religious activities of women within this structure, given that men served as the primary religious agents within both the polis and household. The prevailing view that the polis mediated all religious activity, including domestic, encompassed by the concept of “polis religion,” has further obscured our understanding women’s ritual activities. Influenced by feminist and social-network theories, recent research has argued for a more nuanced model of religious activity that takes into account the varieties of individual religious experience, particularly those of members of marginal groups, such as slaves and women. It dismantles the traditional binary model of public and private by showing how polis and household were intricately interconnected and interdependent at all levels. These new approaches allow us to consider the ways in which women’s ritual activities intersected with and reinforced polis ideology, allowing women a significant presence and agency in the civic sphere, despite their exclusion from politics, commerce, and certain public spaces. It can also help us understand their engagement with noncivic celebrations and domestic ritual.